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A review by maxierosalee
Sleeping Giants by Sylvain Neuvel
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Hovering around 3.75-4 stars.
This was a book where my star rating went up the more as I read the book. It started as a pretty "meh" 3 out of 5, but the score had risen by the time I reached the end.
It had an intriguing premise: a mysterious, giant hand is uncovered by a young girl in her backyard. As the years go on, the journey to find the other parts of whatever enormous robotic body it belonged to unfolds, along with the mission to find out what exactly it is and what it does. But it wasn't just the premise that caught my interest: the format did as well. Instead of traditional narrative prose, the book is told in epistolary format. It uses the form of documents and transcripts, but mostly interviews between characters to tell the story. For me, the epistolary format is a bit of a mixed bag. It can be a very intriguing way to tell a story and give it a certain kind of tone/atmosphere...but it's a common shortcoming that due to their nature, epistolary novels often suffer from a very bad case of "telling, not showing." I've read books in this format that were just exposition dump after exposition dump, and it gets to be a drag to read.
This one was a pretty engaging read. I was pretty invested in the plot. I wanted to read on as the characters worked to untangle the mystery of the giant robotic hand and see what would happen. Also, with the interview format, I found the characters decently captivating, and the author did a good job giving the main characters their voices and showcasing their personality through their words only, which I consider pretty hard to do since you can't use described action to show what these characters are like. Certain developments in the plot got me hooked enough to want to keep going and events happening to characters took me for a surprise.
I have some complaints with the book: it does sort of fall into the exposition dump from time to time, but it is by no means bad, in my viewpoint. It also suffers from a common epistolary problem in that sometimes, characters say things in supposed "interviews" that don't sound natural, since you're supposed to believe that the characters are saying this out loud in a conversation (I cannot imagine anyone saying with any kind of natural tone a sentence like "he had leathery-esque skin" out loud to someone else). A big plot complaint is, without any spoilers, how we get the "explanation" for the giant robot body parts. It seemed to come absolutely out of nowhere with no build-up, no foreshadowing, just dump a random exposition character in there.
On that last note...to be fair, this is the first in a trilogy of books, and it may be meant to be explored in the later books. The book ends on a cliffhanger, and a pretty intriguing one...
All in all, a pretty good book that's held back by some flaws, but an enjoyable read with a unique format!
This was a book where my star rating went up the more as I read the book. It started as a pretty "meh" 3 out of 5, but the score had risen by the time I reached the end.
It had an intriguing premise: a mysterious, giant hand is uncovered by a young girl in her backyard. As the years go on, the journey to find the other parts of whatever enormous robotic body it belonged to unfolds, along with the mission to find out what exactly it is and what it does. But it wasn't just the premise that caught my interest: the format did as well. Instead of traditional narrative prose, the book is told in epistolary format. It uses the form of documents and transcripts, but mostly interviews between characters to tell the story. For me, the epistolary format is a bit of a mixed bag. It can be a very intriguing way to tell a story and give it a certain kind of tone/atmosphere...but it's a common shortcoming that due to their nature, epistolary novels often suffer from a very bad case of "telling, not showing." I've read books in this format that were just exposition dump after exposition dump, and it gets to be a drag to read.
This one was a pretty engaging read. I was pretty invested in the plot. I wanted to read on as the characters worked to untangle the mystery of the giant robotic hand and see what would happen. Also, with the interview format, I found the characters decently captivating, and the author did a good job giving the main characters their voices and showcasing their personality through their words only, which I consider pretty hard to do since you can't use described action to show what these characters are like. Certain developments in the plot got me hooked enough to want to keep going and events happening to characters took me for a surprise.
I have some complaints with the book: it does sort of fall into the exposition dump from time to time, but it is by no means bad, in my viewpoint. It also suffers from a common epistolary problem in that sometimes, characters say things in supposed "interviews" that don't sound natural, since you're supposed to believe that the characters are saying this out loud in a conversation (I cannot imagine anyone saying with any kind of natural tone a sentence like "he had leathery-esque skin" out loud to someone else). A big plot complaint is, without any spoilers, how we get the "explanation" for the giant robot body parts. It seemed to come absolutely out of nowhere with no build-up, no foreshadowing, just dump a random exposition character in there.
On that last note...to be fair, this is the first in a trilogy of books, and it may be meant to be explored in the later books. The book ends on a cliffhanger, and a pretty intriguing one...
All in all, a pretty good book that's held back by some flaws, but an enjoyable read with a unique format!
Content Warnings
Graphic: Injury/Injury detail
Moderate: War, Medical trauma, and Body horror
Minor: Deportation
The body horror might seem like a weird one, but there's honestly a part that counts as body horror to me and gave me the slightest feeling of squick.
One of the characters has serious injury occur to his legs, to the point where they're about to be amputated. Instead of being amputated, he gets new prosthetics built inside of the remains of his legs...but the knees are backward. I swear this makes sense in context. It is described as a very painful procedure both during and afterward.