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A review by shanaqui
Murder in Vienna by E.C.R. Lorac
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
I really love E.C.R. Lorac's work, for a lot of reasons I've written about before, and it boils down to two gifts that she had. One, she was good at characters, and especially at creating likeable characters. Two, she has a great sense for place, and for showing how a place is lived in -- I thought at one point she was mostly good at describing rural locations and small towns, but this book (and others set in London) show she just had a gift in general of making anywhere sound lovely in its way. In this case, post-WWII Vienna.
The other thing to bear in mind is that even a character you like a lot might turn out to be a murderer, and that someone who's a bit of a slimeball needn't be the one who killed someone. If you read only one or two of her books, it's easy to think that she'll always point the finger at a certain type of character, but it isn't the case.
Murder in Vienna captures the unsettled feeling of a city uneasy with what some of its inhabitants have done. The collaborators walk free, and it's unclear who collaborated because they felt that they had to and who collaborated willingly. That isn't completely germane to this story, it's just part of the feeling of everything. But Vienna itself is beautiful in Lorac's words, and through the eyes of Macdonald, one of the most human of the detectives of classic fiction (in my view). I found it all really enjoyable, not so much the mystery itself, but how the mystery inhabited Vienna and the anxious minds of those trying to believe that the ordeal is over and normality has returned.
Poor Macdonald really should be allowed a proper holiday at some point, though. If he could please be returning from holiday at the start of a book or something, that'd be nice. No more busman's holidays for him, please.
The other thing to bear in mind is that even a character you like a lot might turn out to be a murderer, and that someone who's a bit of a slimeball needn't be the one who killed someone. If you read only one or two of her books, it's easy to think that she'll always point the finger at a certain type of character, but it isn't the case.
Murder in Vienna captures the unsettled feeling of a city uneasy with what some of its inhabitants have done. The collaborators walk free, and it's unclear who collaborated because they felt that they had to and who collaborated willingly. That isn't completely germane to this story, it's just part of the feeling of everything. But Vienna itself is beautiful in Lorac's words, and through the eyes of Macdonald, one of the most human of the detectives of classic fiction (in my view). I found it all really enjoyable, not so much the mystery itself, but how the mystery inhabited Vienna and the anxious minds of those trying to believe that the ordeal is over and normality has returned.
Poor Macdonald really should be allowed a proper holiday at some point, though. If he could please be returning from holiday at the start of a book or something, that'd be nice. No more busman's holidays for him, please.