A review by tasmanian_bibliophile
Tracker by Alexis Wright

5.0

‘A Western-style biography would never do for Tracker.’

‘Tracker’ is a biography of Tracker Tilmouth (1954-2015). It’s no standard, linear biography. Instead Alexis Wright has composed a collective memoir, drawing on interviews with Tracker as well as with family, friends and colleagues. It’s a life recounted in a series of stories, of reminiscences. I started reading the book knowing a little about Tracker Tilmouth, I finished the book wanting to know more.

Tracker Tilmouth was born in central Australia in 1954. He was taken from his family as a child and, with two of his brothers, was brought up in a mission on Croker Island. When he returned home, he set about transforming the world of Aboriginal politics. This book contains some of what he set out to achieve, the why and the how of it, from a number of different perspectives. It’s the telling of Tracker’s story that held my attention: the different memories people had, the recounting of anecdotes, Tracker’s drive, Tracker’s vision. His ability to make connections and communicate.

‘How do you tell an impossible story, one that is almost too big to contain in a single book?’

Ms Wright has grouped the stories into five sections:
Trying to Get the Story Straight
Becoming Dangerous
The Inspirational Thinker
The Vision Splendid
The Unreliable Witness.
In addition, the book also includes a list of People, Places and Organisations, Contributor Biographies, as well as Acknowledgements.

I found myself reading a contribution, and then (if I didn’t know who the contributor was) looking for more information about that contributor. Sometimes that gave me context, sometimes it didn’t. But the more I read, the less I cared about trying to fit all the components into some logical whole. It didn’t matter, the words seemed to be telling me, just accept. Just listen. And as I read, I learned more about some of the negotiations, understood better Tracker’s vision of economic independence, appreciated more of the cultural aspects, heard more of the voices involved.

‘Wrighty, I just want to bookend this. Let others tell the story. Let them say what they want.’

This is not an easy book to read, especially for those of us used to conventional Western biographies. Some of the contributors found him difficult to work with, some found him annoying. Many found him inspiring. I found myself reading parts aloud, imagining a conversation. I wondered about the reliability of memory, cringed occasionally at some of the anecdotes but finished with a deep respect for Tracker Tilmouth and what he tried to achieve.

This book has recently been awarded the 2018 Stella Prize. The Stella Prize is a major literary award celebrating Australian women’s writing.

Jennifer Cameron-Smith