Reviews tagging 'Child death'

Womb City by Tlotlo Tsamaase

7 reviews

peachani's review against another edition

Go to review page

challenging dark tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

I only wish that the
comeuppance
deaths were more gory and protracted. It's what they deserved... Hmm. Maybe I relate to
Moremi
more than I initially thought. 

Expand filter menu Content Warnings

kelsokake's review against another edition

Go to review page

challenging emotional hopeful inspiring mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

I had little to no idea what to expect when starting this book, but I was pleasantly surprised! This wasn't a light read at all. It's sci-fi set in an insanely patriarchal society that has like, built-in generational trauma. 
 
In our city, it is unwise to trust reality.
 
I have been betrayed by reality, betrayed by my subconscious, shipwrecked from reality.
 
Now every thought must be deceased from my mind before its birth.
 

While it took me a while to get invested, once I was in it, I was in it. The last quarter of the book had me constantly gasping in surprise and while the metaphor/allegory got a little heavy-handed towards the end, I still found myself wanting to know what was going to happen. I would definitely check out other books by Tlotlo Tsamaase

Expand filter menu Content Warnings

careinthelibrary's review

Go to review page

adventurous challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes

3.5

The last third was hard to follow but I was reading on a plane so I'm pretty sure that's the cause. Such cool worldbuilding and complex characters. Really compelling and interesting plot. 

Expand filter menu Content Warnings

planet_taffy's review

Go to review page

challenging dark emotional informative reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Womb City is a heavy book that handles gender politics and crimes against women in a deeply intersectional way. I was continually impressed with the new layers Tsamaase brought to the issue leaving no stone unturned in xer dissection of male privilege and the way it's used to enact violence on everyone else.

It terms of the sci-fi elements, Tsamaase's future Botswana is also full of layers from artificial immortality through "body-hopping" to the many tools of surveillance and control giving us the dynamic of second class citizens through "microchipped people". Xe is pretty good about explaining new technologies each time they come up so that, by the time they're super important to the plot, you're quite familiar with them.

All in all it's a rewarding read, even if the verbiage is a bit hard to get through on the first pass. Nothing in the book is a throwaway, making the ending one of the most satisfying I've read. My only complaint is that I wish less scenes had taken place in the car.

Expand filter menu Content Warnings

thecriticalreader's review against another edition

Go to review page

dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated
 
Context: 
I saw Womb City by Tlotlo Tsamaase on an anticipated releases list and thought it looked/sounded amazing, so I borrowed it from my library through the Libby App.
 
Review:
Womb City by Tlotlo Tsamaase is the worst book I’ve ever read. There is a reason it has such a low aggregate rating on StoryGraph. It combines the worst elements of science fiction, fantasy, horror, thriller, and feminist rage literature with shitty writing. It’s a shame, too, because the cover art is amazing, and the description sounds sooo interesting. Before I start ranting about what I hated about it, I’m going to start with two positives:

·      First off, there are some kernels of good ideas in here, somewhere amidst the trash.

·      Secondly, on a sentence-by-sentence basis, this book isn’t bad. There are occasionally some sentences that are powerful and poetic. Unfortunately, you have to slog through pages of crap to get to them and when you do, they’re rendered meaningless by their context.
 
Now, for the bad. I don’t normally do reviews in bullet points, but I need some sort of organizational method to contain the rage I feel toward this book.

·      The worldbuilding is overexplained, yet somehow makes NO sense. First of all, nothing that happens is remotely within the realm of scientific possibility. I would be fine with this if it weren’t executed so poorly. I venture to say that 1/4 of this book is exposition explaining the byzantine body-swapping process; it reads like a worldbuilding Google Doc rather than a novel. Tsamaase throws rule after rule at the reader and does so in the most inorganic way possible. For example, characters will stop and explain how their world works to each other with no good reason to do so. Despite the mountains of explanation heaped upon the reader, there are plot holes so big that you could drive a truck through them. 

·      Furthermore, the underlying foundation of the world makes no sense from a sociological perspective. The sort of technology described in this book would radically alter the human experience and society, yet Tsamaase demonstrates zero creativity in imagining these changes. Do you really expect me to believe that people are semi-immortal and can swap bodies, and this doesn’t meaningfully alter society in any way? This alone pretty much ruined the book for me.

·      The characters are flimsy props for the plot, and they contradict themselves constantly. One character will say or believe one thing for the sake of one scene, but as soon as the author wants them to do something for the plot, they will do a 180 at the drop of a hat. 

·      The main character is a despicable, pathetic person whose motivations and actions make no sense. Like the other characters, she constantly contradicts herself.
She spends the first 20% of the book or so explaining how her every move and thought is monitored by her husband, and that if she wants to stay alive and have a child, she needs to be on her best behavior. As soon as she’s done explaining this, she promptly cheats on her husband and does a boatload of drugs. At another point in the book. she tells another character that her husband is a manipulative, abusive psychopath. She then acts shocked (imagine the shocked Pikachu face) when her husband later acts like a manipulative, abusive psychopath! These examples are just the tip of the iceberg with this character.


·      None of the dialogue resembles how real people talk; characters speak in paragraphs. The dialogue is basically a tool for the author to infodump more worldbuilding lore, plot nonsense, and bland feminist outrage at the reader.

·      This book tries so hard to be transgressive, edgy, and violent that it unintentionally has the opposite effect. The plot is fucked up, but that’s not a compliment.

·      The book has no narrative momentum in the first half, and then it suddenly enters turbo mode. The plot is off-the-rails bonkers, and yet it somehow manages to be predictable. Tsamaase piles on clunky plot twist after clunky plot twist, and Womb City quickly starts to feel like ten seasons of a bad supernatural soap opera crammed into one book.

·      The author has no understanding of how human bodies work and adds gore for the sake of gore. Let’s just leave it at that.

·      In xer acknowledgments, Tsmaase says that that xer manuscript was rejected over 400 times. Xe claims it’s because of “gatekeeping,” implies that racial bias was involved, and complains that nobody appreciated the book’s “nuances” until it found the right people. Yeah, I’m gonna call BS on that. I know full well that racial bias and sexism are rampant in the publishing industry, but sometimes people rightfully reject manuscripts because they’re garbage. Womb City is a steaming pile of garbage wrapped in an alluring, shiny bow. 
 
IN SHORT, DON’T BE FOOLED BY THE COOL PREMISE AND THE AMAZING COVER!!! DON’T WASTE YOUR TIME WITH THIS BOOK!!!!
 

Expand filter menu Content Warnings

offtheraels's review against another edition

Go to review page

challenging dark emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.25

***Disclaimer: I was provided an electronic ARC of this book by Netgalley in exchange for my honest review.***

Womb City is a mixed bag of dystopia, scifi, and horror. The reader follows an architect named Nelah whose consciousness is able to be transferred to different bodies. Her current body is heavily surveillanced due to a crime a previous 'soul' committed and her marriage is in a fragile condition. 

Nelah's infertility is a focus from the beginning of the novel, which leads to her and her husband growing their daughter in a government lab. When discussing infertility and as grief weaves in and out of daily life, the language becomes poetic and Nelah's humanity shines through. 

“...how can I be free when my womb is a grave.”

“I am the Black Womb; everything I touch erodes.”

There are moments when the language is less poetic and more exposition and clunky phrasing. Some of this can be excused as a downfall of speculative fiction where world building can often appear expository. However, there are ways to do this without shifting the tone of the narrative. This is part of why I think the poetic language stands out so much—because it's often bracketed with mechanical language and scientific world building, so these moments of rhythm seem shinier and slower in comparison. Also, I would have liked to see the science fiction and horror elements blend a little more. I could feel the tone shift between the genres, but like I could between the poetic prose and the exposition. Though this could also be because I am more of a horror fan than a scifi fan, so I was more attuned to those elements of the narrative. 

Nelah is a Black woman from Botswana, which grounded the narrative and gave the story a layer of nuance I thoroughly enjoyed. Major themes of the novel include the over policing and criminalisation of Black female bodies and what it means to be a woman living under patriarchal values and norms. For example, early on in the novel the reader learns that Nelah is a successful architect and the breadwinner in her marriage, yet her success and wealth do not equate to independence. Her husband maintains control in their marriage and is the arbiter of her surveillance.

“I stare at him and wonder if every marriage is like ours: microchipped wives watching our husbands disembowel our thoughts and memories, dissecting our every infraction, interrogating us about our glances, our clothes, our conversations. Monitoring us for undetected crimes.”



Expand filter menu Content Warnings

shirecrow's review against another edition

Go to review page

challenging dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Women should not always have to die. Girls should not be born into death. 

Womb City is a horror, ghost story exploring motherhood, memory, grief and what it means to be human. But what is most prominent me is that it's full of soul.

We follow our main character Nelah. She is complicated and angry and hurt but mostly she's yearning for love and connection. I adored her. She was twisted in a way that comes from immense pain. She was so human. Seeing her struggle with her body, her feelings and her need to be a mother was not only a strong plot point but also a beautiful and haunting reflection of women in real life.

The supporting characters were all fleshed out. Really, every single one of them felt like a complete character with flaws, background and personality.

I won't say too much, as this is still coming out in 2024, but what I can say is that you will learn to love and hate these characters. They're the backbone of this whole thing and they're strengthening the story and point that Tsamaase is wanting to portray.

Speaking of point; Womb City is a brilliant analysis of motherhood, the oppression of women and their bodily autonomy. It speaks on the usage of AI in something that should only be decided by nature: life and death. This aspect was very interesting to me considering AI is (currently and sadly) on the rise in so many different parts of society. Art and literature being it's most terrifying victims, what if humanity went beyond it and started using it in governmental issues. This book will give you a glimpse of that. 

Gender, gender roles, sexuality and self expression is also explored. The later two not in such a big way as gender and the main plot mentioned above but still an undeniably important part of the story. 

I enjoyed the Botswana backdrop and all the different African inclusions like slang and other locations. 

Oh, btw this has some cyberpunk elements, body-hopping and it's more action and adrenaline packed than you'd expect. Totally not cool and awsome and an absolute brilliant bland of politics, love and action, noooope not at all (LIE DETECTED, IT'S ALL OF THESE THINGS AND IT'S SO DAMN GOOD).

I have to admit that at the beginning I was struggling to get into it. At around 90 pages I was wondering how the author was going to fill another 300. But my god, did it pick up. At around 110 pages I was so captivated I could not stop reading for the rest of the day. Tsamaase's writing style pulls you in by the neck and won't let go. The style definitely defines the story and keeps you going even when your body would rather go to sleep. Xe just has way of writing that makes you so absorbed in the story that you can't wait to figure out what's next. 

And what's next? So many things get revealed that I was absolutely blindsided by. I gasped and looked around like I was in a movie theater. IT WAS THIS GOOD. 

I adored this book. I adore Tsamaase and will definitely read everything else xe has written or decides to write in the future. 

I am truly, utterly honored to have read this as an ARC and i'd be beyond delighted to have this in my bookshelf someday.  

Do yourself a favor and pre-order this. Put it at the top of your 2024 tbr. 

Thank you to Erewhon Books, Tlotlo Tsamaase and Netgalley for giving me a digital copy of this book in exchange for my honest review. 

Expand filter menu Content Warnings
More...