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book_concierge 's review for:
The Map of Salt and Stars
by Zeyn Joukhadar
I carried our memoires all this way, the story of what happened to us. It was heavy on my shoulders this whole time, but I didn’t fall down.
Joukhadar uses dual story lines and two young heroines to tell this story of family, loss, perseverance, grief, love and success. Nour’s story takes place in 2011; she has returned to Syria from Manhattan with her mother and sisters, after her father’s death. But it is not the safe haven her mother expected, because war is tearing the country apart. Rawiya, is a 12th-century girl who, legend has it, disguised herself as a boy to travel with renowned mapmaker al-Idrisi. Her story is the favorite one of Nour’s father’s tales and Nour recites it to herself as a way of keeping her father close. But there are parallels to the girls’ journeys, one as she explores new lands, the other as she flees across many countries to find safety once again.
I liked both Nour and Rawiya, and loved some of the supporting characters. Both girls must navigate through harsh territory and face numerous dangers from both the environment and the people they encounter. Both sometimes rely on being disguised or taken for a boy. Both find an unlikely champion / savior on more than one occasion. I was a little suspicious at first about Abu Sayeed, but came to love him and the gentle way he helped and protected Nour and her family. Like Nour, I relaxed in the safety he provided: I am covered with a thick rind of safety, like an orange.
I did find myself more drawn to Nour’s modern-day story, probably because I’m less inclined towards “fairytales” at this stage of my life. Dual timelines seems to be all the rage in novels these days, as well as dual narrators. But it’s a difficult style to pull off well. Joukhadar is a talented writer, but I felt tossed back and forth, getting invested in one story only to be yanked across centuries to a completely different scenario when I turned the page. I enjoyed the legendary tale but would have preferred to read a book that was set entirely in the present.
Still, Joukhadar gave me a compelling read with well-drawn characters and some interesting parallels. I also rather liked the opening of each part of the novel, where the author gave us a passage from a seemingly ancient text, printed, in each case, in the outline of that country. I checked the author notes but didn’t find any specific citation, so I assume that Joukhadar wrote these passages, rather than quote them. Though they fascinated me, they represented yet another style / storyline to try to get straight within the context of the entire book.
At one point Nour reflects on a scar left on her leg: Life draws blood and leaves its jewelry in our skin. This novel doesn’t draw any blood, but will definitely leave its mark on the reader.
NOTE: Author is a transgender male. The book was originally published with the author listed as Jennifer Zeynab Joukhadar.
Joukhadar uses dual story lines and two young heroines to tell this story of family, loss, perseverance, grief, love and success. Nour’s story takes place in 2011; she has returned to Syria from Manhattan with her mother and sisters, after her father’s death. But it is not the safe haven her mother expected, because war is tearing the country apart. Rawiya, is a 12th-century girl who, legend has it, disguised herself as a boy to travel with renowned mapmaker al-Idrisi. Her story is the favorite one of Nour’s father’s tales and Nour recites it to herself as a way of keeping her father close. But there are parallels to the girls’ journeys, one as she explores new lands, the other as she flees across many countries to find safety once again.
I liked both Nour and Rawiya, and loved some of the supporting characters. Both girls must navigate through harsh territory and face numerous dangers from both the environment and the people they encounter. Both sometimes rely on being disguised or taken for a boy. Both find an unlikely champion / savior on more than one occasion. I was a little suspicious at first about Abu Sayeed, but came to love him and the gentle way he helped and protected Nour and her family. Like Nour, I relaxed in the safety he provided: I am covered with a thick rind of safety, like an orange.
I did find myself more drawn to Nour’s modern-day story, probably because I’m less inclined towards “fairytales” at this stage of my life. Dual timelines seems to be all the rage in novels these days, as well as dual narrators. But it’s a difficult style to pull off well. Joukhadar is a talented writer, but I felt tossed back and forth, getting invested in one story only to be yanked across centuries to a completely different scenario when I turned the page. I enjoyed the legendary tale but would have preferred to read a book that was set entirely in the present.
Still, Joukhadar gave me a compelling read with well-drawn characters and some interesting parallels. I also rather liked the opening of each part of the novel, where the author gave us a passage from a seemingly ancient text, printed, in each case, in the outline of that country. I checked the author notes but didn’t find any specific citation, so I assume that Joukhadar wrote these passages, rather than quote them. Though they fascinated me, they represented yet another style / storyline to try to get straight within the context of the entire book.
At one point Nour reflects on a scar left on her leg: Life draws blood and leaves its jewelry in our skin. This novel doesn’t draw any blood, but will definitely leave its mark on the reader.
NOTE: Author is a transgender male. The book was originally published with the author listed as Jennifer Zeynab Joukhadar.