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A review by xterminal
Bad Things by Tamara Thorne
4.0
Tamara Thorne, Bad Things (Pinnacle, 1994)
I had thought the "classic" horror novel was dead. All the good stuff in the last decade or so has been splatterpunk, ecohorror, the horror of absence, and the like. The fine, atmospheric horror novel with one of the classic buggity-boos has been relegated to the short story, the Ravenloft novel, or (ugh) Anne Rice.
Or so I thought. Then I discovered the novels of Tamara Thorne. Bad Things is one of them. It's a novel about a haunted house, with shades of The Green Man thrown in for good measure. And it's a stunner.
Rick Piper, at the beginning of the story, is a good kid with a bad problem-he had inherited the family curse of being able to see the Greenjacks, little shadow-like creatures whose sole aim in life is to swap themselves with a human soul and inhabit the human's body. Only a few male members of the Piper clan can see them, and Rick is one of them. His twin brother Robin can't, and Robin, though basically another good kid, teases him about them mercifully. On Halloween during their seven-year-old year, Rick is attacked by Big Jack, the physical manifestation of the Greenjacks everyone can see, who can only form on Halloween night. In the process of saving Rick, Robin is knocked unconscious, and when he wakes up, he has become rather a nasty character. Has he been possessed by a greenjack, or did he suffer brain damage in the fall? The answer to this question haunts Rick, who eventually convinces himself (after fleeing the family estate to Las Vegas) that the greenjacks were all in his head, and that his brother was just an evil kid. All well and good until Rick, a widower in his forties with two kids of his own, wants to get his kids away from the easy, loose lifestyle of Vegas, and moves them back to the family estate, where he starts seeing little green men again...
Various pieces of Bad Things remided me, more than anything, of Paula Trachtman's extreme-horror classic Disturb Not the Dream (okay, it was extreme when it came out. Today it'd barely rate a PG if made into a movie. But that's beside the point). Big old haunted house, crazy relatives, secret passages, incest, dead animals (Tamara Thorne must really hate toy poodles, but then, doesn't everyone?), murky ponds, dead kids, ghosties, ghoulies, long-leggetie beasties, it's all here. While Thorne doesn't go to the same lengths Trachtman did, she adds on some wonderful twists, including the crossdressing best friend of the protagonist, Dakota, who plays combination psychotherapist and matchmaker for Rick; the old nanny, who has stayed on as caretaker and is one of the few people who really believes Rick is seeing ghosts; and, most notably, a refreshing absence of the token religious figure who faces the demons and is destroyed. (It's just too easy a cliché these days.) Thorne is one of those authors who can pen a five-hundred-page novel and have the reader turning pages and staying up late in the night to finish it over the course of a long weekend, and Bad Things definitely fits that mold. Thorne is one of the fantastic new voices in horror, and deserves to be heard by many more people than she has thus far. ****
I had thought the "classic" horror novel was dead. All the good stuff in the last decade or so has been splatterpunk, ecohorror, the horror of absence, and the like. The fine, atmospheric horror novel with one of the classic buggity-boos has been relegated to the short story, the Ravenloft novel, or (ugh) Anne Rice.
Or so I thought. Then I discovered the novels of Tamara Thorne. Bad Things is one of them. It's a novel about a haunted house, with shades of The Green Man thrown in for good measure. And it's a stunner.
Rick Piper, at the beginning of the story, is a good kid with a bad problem-he had inherited the family curse of being able to see the Greenjacks, little shadow-like creatures whose sole aim in life is to swap themselves with a human soul and inhabit the human's body. Only a few male members of the Piper clan can see them, and Rick is one of them. His twin brother Robin can't, and Robin, though basically another good kid, teases him about them mercifully. On Halloween during their seven-year-old year, Rick is attacked by Big Jack, the physical manifestation of the Greenjacks everyone can see, who can only form on Halloween night. In the process of saving Rick, Robin is knocked unconscious, and when he wakes up, he has become rather a nasty character. Has he been possessed by a greenjack, or did he suffer brain damage in the fall? The answer to this question haunts Rick, who eventually convinces himself (after fleeing the family estate to Las Vegas) that the greenjacks were all in his head, and that his brother was just an evil kid. All well and good until Rick, a widower in his forties with two kids of his own, wants to get his kids away from the easy, loose lifestyle of Vegas, and moves them back to the family estate, where he starts seeing little green men again...
Various pieces of Bad Things remided me, more than anything, of Paula Trachtman's extreme-horror classic Disturb Not the Dream (okay, it was extreme when it came out. Today it'd barely rate a PG if made into a movie. But that's beside the point). Big old haunted house, crazy relatives, secret passages, incest, dead animals (Tamara Thorne must really hate toy poodles, but then, doesn't everyone?), murky ponds, dead kids, ghosties, ghoulies, long-leggetie beasties, it's all here. While Thorne doesn't go to the same lengths Trachtman did, she adds on some wonderful twists, including the crossdressing best friend of the protagonist, Dakota, who plays combination psychotherapist and matchmaker for Rick; the old nanny, who has stayed on as caretaker and is one of the few people who really believes Rick is seeing ghosts; and, most notably, a refreshing absence of the token religious figure who faces the demons and is destroyed. (It's just too easy a cliché these days.) Thorne is one of those authors who can pen a five-hundred-page novel and have the reader turning pages and staying up late in the night to finish it over the course of a long weekend, and Bad Things definitely fits that mold. Thorne is one of the fantastic new voices in horror, and deserves to be heard by many more people than she has thus far. ****