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emotional
reflective
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
emotional
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
More catholic than expected. God the interwar years are both bleak and homoerotic.
emotional
informative
mysterious
sad
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
I read this book after watching Saltburn expecting homoeroticism and machiavellistic manipulation. It was good and enjoyable regardless, but a little too much Catholicism for my taste.
At times uncomfortably too close to home, and then suddenly flittering into unfamiliar territory; an interesting read.
4.5
4.5
inspiring
reflective
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Flaws of characters a main focus:
Yes
emotional
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
First half: wild, gay, drunk -- intriguing.
Second half: repressed, heterosexual, Catholic -- dull.
Not entirely sure what Waugh was aiming for with all the homoeroticism in this one. Truly the "First, make a gay little man. Then, give him a problem" school of plotting.
But even when bored I can't help but admire the striving thrust of Waugh's sentences.
Second half: repressed, heterosexual, Catholic -- dull.
Not entirely sure what Waugh was aiming for with all the homoeroticism in this one. Truly the "First, make a gay little man. Then, give him a problem" school of plotting.
But even when bored I can't help but admire the striving thrust of Waugh's sentences.
funny
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes