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A review by whoischels
Catch-22 by Joseph Heller
dark
funny
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Probably the most chaotic book I've ever read. I can't say I've read a book that ignores sequential time so thoroughly. Heller jumps between events gracefully. You'll often find that the narrator begins to recount something that happened quite far in the future or past of the camp on Pianosa, but you don't quite develop an understanding of how distant future and past are until you've reached the end and various characters have died off and been replaced by new, untrauma-ed characters. The manipulation of time is breathtaking and exciting once you look back and think about what you've read. I'm surprised I haven't heard this book being discussed in the context of other time bending books, like To the Lighthouse, perhaps I just haven't been listening closely enough about why people read this book.
As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.
As the classic comedy of war book, it's a very comedic read. The comedic style throughout the whole thing undergoes its own character development in a way that is quite satisfying. It works to keep the horror of the experience of war at arm's length for the majority of the book and then slowly brings it closer for the end. Heller captures the comedic dichotomy between the very visceral body horror that people experience at war and the slow machine of bureaucracy.
My only complaints are that it's a behemoth to read. Heller can be describing an event that is comedic in its conception, but do so in a way that obstructs feeling, particularly in the first 2/3. I understand this to be intentional, but was still a bit frustrated with the masculine boringness of the prose. It's an odd experience to read something that has these features but still manages to be so dynamic and flexible in its plot structure.
Content Warnings
Graphic: Panic attacks/disorders, Death, War, Medical trauma, Injury/Injury detail, and Sexual harassment
Moderate: Sexual assault and Misogyny