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ellelainey's review against another edition
4.0
Book – Salt and Iron
Author – Tam MacNeil
Star rating - ★★★★☆
No. of Pages - 200
Movie Potential – ★★★★☆
Ease of reading – very easy to read.
Would I read it again – Yes.
** I WAS GIVEN THIS BOOK, BY THE AUTHOR, IN RETURN FOR AN HONEST REVIEW **
Reviewed for Divine Magazine
This was quite a strange one for me. On one hand, I really didn't enjoy it when I started. The writing style of 3rd person, present tense, isn't my thing. I've never really enjoyed it in a book or been able to settle with it. This one took a few pages, but I eventually got into it and into the story.
I normally review the Plot and Characters separately, but this time I'm doing Pros and Cons. It will seem there are more Cons than Pros, but that's only because it's easier to describe the issues than it is to definite a feeling that a good story gives you.
~
CONS
The writing is quite casual. For the first 20% I seriously didn't want to keep going. The story wasn't progressing to anywhere that kept me interested, the writing was strangely done and the tense, as said above, didn't work for me. There was a very casual way of writing, where it would have fitted and made sense in a 1st person POV story, but not in a 3rd. Example: “He has to undo it and retie it. Should be able to do this blind. Knew he'd maybe overdone it,”. Cutting sentences like that off is really unnatural in 3rd person, but after a while it stopped. It felt quite lazy and sloppy. Half the time I wondered if the real problem was that words were missing, that would normally have made these sentences make sense.
It genuinely felt as though the writer wasn't confident with themselves or the story for that 20%, as it reads as though one person wrote that part and someone else wrote the rest. Maybe it was the author getting into the stride of the story, I don't know, but about the 20% mark is where the characters grew into something palatable, the story took off and began to make sense and when it all came together.
In terms of plot, I have one argument in that there is a creature called a “sidhe” and not once in any part of the story is it explained what this is. My dictionary recognises it as a fairy people of Irish folklore, but that's not how it reads and I really would have liked an explanation of what the author meant this creature to be.
From the blurb, the cover and the use of the van Helsing name, I expected this to be historical in some sense, but it wasn't. Not in the slightest. It's an urban fantasy novel, contemporary, beginning badly but growing more mature as it continued. There were a few run on paragraphs that confused even the author, allowing repeats of half sentences to appear. These may be fixed before the release, but I'm mentioning them because they were in my version. Example:
“When he gets up to Maria van Helsing's little library, or the Red Room as he calls it when he names it for himself, since the couch and the chairs are all red leather and the oriental carpet on the floor is red too, when he gets up there she's waiting for him.”
There's also no warning or definition of a change in POV. No notice of who the POV belongs to, for sometimes a few paragraphs (or at all, in one or two cases) and no break or line to separate the POV's between characters. Sometimes one character's POV runs through the gap between scenes, taking up an entire chapter, sometimes 3 different POV's appear in one chapter, with only one line gap between them and no warning of whose head you're in or that's its changed from the previous scene. In total, this book has multiple POV's shown, sometimes for less than a page, sometimes for chapters at a time: James is the biggest POV, then Gabe, then Rob, Abe and Maria.
~
PROS
When it comes to the characters, I really genuinely loved how messed up James was, how loyal and terrified Gabe was at one point, then how broken and crazy they both became. They had genuinely human reactions to whatever situation crept up.
The plot was a wholly original take on the van Helsing legacy, mentioning very briefly the whole Dracula thing, without ever leaning too heavily upon it. To be quite fair, I'd say the only references to the original van Helsing story is the use of the name, the duty bound task of tracking of monsters and the skimmed mention of Dracula. Everything else is entirely original and captivating.
I began reading in the early morning and didn't put it down until early evening. I made very little notes about the positive aspects of the story, because I was too engrossed in my reading to mark them down.
~
OVERALL
This would have been a 5 star rating, if it wasn't for the niggles and the frustration of the first 20%. Other than this, this was a solidly good read and I'll be reading more from the author in the future.
The first 40% acts as the build up and that's where I floundered most. Getting to know the characters, their personalities and the role they all play in this new world was a little tiresome, when the style of writing wasn't to my taste and didn't seem to fit the tense/POV the author was using. However, after that point, it was non-stop action, danger, romance and intrigue.
This could have been a story for the YA market, if it wasn't for the prolific swearing and a few gross parts that made me gag at the images they brought to mind. The author certainly touched on the right amount of gore for the story. There is no explicit sex and, actually, no sex at all that's on page in anything more than a sentence of mention. Even then, it's between a man and woman. However, the romance was there as strong as I wanted it to be and it was perfectly fitting that the MC's didn't venture into sex, after all they'd been through. The story ends nicely, with a hint that more might be to come later, if the author wanted to, but also that nothing is tied up in a neat red bow. Things are settled, but far from perfect. And I like that.
~
FAVOURITE QUOTE
“Gabe turns his head. He smiles a faint, pained smile. “I'm a monster, Jamie.”
“And I'm a drunk, so we're a pair.””
Author – Tam MacNeil
Star rating - ★★★★☆
No. of Pages - 200
Movie Potential – ★★★★☆
Ease of reading – very easy to read.
Would I read it again – Yes.
** I WAS GIVEN THIS BOOK, BY THE AUTHOR, IN RETURN FOR AN HONEST REVIEW **
Reviewed for Divine Magazine
This was quite a strange one for me. On one hand, I really didn't enjoy it when I started. The writing style of 3rd person, present tense, isn't my thing. I've never really enjoyed it in a book or been able to settle with it. This one took a few pages, but I eventually got into it and into the story.
I normally review the Plot and Characters separately, but this time I'm doing Pros and Cons. It will seem there are more Cons than Pros, but that's only because it's easier to describe the issues than it is to definite a feeling that a good story gives you.
~
CONS
The writing is quite casual. For the first 20% I seriously didn't want to keep going. The story wasn't progressing to anywhere that kept me interested, the writing was strangely done and the tense, as said above, didn't work for me. There was a very casual way of writing, where it would have fitted and made sense in a 1st person POV story, but not in a 3rd. Example: “He has to undo it and retie it. Should be able to do this blind. Knew he'd maybe overdone it,”. Cutting sentences like that off is really unnatural in 3rd person, but after a while it stopped. It felt quite lazy and sloppy. Half the time I wondered if the real problem was that words were missing, that would normally have made these sentences make sense.
It genuinely felt as though the writer wasn't confident with themselves or the story for that 20%, as it reads as though one person wrote that part and someone else wrote the rest. Maybe it was the author getting into the stride of the story, I don't know, but about the 20% mark is where the characters grew into something palatable, the story took off and began to make sense and when it all came together.
In terms of plot, I have one argument in that there is a creature called a “sidhe” and not once in any part of the story is it explained what this is. My dictionary recognises it as a fairy people of Irish folklore, but that's not how it reads and I really would have liked an explanation of what the author meant this creature to be.
From the blurb, the cover and the use of the van Helsing name, I expected this to be historical in some sense, but it wasn't. Not in the slightest. It's an urban fantasy novel, contemporary, beginning badly but growing more mature as it continued. There were a few run on paragraphs that confused even the author, allowing repeats of half sentences to appear. These may be fixed before the release, but I'm mentioning them because they were in my version. Example:
“When he gets up to Maria van Helsing's little library, or the Red Room as he calls it when he names it for himself, since the couch and the chairs are all red leather and the oriental carpet on the floor is red too, when he gets up there she's waiting for him.”
There's also no warning or definition of a change in POV. No notice of who the POV belongs to, for sometimes a few paragraphs (or at all, in one or two cases) and no break or line to separate the POV's between characters. Sometimes one character's POV runs through the gap between scenes, taking up an entire chapter, sometimes 3 different POV's appear in one chapter, with only one line gap between them and no warning of whose head you're in or that's its changed from the previous scene. In total, this book has multiple POV's shown, sometimes for less than a page, sometimes for chapters at a time: James is the biggest POV, then Gabe, then Rob, Abe and Maria.
~
PROS
When it comes to the characters, I really genuinely loved how messed up James was, how loyal and terrified Gabe was at one point, then how broken and crazy they both became. They had genuinely human reactions to whatever situation crept up.
The plot was a wholly original take on the van Helsing legacy, mentioning very briefly the whole Dracula thing, without ever leaning too heavily upon it. To be quite fair, I'd say the only references to the original van Helsing story is the use of the name, the duty bound task of tracking of monsters and the skimmed mention of Dracula. Everything else is entirely original and captivating.
I began reading in the early morning and didn't put it down until early evening. I made very little notes about the positive aspects of the story, because I was too engrossed in my reading to mark them down.
~
OVERALL
This would have been a 5 star rating, if it wasn't for the niggles and the frustration of the first 20%. Other than this, this was a solidly good read and I'll be reading more from the author in the future.
The first 40% acts as the build up and that's where I floundered most. Getting to know the characters, their personalities and the role they all play in this new world was a little tiresome, when the style of writing wasn't to my taste and didn't seem to fit the tense/POV the author was using. However, after that point, it was non-stop action, danger, romance and intrigue.
This could have been a story for the YA market, if it wasn't for the prolific swearing and a few gross parts that made me gag at the images they brought to mind. The author certainly touched on the right amount of gore for the story. There is no explicit sex and, actually, no sex at all that's on page in anything more than a sentence of mention. Even then, it's between a man and woman. However, the romance was there as strong as I wanted it to be and it was perfectly fitting that the MC's didn't venture into sex, after all they'd been through. The story ends nicely, with a hint that more might be to come later, if the author wanted to, but also that nothing is tied up in a neat red bow. Things are settled, but far from perfect. And I like that.
~
FAVOURITE QUOTE
“Gabe turns his head. He smiles a faint, pained smile. “I'm a monster, Jamie.”
“And I'm a drunk, so we're a pair.””
scrollsofdragons's review against another edition
4.0
3.5. Think more could have been done with it but anyway, really enjoyed it.
yackie_jackie's review against another edition
5.0
The cover gave me historical fiction but it was contemporary. It was great, concise, well written, and an interesting story. I liked the mystery and the general fucked up-ness of the plot.
alisonalisonalison's review against another edition
2.0
This is an easy-to-read, quick, kind of dark paranormal story. There's some good stuff here and this book was enjoyable enough, but I found it a little too superficial for my tastes. I wanted more of many things--character development, world-building, explanations, emotion, substance. The romance was almost non-existent and seemed a bit of an afterthought, so I wouldn't really call this a romance. I wanted to know more about the magic system and how it worked and the magical terms weren't really explained. Quite a few things weren't entirely explained in a satisfactory way. However, there's a nice, creepy atmosphere throughout and some appropriately gory and grisly horror. James is a pretty engaging main character, but I don't feel like I have a good sense of who he really is. It's a fast-paced, inventive story and nasty fae are always fun to read about. Half of the reason I bought this was the pretty cover (I'm a sucker for a pretty cover), but it's also about folk with magic, and I'm a sucker for books about folk with magic as well. I really wanted to like this more, but it's just not to my taste. Other people seem to really like it, though.
the_novel_approach's review against another edition
4.0
James van Helsing has a rather hefty family legacy to bear, being a descendant of history’s most legendary vampire hunter, Abraham van Helsing. With great power comes great responsibility, as the saying goes, and the van Helsing clan have made it their life’s work to hunt the sidhe. They, in fact, have created a corporate empire they call the Firm, with both the van Helsing and Marquez families at the helm—which is where James and his best friend, Gabe, come into play.
James is the black sheep of the empire, the weak link, the sometimes useless drunk who routinely makes a fool of himself and lives in the broad shadow cast by the perfect van Helsing son, his brother Abe. When James is introduced, and for a long time after, it’s hard not to agree he’s as pathetic as he, and everyone else, believes him to be. What’s revealed along the way, though, is the author’s purposeful crafting of this character to contrast the feelings we develop for him at the novel’s outset. Don’t get me wrong, James is a complete lush—to the point where alcohol poisoning doesn’t seem out of the realms of possibility—but it’s the reason he drinks that redeems him, and the irony in that was not at all lost on me. It was an odd sort of juxtaposition to want James not to take that next drink and yet, at the same time, forgive him for that weakness as his way of coping with his life and what he eventually learns about himself.
James’s talent lies in divination, which is of use to the Firm when he’s not drunk and/or too hungover to use it. But James is also harboring a secret—a dangerous secret that he’s kept to himself for decades. A dark secret that exists within a twisted sort of cosmic joke, an extra ability that could very well call to him the sort of trouble he needs, at all costs, to avoid if he’s going to remain even on the outermost fringes of his family’s good grace. It’s another bit of cruel irony, in a “he who fights monsters should see to it that he himself does not become a monster” sort of way, that James must reconsider who the monsters truly are in his world. And, the betrayal that comes along with it.
The relationship that develops between James and Gabe, apart from their friendship, is really a secondary storyline when compared to the Urban Fantasy that Salt and Iron is built on. This book isn’t at all a romance in terms of the usual definition of the word, but there is no doubt a romantic element to the unconditional love James feels for Gabe, even after James sees what Gabe has become. MacNeil’s talent for descriptive writing does everything to provide all the action and drama and suspense, not to mention the beautiful imagery of the seelie and unseelie and James’s additional talent that exist together in this impossible place—it’s all laced with both touching and frightening and twisted mind-bending moments.
What a fantastical world Tam MacNeil has constructed in Salt and Iron. From the premise of the story to its characters to the fluidity of its prose, this novel was so much fun to spend time in. Murder, disloyalty, corporate intrigue and dangerous secrets all serve in their own way to bring our heroes together. I have to say I wouldn’t mind reading much more about James and Gabe and the world they inhabit. This book put a significant dent in my own reality too–I spent an entire day lost in New Glamis, and I was so glad to be there.
Reviewed by Lisa for The Novel Approach Reviews
http://www.thenovelapproachreviews.com/review-salt-and-iron-by-tam-macneil/
James is the black sheep of the empire, the weak link, the sometimes useless drunk who routinely makes a fool of himself and lives in the broad shadow cast by the perfect van Helsing son, his brother Abe. When James is introduced, and for a long time after, it’s hard not to agree he’s as pathetic as he, and everyone else, believes him to be. What’s revealed along the way, though, is the author’s purposeful crafting of this character to contrast the feelings we develop for him at the novel’s outset. Don’t get me wrong, James is a complete lush—to the point where alcohol poisoning doesn’t seem out of the realms of possibility—but it’s the reason he drinks that redeems him, and the irony in that was not at all lost on me. It was an odd sort of juxtaposition to want James not to take that next drink and yet, at the same time, forgive him for that weakness as his way of coping with his life and what he eventually learns about himself.
James’s talent lies in divination, which is of use to the Firm when he’s not drunk and/or too hungover to use it. But James is also harboring a secret—a dangerous secret that he’s kept to himself for decades. A dark secret that exists within a twisted sort of cosmic joke, an extra ability that could very well call to him the sort of trouble he needs, at all costs, to avoid if he’s going to remain even on the outermost fringes of his family’s good grace. It’s another bit of cruel irony, in a “he who fights monsters should see to it that he himself does not become a monster” sort of way, that James must reconsider who the monsters truly are in his world. And, the betrayal that comes along with it.
The relationship that develops between James and Gabe, apart from their friendship, is really a secondary storyline when compared to the Urban Fantasy that Salt and Iron is built on. This book isn’t at all a romance in terms of the usual definition of the word, but there is no doubt a romantic element to the unconditional love James feels for Gabe, even after James sees what Gabe has become. MacNeil’s talent for descriptive writing does everything to provide all the action and drama and suspense, not to mention the beautiful imagery of the seelie and unseelie and James’s additional talent that exist together in this impossible place—it’s all laced with both touching and frightening and twisted mind-bending moments.
What a fantastical world Tam MacNeil has constructed in Salt and Iron. From the premise of the story to its characters to the fluidity of its prose, this novel was so much fun to spend time in. Murder, disloyalty, corporate intrigue and dangerous secrets all serve in their own way to bring our heroes together. I have to say I wouldn’t mind reading much more about James and Gabe and the world they inhabit. This book put a significant dent in my own reality too–I spent an entire day lost in New Glamis, and I was so glad to be there.
Reviewed by Lisa for The Novel Approach Reviews
http://www.thenovelapproachreviews.com/review-salt-and-iron-by-tam-macneil/
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