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inkslinger's reviews
356 reviews
To Kill a Shadow by Katherine Quinn
dark
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
'To Kill a Shadow' by Katherine Quinn is a split POV tale that follows the mingled paths of a Knight Commander named Jude Maddox and Kiara Frey, a young woman from a poor village, whose decision to protect her brother lands her in conscription.
Jude, also known as the Hand of Death, is a brutally scarred warrior who is said to belong to the King. Marked inside and out, he's suffered greatly at the hands of those who should have loved him.. as much or more than he has from the enemies he has encountered. He's considered cold, hard, and unreachable, considering himself as much monster as the beasts he has felled.
Kiara is an outcast in her village. Her connection with anyone left beyond her younger brother, is tenuous at best. Defiant, she's quick to anger and quick to fight, relishing the adrenaline of the challenge.. and that's exactly what puts her in peril.
Though there is an overarching plot and clearly intentions for more in a series, I felt most of the book centered on the characters themselves. Quinn seemed to focus largely on the development of Jude and Kiara.. both as individuals.. and on the story growing between them.
Pacing was moderate.. seemingly to allow time for things to expand between not only the main characters, but the cast of supporting characters as well. As is often the case, for me.. that meant it dragged just a little. Not enough that I ever wanted to stop reading, just enough that it felt like it took me a bit longer to read than it needed to. That's just my personal preference though and in no way does it reflect on the quality of the writing.
That being said, I did feel there were moments the writing felt a little clumsy, but they were mostly brief and really subject to the same things 90% of modern authors seem to struggle with. Transitional moments in relationships and natural dialogue have got to be two of the most common I see. While these emotional transitions were a little off-balance, the dialogue here is largely pretty good.
My only complaint is probably the actual statement that Kiara 'isn't like others.' I mean, we get it. We get tired of it.. but we get it. You don't have to say it. Again, that's personal taste. On that note, Quinn does have a habit of repeating things she doesn't want the reader to miss, which irks me because I pay attention. However, seeing as most readers seem to lose the plot easily, I can understand her choice to do so.
Quinn did do a fantastic job on settings, in my opinion. From the grittiness of the small village, to the opulent, oppressive nature of the Knights home.. and later.. within the mist.. where all manner of vile and carnivorous thing might dwell, her descriptions are visually lush.
I really loved Jude though and Kiara is a pretty good co-lead. I found her to be kind and funny.. and she managed not to annoy me.. which is really what I ask most in a 'strong, female character' design. I do hope Quinn continues the story as I am hooked enough that I want to see what Jude has planned.. and there's a villain I'm waiting to find out about in-depth.
While I will happily recommend a read, there is a fair bit of violence and gore, and some subjects certain readers might find uncomfortable.. as it is a horror fantasy.
(I received this title as an ARC. All opinions are mine and freely given.)
Jude, also known as the Hand of Death, is a brutally scarred warrior who is said to belong to the King. Marked inside and out, he's suffered greatly at the hands of those who should have loved him.. as much or more than he has from the enemies he has encountered. He's considered cold, hard, and unreachable, considering himself as much monster as the beasts he has felled.
Kiara is an outcast in her village. Her connection with anyone left beyond her younger brother, is tenuous at best. Defiant, she's quick to anger and quick to fight, relishing the adrenaline of the challenge.. and that's exactly what puts her in peril.
Though there is an overarching plot and clearly intentions for more in a series, I felt most of the book centered on the characters themselves. Quinn seemed to focus largely on the development of Jude and Kiara.. both as individuals.. and on the story growing between them.
Pacing was moderate.. seemingly to allow time for things to expand between not only the main characters, but the cast of supporting characters as well. As is often the case, for me.. that meant it dragged just a little. Not enough that I ever wanted to stop reading, just enough that it felt like it took me a bit longer to read than it needed to. That's just my personal preference though and in no way does it reflect on the quality of the writing.
That being said, I did feel there were moments the writing felt a little clumsy, but they were mostly brief and really subject to the same things 90% of modern authors seem to struggle with. Transitional moments in relationships and natural dialogue have got to be two of the most common I see. While these emotional transitions were a little off-balance, the dialogue here is largely pretty good.
My only complaint is probably the actual statement that Kiara 'isn't like others.' I mean, we get it. We get tired of it.. but we get it. You don't have to say it. Again, that's personal taste. On that note, Quinn does have a habit of repeating things she doesn't want the reader to miss, which irks me because I pay attention. However, seeing as most readers seem to lose the plot easily, I can understand her choice to do so.
Quinn did do a fantastic job on settings, in my opinion. From the grittiness of the small village, to the opulent, oppressive nature of the Knights home.. and later.. within the mist.. where all manner of vile and carnivorous thing might dwell, her descriptions are visually lush.
I really loved Jude though and Kiara is a pretty good co-lead. I found her to be kind and funny.. and she managed not to annoy me.. which is really what I ask most in a 'strong, female character' design. I do hope Quinn continues the story as I am hooked enough that I want to see what Jude has planned.. and there's a villain I'm waiting to find out about in-depth.
While I will happily recommend a read, there is a fair bit of violence and gore, and some subjects certain readers might find uncomfortable.. as it is a horror fantasy.
(I received this title as an ARC. All opinions are mine and freely given.)
The Witchwood Knot by Olivia Atwater
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Certainly as many of you know, Olivia Atwater is one of my favorite modern day authors. So, of course I jumped at the opportunity to advance read her upcoming release, 'The Witchwood Knot.'
Taking place in the same world I've come to know and adore.. as the Regency Faerie Tales, Olivia has lead us on a new journey in this.. her Victorian Faerie Tales series. This one's just a little bit darker, with a lovely gothic fantasy setting full of both wonder and chills. Even the cover has a beautiful papercraft feel to the art style that really gives off delicate, antique vibes.
Our main character, Victorian governess Winifred Hall, is charming and relatable. One of the things I love about Olivia's characters is they always feel very natural.. from their flaws to their quirks. There's no over-the-top attempt to make them stand out, they simply do because they come across like very real people.
Winnie doesn't even particularly like children.. or people.. for that matter and she has good reasons for the way she feels. Her backstory is richly textured. She's kind, though not falsely friendly. She's warm with those who have earned her love and trust.
Another of my favorite things about Olivia's writing.. is every character in the book always has a fully-fleshed out personality and story of their own. We may get more or less of it based on their role in the story, but make no mistake.. they are each individuals with a very specific part of the tale to tell.
The character development is as lush as the story itself.
Mr. Quincy, who is an absolute delight in all of his persnickety interactions.. and the clear frontrunner for my favorite in the book, despite my fondness for Winnie. Robert is at first, rather decidedly obnoxious, but as I came to understand his situation.. I liked him very much too. There are plenty of other great characters too.. and the villains are indeed dark-natured, just in a palatable way. For the most part.
As Olivia's writing has such a whimsical ambience, she did surprise me a little with a very morbid reveal about two-thirds or so of the way through. She handles it with her usual grace and eloquence, but I was a bit stunned at the horror of what I came to realize.. and I loved that. In fact, I'm still talking about that one incident in the book, around home.
All in all, it was another wonderful story. She just never fails me as an author. I always know I can count on her for a new tale I'm going to obsess over. I highly recommend this book to anyone who enjoys fantasy, romance, historical fiction, or just all around great storytelling. I can see a potential trigger or two here for some people, so if you have any of those.. just dm me and ask.. or do your research first.
Now I need a signed copy.. and hopefully a pretty special edition down the road. *cough* Kickstarter *cough* Fairyloot *cough*.. someone help me before I choke here..
(I received this title as an ARC. All opinions are mine and freely given.)
Taking place in the same world I've come to know and adore.. as the Regency Faerie Tales, Olivia has lead us on a new journey in this.. her Victorian Faerie Tales series. This one's just a little bit darker, with a lovely gothic fantasy setting full of both wonder and chills. Even the cover has a beautiful papercraft feel to the art style that really gives off delicate, antique vibes.
Our main character, Victorian governess Winifred Hall, is charming and relatable. One of the things I love about Olivia's characters is they always feel very natural.. from their flaws to their quirks. There's no over-the-top attempt to make them stand out, they simply do because they come across like very real people.
Winnie doesn't even particularly like children.. or people.. for that matter and she has good reasons for the way she feels. Her backstory is richly textured. She's kind, though not falsely friendly. She's warm with those who have earned her love and trust.
Another of my favorite things about Olivia's writing.. is every character in the book always has a fully-fleshed out personality and story of their own. We may get more or less of it based on their role in the story, but make no mistake.. they are each individuals with a very specific part of the tale to tell.
The character development is as lush as the story itself.
Mr. Quincy, who is an absolute delight in all of his persnickety interactions.. and the clear frontrunner for my favorite in the book, despite my fondness for Winnie. Robert is at first, rather decidedly obnoxious, but as I came to understand his situation.. I liked him very much too. There are plenty of other great characters too.. and the villains are indeed dark-natured, just in a palatable way. For the most part.
As Olivia's writing has such a whimsical ambience, she did surprise me a little with a very morbid reveal about two-thirds or so of the way through. She handles it with her usual grace and eloquence, but I was a bit stunned at the horror of what I came to realize.. and I loved that. In fact, I'm still talking about that one incident in the book, around home.
All in all, it was another wonderful story. She just never fails me as an author. I always know I can count on her for a new tale I'm going to obsess over. I highly recommend this book to anyone who enjoys fantasy, romance, historical fiction, or just all around great storytelling. I can see a potential trigger or two here for some people, so if you have any of those.. just dm me and ask.. or do your research first.
Now I need a signed copy.. and hopefully a pretty special edition down the road. *cough* Kickstarter *cough* Fairyloot *cough*.. someone help me before I choke here..
(I received this title as an ARC. All opinions are mine and freely given.)
Den of Vipers by K.A. Knight
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Many things have been said about 'Den of Vipers' by K.A. Knight. Generally the consensus seems to be that it's the darkest smut people have read before.. and to that I say.. maybe it's time to up your game.
Honestly, while there are some edgy scenes surrounding the demise of people here and there, the more intimate content is not that bad. The author certainly toys with dark possibilities, but she pulls her punches quite a bit.. dispelling the illusion of any real danger often before things get started.
Diesel had a ton of potential, but it was largely wasted due to that sort of.. neutering of his character. Ironically, Ryder gets better and better as the book goes on. I will say, the author gives great backstories. If she were able to properly break into those on a psychological and emotional level, they could be extremely moving. But that's not the point of this book.. and while it's a drawback, it doesn't really affect my opinion of the writing.
Roxy was a disappointment to me. I feel like if she'd been allowed to be the kind of resilient, sarcastic person she was at the core.. instead of being turned into some Harley Quinn caricature , I could have really liked her. She was still okay, but it just could have been so much more than that.
The story is written in multiple POV, but the author lacks the ability to do this well. Her idea of separating her characters comes down to changing their terms of endearment. Unfortunately, they all have the same narrative voice.. with no real distinction whatsoever. Frankly, the book would have benefitted from single or at worst.. dual perspective. Also, not every character in a room has to be addressed in every moment, it just bogs down the progress of the story.
Heaviness. That was a real problem with this book. It's long for a dark romance, I suppose.. but it only feels long because there's so much excess. Just.. a lot of wasted words that make it take so much longer to push yourself through than should be the case.
All that out of the way, I did find it decent. I enjoyed a few of the intimate scenes.. again, giving special mention to Ryder.. who is the only one that really got to loosen up slightly by the end. D should have been my favorite, but both of his big scenes were held back.
I'm glad I got to experience the book that has gotten so much attention in the last couple of years, but now I'm ready for someone to do it right.
Honestly, while there are some edgy scenes surrounding the demise of people here and there, the more intimate content is not that bad. The author certainly toys with dark possibilities, but she pulls her punches quite a bit.. dispelling the illusion of any real danger often before things get started.
Diesel had a ton of potential, but it was largely wasted due to that sort of.. neutering of his character. Ironically, Ryder gets better and better as the book goes on. I will say, the author gives great backstories. If she were able to properly break into those on a psychological and emotional level, they could be extremely moving. But that's not the point of this book.. and while it's a drawback, it doesn't really affect my opinion of the writing.
Roxy was a disappointment to me. I feel like if she'd been allowed to be the kind of resilient, sarcastic person she was at the core.. instead of being turned into some Harley Quinn caricature , I could have really liked her. She was still okay, but it just could have been so much more than that.
The story is written in multiple POV, but the author lacks the ability to do this well. Her idea of separating her characters comes down to changing their terms of endearment. Unfortunately, they all have the same narrative voice.. with no real distinction whatsoever. Frankly, the book would have benefitted from single or at worst.. dual perspective. Also, not every character in a room has to be addressed in every moment, it just bogs down the progress of the story.
Heaviness. That was a real problem with this book. It's long for a dark romance, I suppose.. but it only feels long because there's so much excess. Just.. a lot of wasted words that make it take so much longer to push yourself through than should be the case.
All that out of the way, I did find it decent. I enjoyed a few of the intimate scenes.. again, giving special mention to Ryder.. who is the only one that really got to loosen up slightly by the end. D should have been my favorite, but both of his big scenes were held back.
I'm glad I got to experience the book that has gotten so much attention in the last couple of years, but now I'm ready for someone to do it right.
A Bright Heart by Kate Chenli
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
'A Bright Heart' by Kate Chenli starts out with a bang, mid-betrayal. The reader, much like the MC.. Mingshin, gets a couple of minutes to get their bearings, and then the real story begins. Personally, I'm a fan of these types of whirlwind openings, but it's a little on the brief side.
Things I loved:
Prince Jieh -- While at first he's painted as a bit of a snob and he seems dismissive of the trivialities of other people's lives, his character opens up over time through exposure to Mingshin. What we are shown, I felt was always there as with his best friend, Yao.. and they both turn out to be favorites for me.
Yao -- The prince's best friend is warm, loyal, and light-hearted. I felt like the pair kept each other grounded despite social statuses and their comraderie was a lot of fun. He's probably the most relatable character in the book for me.
The magic system -- Nine types of magic, mirroring the use of this number in other areas of Chinese legends/mythology. I won't be too specific, as I don't want to ruin anything and it isn't overly developed, but it is handled in an interesting way. The imagery of the magic through artwork was one of the highlights though.
Things that could have been better:
Mingshin -- Our main character is likeable enough and has good intentions. She's one of those types who is instantly one of the best at everything though and that always feels a bit silly to me. She's perfectly smart and skilled, but "so plain and looked down upon." Not my trope.
Prose -- From both a descriptive and narrative standpoint, the story felt a bit out of sync. And I don't blame the author here, it's something I'm seeing more and more in current releases.. but it feels incomplete? Lackadaisical? Unfulfilling. Whether the author is describing a setting or having a character convey information, it ends up coming across like a checklist.
Overall, I enjoyed the story. I was rooting for Mingshin and rooting specifically against a couple of other characters, which I'll leave you to discover. Though the topics seem heavy in spots, it's actually a pretty light read, in my opinion and it's well-paced.
If you enjoy Asian fantasy, enemies who might become something more, and stories featuring underdogs.. this is one for you.
Things I loved:
Prince Jieh -- While at first he's painted as a bit of a snob and he seems dismissive of the trivialities of other people's lives, his character opens up over time through exposure to Mingshin. What we are shown, I felt was always there as with his best friend, Yao.. and they both turn out to be favorites for me.
Yao -- The prince's best friend is warm, loyal, and light-hearted. I felt like the pair kept each other grounded despite social statuses and their comraderie was a lot of fun. He's probably the most relatable character in the book for me.
The magic system -- Nine types of magic, mirroring the use of this number in other areas of Chinese legends/mythology. I won't be too specific, as I don't want to ruin anything and it isn't overly developed, but it is handled in an interesting way. The imagery of the magic through artwork was one of the highlights though.
Things that could have been better:
Mingshin -- Our main character is likeable enough and has good intentions. She's one of those types who is instantly one of the best at everything though and that always feels a bit silly to me. She's perfectly smart and skilled, but "so plain and looked down upon." Not my trope.
Prose -- From both a descriptive and narrative standpoint, the story felt a bit out of sync. And I don't blame the author here, it's something I'm seeing more and more in current releases.. but it feels incomplete? Lackadaisical? Unfulfilling. Whether the author is describing a setting or having a character convey information, it ends up coming across like a checklist.
Overall, I enjoyed the story. I was rooting for Mingshin and rooting specifically against a couple of other characters, which I'll leave you to discover. Though the topics seem heavy in spots, it's actually a pretty light read, in my opinion and it's well-paced.
If you enjoy Asian fantasy, enemies who might become something more, and stories featuring underdogs.. this is one for you.
Midnight at the Houdini by Delilah S. Dawson
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
I've mentioned before that I have discovered an affinity for fantasy stories with performance magic style settings, so when I saw 'Midnight at the Houdini' by Delilah S. Dawson show up in the tour offerings for the month, I jumped at the chance to give it a read.
The concept is clever and I enjoy the ticking time clock on the course of events. It certainly keeps things interesting knowing that there's a finite point not far ahead and a lot for the main character, Anna, to deal with.. if there's hope of resolution.
While the story is good and the characters are likeable, I find for me personally.. the prose to be just a bit simple. I believe the author is just trying to set the tone to match Anna's age, but her voice doesn't change much between the opening pages when she's a mere 10 year old girl, to the core of the story.. six years later. Despite her whirlwind organizational skills, she seems the same in the way she communicates and processes thoughts.
Ironically, this is a young adult story with definitive young adult themes, some of which are relatively dark. But the style of writing just makes it feel younger. I'd still recommend it as a read, but I'd also suggest adjusting your expectations of the way it's told and how things unfold.
Nonetheless, I really enjoyed it. Anna is a sweet, if needy girl and Max is quite disarmingly charming. The dynamic between the others who run the hotel is filled with tension and the place has a lovely old eerie quality to it.
(I received this title as an ARC. All opinions are mine and freely given.)
The concept is clever and I enjoy the ticking time clock on the course of events. It certainly keeps things interesting knowing that there's a finite point not far ahead and a lot for the main character, Anna, to deal with.. if there's hope of resolution.
While the story is good and the characters are likeable, I find for me personally.. the prose to be just a bit simple. I believe the author is just trying to set the tone to match Anna's age, but her voice doesn't change much between the opening pages when she's a mere 10 year old girl, to the core of the story.. six years later. Despite her whirlwind organizational skills, she seems the same in the way she communicates and processes thoughts.
Ironically, this is a young adult story with definitive young adult themes, some of which are relatively dark. But the style of writing just makes it feel younger. I'd still recommend it as a read, but I'd also suggest adjusting your expectations of the way it's told and how things unfold.
Nonetheless, I really enjoyed it. Anna is a sweet, if needy girl and Max is quite disarmingly charming. The dynamic between the others who run the hotel is filled with tension and the place has a lovely old eerie quality to it.
(I received this title as an ARC. All opinions are mine and freely given.)
To Charm a Dark Prince by Kathryn Ann Kingsley
'To Charm a Dark Prince' by Kathryn Ann Kingsley is a dark fantasy re-telling of the Arthurian legend that focuses primarily on Mordred and Gwen. Other familiar names do make appearances, but the characters are definitely a modern take on their 'could-be' place in Avalon.
Mordred is tasked with a heavy burden, which of course leaves him generally grumpy and overall kind of intriguing. He's powerful and a bit oppressive, which makes him fun to read.. and he's definitely not lacking in the looks department either.
For me, he was the best part of the book. Gwen I found to be just okay, moderately annoying and sometimes coming across rather clueless. The bones of the story are interesting. There are lots of neat concepts strewn throughout the pages, but the writing could use some development.
The book is recommended for fans of Sarah J. Maas, Elisa Kova, and Danielle L. Jensen, but in my opinion it's far more Kova than Maas. If you liked Kova's A Trial of Sorcerers, this one is for you.
(I received this title as an ARC. All opinions are mine and freely given.)
Mordred is tasked with a heavy burden, which of course leaves him generally grumpy and overall kind of intriguing. He's powerful and a bit oppressive, which makes him fun to read.. and he's definitely not lacking in the looks department either.
For me, he was the best part of the book. Gwen I found to be just okay, moderately annoying and sometimes coming across rather clueless. The bones of the story are interesting. There are lots of neat concepts strewn throughout the pages, but the writing could use some development.
The book is recommended for fans of Sarah J. Maas, Elisa Kova, and Danielle L. Jensen, but in my opinion it's far more Kova than Maas. If you liked Kova's A Trial of Sorcerers, this one is for you.
(I received this title as an ARC. All opinions are mine and freely given.)
Throne of Glass by Sarah J. Maas
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
While I know Throne of Glass is several years old at this point, as with most big series and authors.. I was late experiencing them. At the time most of these series started to debut, my life was chaos and I just didn't have a lot of time or energy for reading.
That being said, when I did finally check out Sarah J. Maas.. I began with the new release at the time.. Crescent City's House of Earth and Blood. It just didn't make sense to force myself to go back and read an older title first, when there was an entirely fresh new series coming. I loved it, of course, though I did have a handful of minor complaints.. and that's to be expected from me with most titles.
However, going back to her debut novel, I was surprised to discover the things I complained about in Crescent City, were an absolute non-factor in Throne of Glass. There's no massive information dump towards the end of the story.. and nowhere are characters being forced away from their natures just to drive the tale in a specific direction at will. That really makes me wonder what happened along the way.
Obviously, being a debut novel, the character and story development are as filled out as her newer titles, but it's not like it felt like I was missing anything either.
Dorian and Chaol are both lovely. She makes it clear that there's much more beyond the surface than she's allowed us to see in book one and I can't wait to continue.
Celaena is likable, mostly. More so than the average lead. If a little wishy-washy both on her choice of romantic partner and just her general day-to-day attitude. Leads like this have a tendency to not really be multi-dimensional, so much as script flipping. One moment they're brash and mouthy and the next they're blushing like a delicate belle. That's just something I've come to expect though, whenever an author is attempting to craft what they see as a 'strong female' character.
Nonetheless, I loved the book. The worldbuilding was interesting and as usual, Maas isn't afraid to get graphic. The idea of a 'non-magical' option for powers was really well done and the tension was spot on throughout the book. Honestly, there were times I wasn't sure how people might even manage to survive their situations, and if I've learned anything from Crescent City.. it's that I can't trust Maas to just spare them.
That being said, when I did finally check out Sarah J. Maas.. I began with the new release at the time.. Crescent City's House of Earth and Blood. It just didn't make sense to force myself to go back and read an older title first, when there was an entirely fresh new series coming. I loved it, of course, though I did have a handful of minor complaints.. and that's to be expected from me with most titles.
However, going back to her debut novel, I was surprised to discover the things I complained about in Crescent City, were an absolute non-factor in Throne of Glass. There's no massive information dump towards the end of the story.. and nowhere are characters being forced away from their natures just to drive the tale in a specific direction at will. That really makes me wonder what happened along the way.
Obviously, being a debut novel, the character and story development are as filled out as her newer titles, but it's not like it felt like I was missing anything either.
Dorian and Chaol are both lovely. She makes it clear that there's much more beyond the surface than she's allowed us to see in book one and I can't wait to continue.
Celaena is likable, mostly. More so than the average lead. If a little wishy-washy both on her choice of romantic partner and just her general day-to-day attitude. Leads like this have a tendency to not really be multi-dimensional, so much as script flipping. One moment they're brash and mouthy and the next they're blushing like a delicate belle. That's just something I've come to expect though, whenever an author is attempting to craft what they see as a 'strong female' character.
Nonetheless, I loved the book. The worldbuilding was interesting and as usual, Maas isn't afraid to get graphic. The idea of a 'non-magical' option for powers was really well done and the tension was spot on throughout the book. Honestly, there were times I wasn't sure how people might even manage to survive their situations, and if I've learned anything from Crescent City.. it's that I can't trust Maas to just spare them.
Dark Magic by Raluca Narita
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
As a huge fan of the fantasy genre in general, if you know me.. you know some of my favorite stories are in the theme of the gods/goddesses or fallen angel/demon tropes. So, I was really excited to give this book a read when I saw the synopsis for it.
The premise is an interesting one with Lucifer on the loose and the Goddess of Death on the hunt for him. I liked the way the cast was built from a variety of tales.. not only gods, goddesses, angels, and demons, but also some fun additions like the Grimm Brothers. Add to that, the way they got their way to the council table.. and it certainly had a lot of potential from the get-go.
There's plenty of action, in fact there are moments where it almost feels like a gauntlet quest, and that plays pretty well here. Fabled characters have been modernized to suit the theme of the story and there's a fair amount of subterfuge seemingly happening at all times as well.
If you like options, there are a couple of romantic interests here.. but while I definitely had my own preference, I wasn't really invested in any of them with the protagonist. All the characters are moderately interesting, they just don't have a ton of depth and I didn't find myself connecting that much.
Nonetheless, it's a fun story.. worth checking out.
(I received this title as an ARC. All opinions are mine and freely given.)
The premise is an interesting one with Lucifer on the loose and the Goddess of Death on the hunt for him. I liked the way the cast was built from a variety of tales.. not only gods, goddesses, angels, and demons, but also some fun additions like the Grimm Brothers. Add to that, the way they got their way to the council table.. and it certainly had a lot of potential from the get-go.
There's plenty of action, in fact there are moments where it almost feels like a gauntlet quest, and that plays pretty well here. Fabled characters have been modernized to suit the theme of the story and there's a fair amount of subterfuge seemingly happening at all times as well.
If you like options, there are a couple of romantic interests here.. but while I definitely had my own preference, I wasn't really invested in any of them with the protagonist. All the characters are moderately interesting, they just don't have a ton of depth and I didn't find myself connecting that much.
Nonetheless, it's a fun story.. worth checking out.
(I received this title as an ARC. All opinions are mine and freely given.)
The Rules of Us by Jennifer Nissley
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Jillian and Henry's story is complicated.. and not just because their relationship is being pulled in opposite directions by their recent revelations. They're also smart, messy, complicated individuals who are prone to allowing their feelings to dictate their behaviors.
Both Jillian and Henry are extremely driven, college-bound students. It seems as if they've shared everything since they met, been absolutely in-step with one another all the way. Here those steps are starting to falter.
From a character standpoint, they each are alternately flawed and frequently relatable, if somewhat hypocritical. Unfortunately, this aspect of Jillian's personality is heavily frontloaded in the story, which made me dislike her for awhile.. but as things evened out, I began to root for both of them.
Generally speaking, the characters are diverse and adorable. I liked the supporting cast as much as the leads, sometimes more. I cared about them as people and their struggle resonated with me. It's not always easy to do what's right for oneself without causing collateral damage to those in our immediate circle, try as we might.
Initially this author had a small habit of interjecting really cringe internal monologue in what appeared to be an effort to use niche modern vernacular. While that would be fine for me if the rest of the book's tone matched it, the lines would come out of nowhere after a flowery description or more standard stylings. It just felt, out of sync with the writing as a whole.
I promise you though, it gets better. If it throws you off at the beginning, push on. Nissley does ease up on those kinds of phrases. Once they become fewer and farther between, softer even.. they stop jarring the reader out of the moment.
The story itself is inherently cute, filled with themes of self-discovery, hope, and perseverance. I was pleased to see important topics discussed as well, like the flaw in idealized allyship over the importance of an individual's needs and wishes. I read it through in one shot and enjoyed it immensely.
(I received this title as an ARC. All opinions are mine and freely given.)
Both Jillian and Henry are extremely driven, college-bound students. It seems as if they've shared everything since they met, been absolutely in-step with one another all the way. Here those steps are starting to falter.
From a character standpoint, they each are alternately flawed and frequently relatable, if somewhat hypocritical. Unfortunately, this aspect of Jillian's personality is heavily frontloaded in the story, which made me dislike her for awhile.. but as things evened out, I began to root for both of them.
Generally speaking, the characters are diverse and adorable. I liked the supporting cast as much as the leads, sometimes more. I cared about them as people and their struggle resonated with me. It's not always easy to do what's right for oneself without causing collateral damage to those in our immediate circle, try as we might.
Initially this author had a small habit of interjecting really cringe internal monologue in what appeared to be an effort to use niche modern vernacular. While that would be fine for me if the rest of the book's tone matched it, the lines would come out of nowhere after a flowery description or more standard stylings. It just felt, out of sync with the writing as a whole.
I promise you though, it gets better. If it throws you off at the beginning, push on. Nissley does ease up on those kinds of phrases. Once they become fewer and farther between, softer even.. they stop jarring the reader out of the moment.
The story itself is inherently cute, filled with themes of self-discovery, hope, and perseverance. I was pleased to see important topics discussed as well, like the flaw in idealized allyship over the importance of an individual's needs and wishes. I read it through in one shot and enjoyed it immensely.
(I received this title as an ARC. All opinions are mine and freely given.)
Fake Dates and Mooncakes by Sher Lee
hopeful
lighthearted
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
'Fake Dates and Mooncakes' is a delightfully queer, Not-So-Meet-Cute in the vein of To All the Boys I've Loved Before.
Dylan is a quiet, hard working guy who's struggling to preserve his connection with his late mother and the culture he grew up in, while trying to balance school and helping to save his aunt's Chinese takeout. Surrounded by his loving, supportive family.. for the most part, life is pretty good.
Theo seemingly has it all. He's gorgeous, wealthy, and worldly for his age. There's a kindness to him that Dylan finds almost suspicious. So, when he talks Dylan into being his fake boyfriend for a family wedding, Dylan spends the weekend sort of waiting for the catch and trying to remind himself that none of it's real.
The pair are both lovely and I really enjoyed the slow, inevitable way they were drawn to each other initially. Though they met under strange, even uncomfortable circumstances, I found myself really wanting to see things go well for them.
While Dylan's family is great, Theo's leaves a little something to be desired. For the most part, they're inherently self-absorbed, unpleasant people.. with just a few exceptions.
The romance was sweet, not overdone at all and I love that Lee did not just jump them right into physical intimacy. I also really enjoyed the glimpses of Dylan's heritage through the proverbs his family had carried with them, the expression of how they conveyed their traditions and feelings through their creation of meals, as well as little anecdotes relating to their spiritual beliefs.
This was a really cute, quick read and I didn't want to put it down. I look forward to seeing more stories from this author and would recommend the book to anyone looking for something relatively light that's filled with hope and joy.
(I received this title as an ARC. All opinions are mine and given freely.)
Dylan is a quiet, hard working guy who's struggling to preserve his connection with his late mother and the culture he grew up in, while trying to balance school and helping to save his aunt's Chinese takeout. Surrounded by his loving, supportive family.. for the most part, life is pretty good.
Theo seemingly has it all. He's gorgeous, wealthy, and worldly for his age. There's a kindness to him that Dylan finds almost suspicious. So, when he talks Dylan into being his fake boyfriend for a family wedding, Dylan spends the weekend sort of waiting for the catch and trying to remind himself that none of it's real.
The pair are both lovely and I really enjoyed the slow, inevitable way they were drawn to each other initially. Though they met under strange, even uncomfortable circumstances, I found myself really wanting to see things go well for them.
While Dylan's family is great, Theo's leaves a little something to be desired. For the most part, they're inherently self-absorbed, unpleasant people.. with just a few exceptions.
The romance was sweet, not overdone at all and I love that Lee did not just jump them right into physical intimacy. I also really enjoyed the glimpses of Dylan's heritage through the proverbs his family had carried with them, the expression of how they conveyed their traditions and feelings through their creation of meals, as well as little anecdotes relating to their spiritual beliefs.
This was a really cute, quick read and I didn't want to put it down. I look forward to seeing more stories from this author and would recommend the book to anyone looking for something relatively light that's filled with hope and joy.
(I received this title as an ARC. All opinions are mine and given freely.)