Scan barcode
A review by james1star
The Testaments by Margaret Atwood
challenging
dark
hopeful
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? No
4.25
Did The Handmaid’s Tale (THT) need a sequel? No
Was this my vision / the best sequel? No
Was it a satisfactory sequel? Yes
Is it a good book? Yes
Margaret Atwood once agains transports us back to Gilead, and Canada, via her incredible use of descriptive and psychological writing. This was an encapsulating novel and entertaining read with great world-building, character studies with a good plot.
Thankfully we don’t have Offred as a character which really wouldn’t have bode well with me - we left her entering the darkness… or perhaps the light, this ambiguity is one of my favourite parts of THT and picked up on in the historical notes with the icon line of ‘are there any questions?’ Yes we have many! Instead the testaments follows the stories of three women: aunt Lydia, Agnes (this we believe to be Offred’s first child Hannah who was taken from her when captured trying to escape) and Nicole/Daisy (this ‘is’ Offred and Nick’s child who was smuggled to Canada as a baby) and how they each played a role in the downfall of Gilead. The plots and storylines are well written, entertaining and makes you want to read on but they do lack the psychological pull THT had. Additionally, some of the plot twists are kind of telegraphed and the stories all fit together a bit too well and cleanly… made for a tv adaptation? Maybe? I missed the messiness and uncertainty and inner fear that Offred experiences in THT.
Another difference is how the Testaments is more action-focused and hopeful than the original - it’s the suffragettes to THT’s suffragists if you get what I mean. I liked this for sure and it’s entertaining but I did miss the inner pull and heartache, this separation of mind and body with Offred taking ownership of her mental body is her rebellion in a society where all that matters is her body and this is her power. Whereas information and smuggling is the power here, among other things. This actionness also makes the events and characters less realistic to THT but still ‘speculative’ in ways.
Of the three perspectives, aunt Lydia’s is by far the best and most encapsulating. That’s not to say Agnes and Nicole’s aren’t - they are and Atwood writes teenaged so well and lifelike for someone in their 80s. I wanted, I needed, I should have hated aunt Lydia. She is horrible and vindictive and did so many immoral things in THT and the Testaments but I couldn’t. I loved her. She’s so cunning, so knowledgeable, so focused, so powerful. She’s a badass. I don’t only like her for her crucial role in Gilead’s downfall but also her demeanour and personality despite being a villain in a sense. But also we got to see her story, how she was forced into this position - this or death and she chose to live, to thrive in fact, to hold power behind the scenes in a country where women lost all the power they had.
Overall, I definitely enjoyed this book and would totally recommend it. It’s a good book for sure and an adequate sequel to such an amazing literary classic but doesn’t compare in impact - how could it?
Was this my vision / the best sequel? No
Was it a satisfactory sequel? Yes
Is it a good book? Yes
Margaret Atwood once agains transports us back to Gilead, and Canada, via her incredible use of descriptive and psychological writing. This was an encapsulating novel and entertaining read with great world-building, character studies with a good plot.
Thankfully we don’t have Offred as a character which really wouldn’t have bode well with me - we left her entering the darkness… or perhaps the light, this ambiguity is one of my favourite parts of THT and picked up on in the historical notes with the icon line of ‘are there any questions?’ Yes we have many! Instead the testaments follows the stories of three women: aunt Lydia, Agnes (this we believe to be Offred’s first child Hannah who was taken from her when captured trying to escape) and Nicole/Daisy (this ‘is’ Offred and Nick’s child who was smuggled to Canada as a baby) and how they each played a role in the downfall of Gilead. The plots and storylines are well written, entertaining and makes you want to read on but they do lack the psychological pull THT had. Additionally, some of the plot twists are kind of telegraphed and the stories all fit together a bit too well and cleanly… made for a tv adaptation? Maybe? I missed the messiness and uncertainty and inner fear that Offred experiences in THT.
Another difference is how the Testaments is more action-focused and hopeful than the original - it’s the suffragettes to THT’s suffragists if you get what I mean. I liked this for sure and it’s entertaining but I did miss the inner pull and heartache, this separation of mind and body with Offred taking ownership of her mental body is her rebellion in a society where all that matters is her body and this is her power. Whereas information and smuggling is the power here, among other things. This actionness also makes the events and characters less realistic to THT but still ‘speculative’ in ways.
Of the three perspectives, aunt Lydia’s is by far the best and most encapsulating. That’s not to say Agnes and Nicole’s aren’t - they are and Atwood writes teenaged so well and lifelike for someone in their 80s. I wanted, I needed, I should have hated aunt Lydia. She is horrible and vindictive and did so many immoral things in THT and the Testaments but I couldn’t. I loved her. She’s so cunning, so knowledgeable, so focused, so powerful. She’s a badass. I don’t only like her for her crucial role in Gilead’s downfall but also her demeanour and personality despite being a villain in a sense. But also we got to see her story, how she was forced into this position - this or death and she chose to live, to thrive in fact, to hold power behind the scenes in a country where women lost all the power they had.
Overall, I definitely enjoyed this book and would totally recommend it. It’s a good book for sure and an adequate sequel to such an amazing literary classic but doesn’t compare in impact - how could it?
Content Warnings
Moderate: Death, Pedophilia, Violence, Grief, Misogyny, Physical abuse, Religious bigotry, Abortion, Death of parent, Rape, Sexual violence, Sexism, Infertility, Infidelity, and Sexual harassment