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A review by nwhyte
Strange Bedfellows: An Anthology of Political Science Fiction by D.A. D’Amico, Juliet Kemp, Elinor Caiman Sands, Craig DeLancey, Eugie Foster, Ian Creasey, John Skylar, Alter Reiss, F.F. White, Bogi Takács, Conor Powers-Smith, Hayden Trenholm, Trevor Shikaze, Richard Harland, Phoebe Barton, Jay Werkheiser, Gustavo Bondoni, Katherine Sparrow, Erica L. Satifka
3.0
https://nwhyte.livejournal.com/3753545.html
OK, a big peeve here: the title of the book as published is partly in mock-Cyrillic, STЯAПGE BEDFЗLLФШS. This kind of thing really annoys me. Я is a vowel, З and Ф are consonants, and П and Ш may be consonants but they sound nothing like N or W. Russian is a real language, as are Bulgarian, Ukrainian, Serbian, Kazakh, etc, and these letters have real meanings. It seems odd for a book published almost a quarter of a century after the fall of Communism in Central and Eastern Europe to equate Cyrillic script with subversive politics.
This is a 2014 anthology of original stories with political themes. I may just have been tired when reading it, but the only one that really lingered with me was the opener, Eugie Foster's "Tried as an Adult", which takes the U.S. justice system and extrapolates it to a grim conclusion. Funny how the concerns of 2014 just look a bit different now. It's been a long seven years (especially the last one).
OK, a big peeve here: the title of the book as published is partly in mock-Cyrillic, STЯAПGE BEDFЗLLФШS. This kind of thing really annoys me. Я is a vowel, З and Ф are consonants, and П and Ш may be consonants but they sound nothing like N or W. Russian is a real language, as are Bulgarian, Ukrainian, Serbian, Kazakh, etc, and these letters have real meanings. It seems odd for a book published almost a quarter of a century after the fall of Communism in Central and Eastern Europe to equate Cyrillic script with subversive politics.
This is a 2014 anthology of original stories with political themes. I may just have been tired when reading it, but the only one that really lingered with me was the opener, Eugie Foster's "Tried as an Adult", which takes the U.S. justice system and extrapolates it to a grim conclusion. Funny how the concerns of 2014 just look a bit different now. It's been a long seven years (especially the last one).