Scan barcode
A review by whatsmacksaid
The Blue Girl by Charles de Lint
3.0
I just finished rereading "The Blue Girl" for the first time in about four years (and unfortunately, only during this reading did I realize there are many, many more stories that take place in Newford). My favorite part about the story was Imogene's voice. She's brilliant and quirky and brave and fun, and of course, don't we all wish we were brilliant, quirky, brave and fun?
The adults--the parents, in particular, stood out to me as well. They weren't absentee parents, as is common in so many other YA books. Maxine's father didn't play much of a role in the story, and Imogene's father didn't at all, but both of their mothers featured relatively prominently. They were minor characters, of course, but what I like to call major-minor characters (as in, they show up and interact with major characters more than other minor characters). Maxine's mother even had her own character arch where she grew and began to recover from her divorce. It was interesting, because both mothers were very clearly supportive characters.
The best part of this story was when Imogene accepts the existence of fairies and realizes she hasn't been dreaming when she sees them. The reader already knew it, Maxine suspected, Christy knew it, Adrian knew it, Tommery knew it--it was totally common knowledge, and all that was left was for Imogene to discover her new reality. When she did, though--that one line ("It wasn't a dream.") was the single most chilling thing I've come across in I don't know how long. It was beautifully done, and it was a stroke of genius on Charles de Lint's part.
It was chilling because bad dreams aren't real. That's what everyone tells themselves, or each other, when we wake up in the middle of the night. "It's okay. It was only a dream. It's over now, it wasn't real. It was only a dream." But to discover that it wasn't just a dream, and that it isn't okay--that's one of the most horrifying things that can happen to someone.
After Imogene comes to that realization, though, the story drops off for a bit. It just isn't as exciting. The pace isn't kept up or anything; they're planning out how to defeat the bad guys and it's just unnecessary word fluff. I honestly got bored enough to think about quitting in the middle of the book, though I'm glad I stuck with it. The climax at the end is worth it.
The adults--the parents, in particular, stood out to me as well. They weren't absentee parents, as is common in so many other YA books. Maxine's father didn't play much of a role in the story, and Imogene's father didn't at all, but both of their mothers featured relatively prominently. They were minor characters, of course, but what I like to call major-minor characters (as in, they show up and interact with major characters more than other minor characters). Maxine's mother even had her own character arch where she grew and began to recover from her divorce. It was interesting, because both mothers were very clearly supportive characters.
The best part of this story was when Imogene accepts the existence of fairies and realizes she hasn't been dreaming when she sees them. The reader already knew it, Maxine suspected, Christy knew it, Adrian knew it, Tommery knew it--it was totally common knowledge, and all that was left was for Imogene to discover her new reality. When she did, though--that one line ("It wasn't a dream.") was the single most chilling thing I've come across in I don't know how long. It was beautifully done, and it was a stroke of genius on Charles de Lint's part.
It was chilling because bad dreams aren't real. That's what everyone tells themselves, or each other, when we wake up in the middle of the night. "It's okay. It was only a dream. It's over now, it wasn't real. It was only a dream." But to discover that it wasn't just a dream, and that it isn't okay--that's one of the most horrifying things that can happen to someone.
After Imogene comes to that realization, though, the story drops off for a bit. It just isn't as exciting. The pace isn't kept up or anything; they're planning out how to defeat the bad guys and it's just unnecessary word fluff. I honestly got bored enough to think about quitting in the middle of the book, though I'm glad I stuck with it. The climax at the end is worth it.