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A review by mochagirl
Moon by Jewell Parker Rhodes
3.0
Yellow Moon is the second in a trilogy inspired by New Orleans's infamous Voodoo Priestess, Marie Laveau; a woman still revered (and feared in some circles) centuries after her death. The first novel, Voodoo Season, is a suspenseful tale centering on a young woman's apprehensive discovery of her kinship to Marie and the unwanted "gifts"; she inherits from her grandmother; powers such as the ability to heal nearly everyone, an uncanny sense of foresight, and the ability to see spirits. These powers seem to have grown stronger upon her relocation to New Orleans for a medical internship.
Years pass and Yellow Moon picks up where VooDoo Season ends. The newly licensed Dr. Marie Laveau (appropriately named following the tradition of her foremothers), has seemingly accepted her fate, embraced New Orleans as home, and with the help of believers is aptly honing her otherwordly crafts. She happily practices both traditional medicine at the legendary Charity Hospital and the more controversial voodoo religion during off-hours. Her blissful life is interrupted when a string of blood-drained corpses start littering the city: the first being a hardened dock worker, then a boozing jazz musician, the third a prostitute - they are reminiscent of the underprivileged and downtrodden that seem to flock to Marie both in life and death. It is not long before the ghosts of the murdered appeal to her for justice. Her reluctance is culled by the handsome lead detective assigned to the case. Vampiric markings on the corpses baffle police but supernatural indicators and warnings from beyond eventually propel Marie into action. As the case progresses and the body count increases, the reader is taken on a tour of New Orleans revealing interesting tidbits of its rich history steeped in the unique blending of culture, music, religion laced with equal doses of exorbitance, decadence and debauchery. They finally discover that something ancient and evil is gaining strength in their midst and it is out for vengeance against Marie. Marie is soon in a fight for her life; she realizes she must conjure the gods and push her powers beyond her limits to save herself and her loved ones - both old and new.
Yellow Moon is seemingly written as a mystery/suspense that focuses on Dr. Marie Laveau's quest to find a vampiric murderer. However, the author also includes Marie's inner-struggles with her destiny, previous relationship baggage which affects her love life, and vacillating confidence in her powers as a Voodienne priestess. It is here that the novel slows to allow for character development or perhaps character empathy/sympathy; all of which I found a bit repetitive (from VooDoo Season) and distracting from the search for the killer. There were a few tangental episodes that caused me to wonder where the author was going with the subplots. When the climatic ending finally plays out, I instantly thought, "That's it? This could have happened 50-60 pages ago;" so I was a bit disappointed with the pacing and conclusion. However being a fan of literary and historical fiction, I absolutely loved the reflections on old New Orleans and the infusion of African folklore - these elements kept me turning pages and it is in these aspects where the author's research shows and talent shines.
Years pass and Yellow Moon picks up where VooDoo Season ends. The newly licensed Dr. Marie Laveau (appropriately named following the tradition of her foremothers), has seemingly accepted her fate, embraced New Orleans as home, and with the help of believers is aptly honing her otherwordly crafts. She happily practices both traditional medicine at the legendary Charity Hospital and the more controversial voodoo religion during off-hours. Her blissful life is interrupted when a string of blood-drained corpses start littering the city: the first being a hardened dock worker, then a boozing jazz musician, the third a prostitute - they are reminiscent of the underprivileged and downtrodden that seem to flock to Marie both in life and death. It is not long before the ghosts of the murdered appeal to her for justice. Her reluctance is culled by the handsome lead detective assigned to the case. Vampiric markings on the corpses baffle police but supernatural indicators and warnings from beyond eventually propel Marie into action. As the case progresses and the body count increases, the reader is taken on a tour of New Orleans revealing interesting tidbits of its rich history steeped in the unique blending of culture, music, religion laced with equal doses of exorbitance, decadence and debauchery. They finally discover that something ancient and evil is gaining strength in their midst and it is out for vengeance against Marie. Marie is soon in a fight for her life; she realizes she must conjure the gods and push her powers beyond her limits to save herself and her loved ones - both old and new.
Yellow Moon is seemingly written as a mystery/suspense that focuses on Dr. Marie Laveau's quest to find a vampiric murderer. However, the author also includes Marie's inner-struggles with her destiny, previous relationship baggage which affects her love life, and vacillating confidence in her powers as a Voodienne priestess. It is here that the novel slows to allow for character development or perhaps character empathy/sympathy; all of which I found a bit repetitive (from VooDoo Season) and distracting from the search for the killer. There were a few tangental episodes that caused me to wonder where the author was going with the subplots. When the climatic ending finally plays out, I instantly thought, "That's it? This could have happened 50-60 pages ago;" so I was a bit disappointed with the pacing and conclusion. However being a fan of literary and historical fiction, I absolutely loved the reflections on old New Orleans and the infusion of African folklore - these elements kept me turning pages and it is in these aspects where the author's research shows and talent shines.