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imaginefishes's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Injury/Injury detail and War
Moderate: Body horror, Alcohol, Grief, Death, Blood, Stalking, and Suicide
Minor: Rape, Gaslighting, Sexual content, Murder, and Violence
halftimelord's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
For a book with so many characters, where the time and events jump around so much and every other sentence is a joke, it should be hard going but it's very easy to read. Catch-22 manages to be hilarious and heartbreaking at the same time. The final scene in Rome is one of the best climaxes to a book I've ever read.
Unfortunately I definitely found the way the book treats and talks about women very uncomfortable.
With that caveat, I'm really looking forward to the next time I pick this up and get to experience Catch-22 again!
Graphic: Injury/Injury detail
Moderate: War and Sexual assault
madzie's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Misogyny, Violence, Death, War, Sexism, Sexual assault, Blood, Gore, and Injury/Injury detail
Moderate: Rape and Grief
jujubeans's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
I don’t know how I feel about it to be honest.
Graphic: Drug abuse, Grief, Gun violence, Pedophilia, Physical abuse, Sexual assault, War, Alcohol, Death, Gaslighting, Sexual violence, Classism, Cursing, Drug use, Genocide, Gore, Kidnapping, Medical content, Sexism, Sexual content, Sexual harassment, Violence, Infidelity, Injury/Injury detail, Medical trauma, Addiction, Adult/minor relationship, Blood, Mental illness, Misogyny, Rape, and Vomit
This is not a book for light reading. It will disgust you and horrify you. The sexual violence was most disturbing to me. I’m gonna say that again for good measure: repeated, horrifying, insane degrees of sexual violence all throughout the book.erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
Graphic: Classism, Deportation, Emotional abuse, Police brutality, Racial slurs, Racism, Stalking, Death of parent, Forced institutionalization, Mental illness, Murder, Sexism, Sexual harassment, Sexual violence, Vomit, War, Bullying, Chronic illness, Body horror, Gaslighting, Gore, Misogyny, Suicidal thoughts, Torture, Colonisation, Cursing, Alcohol, Animal cruelty, Body shaming, Fire/Fire injury, Pedophilia, Schizophrenia/Psychosis , Violence, Blood, Confinement, Death, Grief, Gun violence, Infidelity, Injury/Injury detail, Kidnapping, Medical content, Medical trauma, Panic attacks/disorders, Physical abuse, Rape, Sexual assault, and Sexual content
seapotatohowisitalrtaken's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Graphic: Blood, Bullying, Panic attacks/disorders, Sexual harassment, Mental illness, Murder, Grief, Cancer, Chronic illness, Injury/Injury detail, Infidelity, Cursing, Death, Dysphoria, Sexism, Police brutality, Gun violence, Sexual content, Medical content, Gore, Violence, Terminal illness, War, and Physical abuse
Moderate: Suicide, Sexual violence, Gaslighting, Religious bigotry, Stalking, Schizophrenia/Psychosis , Alcohol, Colonisation, Murder, Animal cruelty, Child abuse, Alcoholism, Classism, Vomit, Rape, Kidnapping, Gun violence, and Fire/Fire injury
Minor: Adult/minor relationship and Antisemitism
kensingtonska's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
Moderate: War and Injury/Injury detail
alterdd's review against another edition
4.75
- 10% lusting about women
- 85% absurd shit happening
- 5% brutal depictions of henious crimes and war
Graphic: Death, War, Rape, and Injury/Injury detail
Minor: Vomit
whoischels's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.
Graphic: Panic attacks/disorders, Death, War, Medical trauma, Injury/Injury detail, and Sexual harassment
Moderate: Sexual assault and Misogyny
bibliorama's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Enjoyment - 2.5
This book really takes awhile before it starts trusting you with its emotional baggage. Most of the humor was used to mask the trauma that Joseph Heller was definitely processing through the writing. The 12 year old virgin jokes got old, milo running around got old, etc. In fact, the Milo the Mayor chapter should have been cut entirely (imo), it has some of the most dated jokes and the important info learned from the chapter is reiterated in the Milo chapter. There were heavy, poignant moments but they were covered up by the writing style and dated humor.
Characters - 3
Atmosphere - 2.5
Plot - 3
Ending - 4
Style - 3.5
Overall - 3
Graphic: Death, Injury/Injury detail, Murder, Domestic abuse, Misogyny, Physical abuse, Racial slurs, and War
Minor: Sexual violence and Rape