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kiiieran's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Moderate: Violence
onthesamepage's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
- Tea is a fun main character to follow, which is good because it's all from her perspective.
- I loved Tea's relationship with her brother, it was one of the highlights for me. The way they teased each other was really cute, and I liked how protective he was of her.
- Parts of the worldbuilding, like the heartsglass and daeva's, were really interesting.
- The dual timelines really built up tension. I rarely enjoy that narrative structure, but it worked out well here.
- The writing flows nicely—descriptive enough, but not flowery.
What I liked less:
- It's pretty obvious that the author used real world cultures and religions as basis for this fantasy world, and I wish it had been handled better. One of the cultures is clearly based on Muslims, with women wearing veils that cover their hair and sometimes their faces. There is one character from this Muslim-coded culture who plays a role in the story. She acts aloof and holier-than-thou, so I guess when it comes to representation, I wasn't thrilled with it.
- There's a lot of blending of different cultures as well. Doesn't have to be a bad thing, unless it's noticeable, and it was to me.
Graphic: Violence and Gore
sullensunshine's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
That being said…once it picks up it picks UP. Rin Chupeco does this really neat thing where she alternatives between future scenes and the current perspective of out main character. By the time I finished, I was completely enveloped into the story and ready to read the sequel.
The characters are incredibly diverse (genders, race, even a possible subtle message/context of a gender fluid character and plus size characters). The romance is mentioned but not focused on completely if that’s not your thing and the action scenes are pretty thrilling.
Graphic: Grief and Death
Moderate: Violence
Minor: War
kathrynleereads's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
In my mind, this book can be split into two very distinct parts, the first being the majority of the book, and the second being the last 100 pages.
For most of the book, the pace is slow, the plot basically nonexistent, and the character development mild.
Lady Mykaela- Despite having to deal with the daeva on her own for the most part, and without the presence of her heartsglass, Lady Mykaela is such a calming and positive presence. I do wish that she fought back against the kingdoms using her basically as a tool though.
Zoya-
Likh- I wish Likh had been a little more present in this book. I love his character and the debate that his presence brings up about tradition.
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Having Tea explain things to the Bard was a seamless way to foreshadow, and to fill readers in on things they may have overlooked, but I think the Bard’s reactions to Tea’s stories are so much more valuable.
Fictional worlds are sometimes hard for readers to grasp because even with different customs and traditions explained through world-building, it is not always easy to gauge the level of difference between that world and our own.
Putting aside the Bard and the added world-building element that they provided, I enjoyed the presence of the flash-forwards because of the intrigue they created.
Obviously, there are some slight spoilers released through the flash-forwards, but they are so far-fetched from the current direction of the story that it only builds the suspense more.
This book taught me that it is not world-building alone that makes or breaks a book, but world-building that is well-paced.
I can’t wait to find out what’s in store for Tea in the rest of the trilogy!
Graphic: Blood, Death, and Injury/Injury detail
Moderate: Animal death, Violence, and War
Minor: Animal cruelty, Bullying, Classism, Medical content, Misogyny, and Sexism
dark_lyn's review against another edition
4.5
I found it particularly hard to follow all of the character and place names, but I managed to muddle through. There are several maps, which looked pretty cool, and would probably be helpful. Sadly I found them tricky to read on my ereader or phone, and I'm not great with maps to begin with.
Graphic: Death and Violence
Minor: Bullying
directorpurry's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
2.75
Graphic: Blood, Violence, Death, and Injury/Injury detail
Moderate: Grief, Racism, Sexism, and War
tifftastic87's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Tea is a necromancy witch in a world where witches are known. Female witches are trained to use their rune magic to both protect and entertain the wealthy and high class. In their training to entertain they are very highly educated in history, dance, musical instruments and song, as well as fighting. Male witches join the military ranks as Death Seekers. Tea discovers her ability as a Dark Asha by accidentally raising her brother, a fallen death seeker when she is only 12. From here the story follows Tea as she is trained in her craft, but the training doesn't come easy and Dark Asha's are more feared and ridiculed than respected.
The story itself was a little slow, but is told in two timelines. When the reveal of why happens the story starts to pick up. As with most YA stories, Tea is incredibly strong and special. But it didn't feel as Mary Sue as it could have. We see her struggle with many things and we see her fail and we see her punished. I did enjoy the aspect of her making mistakes and learning from them, we aren't told she is smart but we see that she is smart. Though that doesn't mean she doesn't make stupid young teen mistakes. Which I greatly appreciated.
The building of the world and weaving of cultures honestly gives it extra points for me.
Graphic: Animal death, Death, Injury/Injury detail, War, Bullying, Chronic illness, and Sexism
Moderate: Emotional abuse and Violence
bookwyrmknits's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? Yes
2.0
Moderate: Violence and Death
frankieclc's review against another edition
3.0
Moderate: Violence
amre23's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Death, Bullying, Gore, Emotional abuse, Misogyny, Toxic relationship, Blood, Transphobia, Xenophobia, and Injury/Injury detail
Moderate: Animal death, War, Violence, Grief, Sexism, and Classism
Minor: Terminal illness, Alcohol, and Body horror