Reviews with content warning for Grief - Never Whistle at Night: An Indigenous Dark Fiction Anthology

A fantastic compilation of Indigenous stories told by Indigenous people. There is a harrowing sense of realism in each of the stories within this anthology, proof that culturally significant narratives are best told through the eyes and mouths of those who have lived it. Definitely a top read for 2024

As someone who loves myth, folklore and sharing scary stories around a campfire, I was enthralled with the concept of so many different "scary stories" told by Indigenous writers.

"Never Whistle at Night" is a compilation of 26 stories exploring dark themes that really highlights the incredible significance of storytelling for all Indigenous people.

Each story tackles a uniquely dark and harrowing topic ranging from the obvious topics of racism, colonialism, residential schools and the effect of generational trauma, NWAN touches Missing and Murdered Indigenous Women, blood quantum and Indigenous monsters like the Kusktuka.

Some of my favourites included:

· Navajos don't wear Elk Teeth by @conleylyons
A man moves into a new neighbourhood and finds himself in a strange relationship with a very forward man who keeps an even stranger collection.

· Tick Talk by Cherie Dimaline
A man goes on a hunting trip after losing his father only to end up with a little passenger who won't quite go away.

· Snakes are Born in the Dark by D.H. Trujillo
A spelunking trip to see protected Indigenous cave painting goes horribly wrong when a white man chooses to engage in casual racism.

In order to engage in the cultural act of oral storytelling, I listened to this on audible. I highly recommend it, so you too can truly experience these stories.

There is an emotional difference when you hear stories written by the likes of Cherie Dimaline, DH Trujillo and Rebecca Roanhorse read by incredible narrators like @ghostkeepermusic @kaniehtiio @thesheldonelter that really puts you in the story.

I had so many visceral emotions when contemplating the things left unsaid at the end of each of the short stories but the most terrifying part was how monstrous humanity has, and continues to be towards the Indigenous Community. The acknowledgments, read by editors shane.hawk and @tvayyyy said it best:

It's something else to be a monster made man, in a world of man made monsters.

Content Warnings

rubl_b's review against another edition

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dark emotional tense medium-paced

Plot- or character-driven? A mix
Diverse cast of characters? Yes

Content Warnings

pigeonmellow's review

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dark slow-paced

Plot- or character-driven? Plot
Diverse cast of characters? Yes

I’m hesitant to put a star rating, because I don’t want others to see a low-ish star rating and assume I thought Never Whistle at Night was bad.

If you’re considering reading it, you’ll likely find something to enjoy!! It’s an anthology with over 20 short stories by as many authors, so you’re bound to find a story and an author you connect to.

I enjoyed hearing all the different writing styles (I listened to the audiobook version), and especially loved the voice actor Sheldon Elter, who voiced several of the stories. Sheldon Elter brought the characters and action to life with his emotion and voices — and none of his skillful spice distracted from the heart of the story, only served it. Sheldon Elter — you rule!

This book swerved for me towards the end. First, because I wasn’t aware when I picked it up that SA would be a major element in two stories (there was something that border-lined sexual violence in a third one, but it wasn’t viewed as a assault by the character who experienced it). Some readers can get through SA in their stories, but for me, it’s a trigger I can’t get past. Speaking of which: I completely skipped the second to last story (I think it was that one?) because, without warning, it opened with a first-person description of child SA in progress. I couldn’t do that one.

Second — as someone with a mental illness, I’m always hesitant when it comes to horror stories that paint mentally ill people as monsters or mental illness as a supernatural evil. At best, it’s tired — at worst, it’s perpetuating a harmful stigma. So yeah — for me personally, it’s not enjoyable to find that the “horror” of the story is a character being mentally ill and not taking their medication. In this anthology, there was one story that disappointed me in that way.

Lastly, I wasn’t ever creeped out by any of the stories, or on the edge of my seat with any of them — something I was looking forward to, as it was a horror anthology. Maybe that’s because I was listening to the audiobook version, and not reading in silence?

Huge trigger warnings for colonization, racism, white supremacy, racial slurs, talk of genocide and all of that directed at Indigenous people. If that is something that is a trigger for you, just know that all of those topics come up in almost every story. As one would expect, likely, given that these are horror stories written by Indigenous people, about Indigenous characters from this real world, where all of these horrors make up the real past and present.

Okay. ALL THAT BEING SAID: I did *really* love learning more about indigenous culture, and hearing about the fears, battles, resilience and triumphs of indigenous people. I am very interested in continuing to read my fav authors from this anthology! I learned a LOT I didn’t know before, and so much of the writing was so visceral, which I enjoyed immensely. This book has further motivated me to continue reading work by indigenous authors featuring indigenous characters and stories.

I want to note here, too, that horror stories deal with complicating and disturbing topics. So (apart from painting mental illness as an “evil”), I understand that my displeasure at some of these topics mostly means I’m a bit of a picky horror reader!

Content Warnings