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A review by fionafsw
Half of a Yellow Sun by Chimamanda Ngozi Adichie
challenging
funny
informative
reflective
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Fact and fiction blend, past and present blend, as I read about the Nigerian civil war next to BBC headlines and couldn't stop thinking about the indiscriminate misery and human suffering Israel has unleashed in its current war in Gaza. It is impossible in March 2024 to read about starvation and not be reminded that 1 in 6 children <2 years are acutely malnourished in Gaza, with dozens dying of dehydration and malnutrition. The sheer desperation of a population brought to its knees and then beaten while on the ground translates seamlessly from the late 1960s to this week.
There's not much more I can say about this powerful novel except that Adichie manages to weave humour throughout to help the reader get through the horrors of war and to present something so alien to readers like me who have had the dumb luck of knowing nothing but peacetime through an individual, human lens rather than statistics or political or military manoeuvres. And for readers like me who had no idea about Nigeria, her fantastic writing brought to life every smell, taste, and sensory input.
But where the book really excels, I think, is in describing tension between individuals in the most subtle way that still makes it obvious. Tension (sexual and otherwise) that you could cut with a knife, as if you were there, in the room, as the protagonist. As Richard might say, it's really quite fantastic.
There's not much more I can say about this powerful novel except that Adichie manages to weave humour throughout to help the reader get through the horrors of war and to present something so alien to readers like me who have had the dumb luck of knowing nothing but peacetime through an individual, human lens rather than statistics or political or military manoeuvres. And for readers like me who had no idea about Nigeria, her fantastic writing brought to life every smell, taste, and sensory input.
But where the book really excels, I think, is in describing tension between individuals in the most subtle way that still makes it obvious. Tension (sexual and otherwise) that you could cut with a knife, as if you were there, in the room, as the protagonist. As Richard might say, it's really quite fantastic.
Content Warnings
Graphic: Death, Gore, Infidelity, Colonisation, Genocide, Islamophobia, Misogyny, Rape, Violence, Sexism, Sexual assault, War, Blood, Murder, Police brutality, and Sexual violence
Moderate: Classism and Grief
Minor: Pregnancy