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A review by stephxsu
The House of Dead Maids by Patrick Arrasmith, Clare B. Dunkle
3.0
Gothic and gruesome, THE HOUSE OF DEAD MAIDS is not exactly my usual type of book, but is an excellent example of what “creepy Gothic literature” should be like.
Dunkle certainly knows her Victorian—or more particularly, Brontean—language. THE HOUSE OF DEAD MAIDS reads like it was written by someone who lived during that time and wanted to tell children a scary bedtime story. The historical fiction aspect is authentic and believable.
Accordingly, there is little character development—Victorian lit was never that big on character growth—but in keeping with the tone of the book, that’s okay. The ghost element is creepy enough if you like the gothic. The illustrations at the beginning of each chapter are indispensable to the creep factor.
THE HOUSE OF DEAD MAIDS ends on a slightly far-fetched note that segues interestingly into the book that it is a mini-prequel for, Wuthering Heights. That being said, one does not need to know Emily Bronte’s romance in order to enjoy this book. THE HOUSE OF DEAD MAIDS stands on its own as a creepy, albeit a bit slow, portrayal of the Victorian gothic. Don’t read this on a dark night with the wind rattling tree branches right outside your window.
Dunkle certainly knows her Victorian—or more particularly, Brontean—language. THE HOUSE OF DEAD MAIDS reads like it was written by someone who lived during that time and wanted to tell children a scary bedtime story. The historical fiction aspect is authentic and believable.
Accordingly, there is little character development—Victorian lit was never that big on character growth—but in keeping with the tone of the book, that’s okay. The ghost element is creepy enough if you like the gothic. The illustrations at the beginning of each chapter are indispensable to the creep factor.
THE HOUSE OF DEAD MAIDS ends on a slightly far-fetched note that segues interestingly into the book that it is a mini-prequel for, Wuthering Heights. That being said, one does not need to know Emily Bronte’s romance in order to enjoy this book. THE HOUSE OF DEAD MAIDS stands on its own as a creepy, albeit a bit slow, portrayal of the Victorian gothic. Don’t read this on a dark night with the wind rattling tree branches right outside your window.