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jessrussellthenerd's review
adventurous
challenging
dark
emotional
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
noranne's review against another edition
3.0
If I had to sum up Kameron Hurley as an author, I'd probably say "unique and gruesome" and this book definitely falls into those categories.
I am struggling a bit with this series. Despite several well-developed viewpoint characters, I don't feel a connection to this world at all. Perhaps because every single character is basically completely awful (save one that I actually like). I don't really care if this world or that world triumphs in this battle. And I don't totally understand the overarching meta-battle so it's hard to care about that.
Not a bad book, in all, and I'll read the third book at some point, but yeah.
I am struggling a bit with this series. Despite several well-developed viewpoint characters, I don't feel a connection to this world at all. Perhaps because every single character is basically completely awful (save one that I actually like
Spoiler
who is of course killed by his own mother soooNot a bad book, in all, and I'll read the third book at some point, but yeah.
mle667's review against another edition
adventurous
challenging
dark
mysterious
tense
slow-paced
Too many characters with barely different names going off on subplots that are basically all the same to keep track of.
lesbrary's review against another edition
4.0
The Worldbreaker Saga is a brutal, brilliant series. It is emphatically queer: it examines gender and sexuality from multiple angles, polyamorous configurations of genders are the norm for relationships, there are multiple non-binary point of view characters, and the main character is attracted to women. It boasts a huge cast of point of view characters and an ever-expanding setting made up of distinct, detailed cultures. It is complex and ambitious, and it challenged me at every turn. This is grimdark epic fantasy, so it’s far from a comfortable read–but it’s so very worth it.
Full review at the Lesbrary.
Full review at the Lesbrary.
mxsallybend's review against another edition
5.0
The Mirror Empire was a mind-blowing a read. It was an utterly amazing work of epic fantasy in which Kameron Hurley put her own spin on the idea of parallel worlds in a post-apocalyptic sort of portal fantasy, all while turning gender roles and relationships on their head. With an unapologetic feminist foundation, it was the most brutally violent female-led fantasy I had ever encountered. It was ambitious, awesome, imaginative, and exhausting in equal measure . . . and I had serious concerns as to how a sequel would fare.
Fortunately, the depth she established there proves to have even more layers (and worlds) than we thought, making Empire Ascendant a more than worthy follow-up.
Having brought two pivotal universes together at the end of the first book, Hurley continues to develop her worlds here. With the concept, the geographies, the cultures, and the characters already established, she is free to delve deeper and provide use with a more intimate understanding of the politics involved, as well as the family ties that so often drive them. Those conflicts are just as complicated and confusing as you might expect, given that we’re dealing with mirror universes and doppelgangers, and more than once we’re left questioning the morality of all sides.
And that’s where this book expands on the first, taking everything to a whole other level. We’re no longer just talking about ‘both’ sides here, no longer dealing with just the invasion of one world into another. As Oma’s rise approaches and the barriers between worlds grow ever thinner, there is a third power brought into play, one knows a thing or two about the breaking of the worlds
In reviewing The Mirror Empire I talked at length about the challenges involved in the read, the frustrations that often had me flipping back and forth between pages, and the sense of fascination that accompanied it all. Things do not get any easier here, and that is just as it should be. Hurley throws even more character points-of-view into the mix, introducing new characters and elevating secondary characters from the first book to positions of significance here. I immediately reconnected with the characters, and was pleased to see them grow and develop, but what shocked me upon my reread of the series is how my own loyalties and sympathies have shifted.
When I first reviewed Empire Ascendant, I called Zezili a dark, deplorable highlight. Now, encountering her a second time, I see her for what she is – a gender-flipped grimdark fantasy protagonist who is willing to endure death and disfigurement, betray her Empress, and sacrifice an entire culture simply to rescue her husband. She’s not your typical hero. She commits horrible acts in pursuit of her husband. There’s even a lingering question of whether she’s doing so out of love or possession. It’s not that none of that matters, but that it makes her even more fascinating, more complex. I would argue that Zezili is one of the most important epic fantasy protagonists of the twenty-first century.
Initially, I felt this second book pulled back from some of the work done in the first volume with gender and gender roles, but (again) upon a reread I’ve discovered that it’s all still there, just more assumed and less explained, with ‘ze’ and ‘hir’ pronouns having become so common, we cease to notice them. Hurley doesn’t need to call it out or wave the flag here because it’s just part of how her worlds exist, and that casual assumption actually makes it even more exciting. That’s not to say, of course, that it’s all left to subtlety. Not at all. I’m not sure who Saradyn is based upon, whether he’s supposed to be an archetype or just a counterpoint for all the feminist aspects of Hurley’s world, but he is so much of a male chauvinistic pig that he borders on parody. Pairing him with the quietly flamboyant Natanial, and then placing them both in close proximity to Anavha and Zezili, is a genius move that exemplifies so much about the gender gap.
As for the other characters, Lilia started to grow stale for me in the first book, but we see in her new life here that adds to the overall drama of the tale. Roh steps back a bit, spending more time in the shadows, almost throwing himself into the role of victim, but his arc has its surprises. Similarly, Nasaka is more a force or an influence here than a character, spending most of her time off the page, but her role is even more crucial than we could have expected. Taigan continues to be one of my favorite characters, gaining more depth as the story moves on. And, in a book defined by its damaged characters, Anavha probably surprised me the most, with his breaking near the end such a powerful scene. I wanted so much more for him, and I really hope he gets his moment in The Broken Heavens.
Although this is a middle book, things actually happen here. With the world, the scenario, and the characters already established, Hurley is free to focus on the action – and she delivers that in spades. This is a fast-paced tale that carries a sense of urgency from page one. You can feel the tension oozing off the page as the characters clash, cultures collide, and worlds approach an end. The plot develops as much, if not more so, than in the first book – and not always in ways you’d expect. There are twists and turns to the tale that even the most jaded readers won’t see coming, as the story careens downhill towards an uncomfortable precipice. While I knew very well after the first book that no character was safe or sacred, and that not all of then would make it through to to the end, I was still shocked by a few deaths and betrayals, and even one moment of emancipation, all of which leave the story irrevocably changed.
Empire Ascendant won’t win over any fans who were turned off by the violent, reverse sort of sexism and gender-bent sadism of the first book, but that’s fine because they were never the intended audience anyway. Like that book, this second volume is even more ambitious, more imaginative, and more wonderfully exhausting the second time around. I came away from it entirely satisfied and I am ready to plunge into The Broken Heavens.
https://femledfantasy.home.blog/2019/12/03/book-review-empire-ascendant-by-kameron-hurley/
Fortunately, the depth she established there proves to have even more layers (and worlds) than we thought, making Empire Ascendant a more than worthy follow-up.
Having brought two pivotal universes together at the end of the first book, Hurley continues to develop her worlds here. With the concept, the geographies, the cultures, and the characters already established, she is free to delve deeper and provide use with a more intimate understanding of the politics involved, as well as the family ties that so often drive them. Those conflicts are just as complicated and confusing as you might expect, given that we’re dealing with mirror universes and doppelgangers, and more than once we’re left questioning the morality of all sides.
And that’s where this book expands on the first, taking everything to a whole other level. We’re no longer just talking about ‘both’ sides here, no longer dealing with just the invasion of one world into another. As Oma’s rise approaches and the barriers between worlds grow ever thinner, there is a third power brought into play, one knows a thing or two about the breaking of the worlds
In reviewing The Mirror Empire I talked at length about the challenges involved in the read, the frustrations that often had me flipping back and forth between pages, and the sense of fascination that accompanied it all. Things do not get any easier here, and that is just as it should be. Hurley throws even more character points-of-view into the mix, introducing new characters and elevating secondary characters from the first book to positions of significance here. I immediately reconnected with the characters, and was pleased to see them grow and develop, but what shocked me upon my reread of the series is how my own loyalties and sympathies have shifted.
When I first reviewed Empire Ascendant, I called Zezili a dark, deplorable highlight. Now, encountering her a second time, I see her for what she is – a gender-flipped grimdark fantasy protagonist who is willing to endure death and disfigurement, betray her Empress, and sacrifice an entire culture simply to rescue her husband. She’s not your typical hero. She commits horrible acts in pursuit of her husband. There’s even a lingering question of whether she’s doing so out of love or possession. It’s not that none of that matters, but that it makes her even more fascinating, more complex. I would argue that Zezili is one of the most important epic fantasy protagonists of the twenty-first century.
Initially, I felt this second book pulled back from some of the work done in the first volume with gender and gender roles, but (again) upon a reread I’ve discovered that it’s all still there, just more assumed and less explained, with ‘ze’ and ‘hir’ pronouns having become so common, we cease to notice them. Hurley doesn’t need to call it out or wave the flag here because it’s just part of how her worlds exist, and that casual assumption actually makes it even more exciting. That’s not to say, of course, that it’s all left to subtlety. Not at all. I’m not sure who Saradyn is based upon, whether he’s supposed to be an archetype or just a counterpoint for all the feminist aspects of Hurley’s world, but he is so much of a male chauvinistic pig that he borders on parody. Pairing him with the quietly flamboyant Natanial, and then placing them both in close proximity to Anavha and Zezili, is a genius move that exemplifies so much about the gender gap.
As for the other characters, Lilia started to grow stale for me in the first book, but we see in her new life here that adds to the overall drama of the tale. Roh steps back a bit, spending more time in the shadows, almost throwing himself into the role of victim, but his arc has its surprises. Similarly, Nasaka is more a force or an influence here than a character, spending most of her time off the page, but her role is even more crucial than we could have expected. Taigan continues to be one of my favorite characters, gaining more depth as the story moves on. And, in a book defined by its damaged characters, Anavha probably surprised me the most, with his breaking near the end such a powerful scene. I wanted so much more for him, and I really hope he gets his moment in The Broken Heavens.
Although this is a middle book, things actually happen here. With the world, the scenario, and the characters already established, Hurley is free to focus on the action – and she delivers that in spades. This is a fast-paced tale that carries a sense of urgency from page one. You can feel the tension oozing off the page as the characters clash, cultures collide, and worlds approach an end. The plot develops as much, if not more so, than in the first book – and not always in ways you’d expect. There are twists and turns to the tale that even the most jaded readers won’t see coming, as the story careens downhill towards an uncomfortable precipice. While I knew very well after the first book that no character was safe or sacred, and that not all of then would make it through to to the end, I was still shocked by a few deaths and betrayals, and even one moment of emancipation, all of which leave the story irrevocably changed.
Empire Ascendant won’t win over any fans who were turned off by the violent, reverse sort of sexism and gender-bent sadism of the first book, but that’s fine because they were never the intended audience anyway. Like that book, this second volume is even more ambitious, more imaginative, and more wonderfully exhausting the second time around. I came away from it entirely satisfied and I am ready to plunge into The Broken Heavens.
https://femledfantasy.home.blog/2019/12/03/book-review-empire-ascendant-by-kameron-hurley/
kadomi's review against another edition
4.0
Holy shit, that was one of the most grueling fantasy stories I have ever read. If you like PoV characters to be shining heroes, this series is not for you. Every character is drawn in deep shades of grey, and there are few likeable ones around. I probably like Roh best, and he's broken at best.
It's also not a series to get attached to any character. The body count is high, and the deaths and tribulations to characters are gruesome. The amount of lost limbs beats everything I have read before.
My regret about this book is that I did not reread Mirror Empire because I had forgotten just about anything that happened. Kameron Hurley doesn't coddle her readers so there is little to no exposition beyond the glossary in the back.
Aside from all this, I love the scope of the story, the incredible diversity and gender-bending of tropes. It's not an easy read but it's fantastic when you persist.
Oma has ascended, and I can't wait to find out what happens next.
It's also not a series to get attached to any character. The body count is high, and the deaths and tribulations to characters are gruesome. The amount of lost limbs beats everything I have read before.
My regret about this book is that I did not reread Mirror Empire because I had forgotten just about anything that happened. Kameron Hurley doesn't coddle her readers so there is little to no exposition beyond the glossary in the back.
Aside from all this, I love the scope of the story, the incredible diversity and gender-bending of tropes. It's not an easy read but it's fantastic when you persist.
Oma has ascended, and I can't wait to find out what happens next.
pastaylor's review against another edition
4.0
First the negatives: the book is confusing, starting off right where the first book left off with no preamble or recap, throwing you into a million different characters and alien titles and planets and lands etc. It took about halfway before I was really clear what was going on, and then it just ends, setting itself up for the next book.
It's also over-the-top violent and dark. Every single character is maimed, crippled, stabbed, burned, and/or killed. People are chopped into pieces and thrown into the sewer. Multiple limbs are cut off. the impact of this is weakened by a)how often it appears, and b), how little you get to know the characters before they are chopped into pieces of blown up. They are sort of all redshirts in that way.
But still, I couldn't stop reading this, and once I got into it I had a hard time putting it down. It is super imaginative, very different from any other fantasy i've read, and a good read, even if it is confusing and violent as hell.
It's also over-the-top violent and dark. Every single character is maimed, crippled, stabbed, burned, and/or killed. People are chopped into pieces and thrown into the sewer. Multiple limbs are cut off. the impact of this is weakened by a)how often it appears, and b), how little you get to know the characters before they are chopped into pieces of blown up. They are sort of all redshirts in that way.
But still, I couldn't stop reading this, and once I got into it I had a hard time putting it down. It is super imaginative, very different from any other fantasy i've read, and a good read, even if it is confusing and violent as hell.
saoki's review against another edition
4.0
Second book in a trilogy, meaning this is The One Where Everything Goes To Hell. It's incredibly gory, extremely dark (as in: trigger warnings for everything. Everything.) and takes the "everything must go wrong in worst possible way" rule of grimdark to new heights. Also, there are about a bazillion plot threads going on, and one of them involves scary insectoid beings.
Waiting to see how it all ends. Maybe the Science!World people will come with guns?
PS: So many people die, I recommend you keep a tally so you know which POV characters are still among the living in the end.
Waiting to see how it all ends. Maybe the Science!World people will come with guns?
PS: So many people die, I recommend you keep a tally so you know which POV characters are still among the living in the end.
riley_rose's review
adventurous
challenging
dark
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75