Reviews with content warning for Alcoholism - North and South

What a wonderful book! "An industrial re-writing of Pride and Prejudice", as Jenny Uglow put it in her introduction to the novel; though "North and South" deals with heavier (and more important, in my opinion) topics.

I loved the meditations on religion, class and morals, the picturesque descriptions of the North and the South, and how real every single character felt. I only wish we had gotten more romantic moments and a less abrupt ending (E. Gaskell had to rush the last chapters).

I'm going to include my favourite passages but mark some of them as spoilers if they are lengthy.

'You must grant me this one point. Given a strong feeling of independence in every Darkshire man, have I any right to obtrude my views, of the manner in which he shall act, upon another (hating it as I should do most vehemently myself), merely because he has labour to sell and I capital to buy?'
'Not in the least. Not in the least because of your labour and capital positions, whatever whatever they are, but because you are a man, dealing with a set of men over whom you have, whether you reject the use of it or not, immense power, just because your lives and your welfare are so constantly and intimately interwoven. God has made us so that we must be mutually dependent.'

'But what win ye have? There are days wi' you, as wi' other folk, I suppose, when yo' get up and go through th' hours, just longing for a bit of a change—a bit of a fillip, as it were. I know I ha' gone and bought a four-pounder out o' another baker's shop to common on such days, just because I sickened at the thought of going on for ever wi' the same sight in my eyes, and the same sound in my ears, and the same taste i' my mouth, and the same thought (or no thought, for that matter) in my head, day after day, for ever. I've longed for to be a man to go spreeing, even it were only a tramp to some new place in search o' work. And father—all men—have it stronger in 'em than me to get tired o' sameness and work for ever. And what is 'em to do? It's little blame to them if they do go into th' gin-shop for to make their blood flow quicker, and more lively, and see things they never see at no other time—pictures, and looking-glass, and such like. But father never was a drunkard, though maybe, he's got worse for drink, now and then. Only yo' see, at times o' strike there's much to knock a man down, for all they start so hopefully; and where's the comfort to come fro'? He'll get angry and mad—they all do—and then they get tired out wi' being angry and mad, and maybe ha' done things in their passion they'd be glad to forget. Bless yo'r sweet pitiful face! but yo' dunnot know what a strike is yet.'

"A bad-looking fellow, I can assure you, miss. Whiskers such as I should be ashamed to wear – they are so red."

My favourite:

...all the time it would have been a relief to believe her utterly unworthy of his esteem. It was this that made the misery—that he passionately loved her, and thought her, even with all her faults, more lovely and more excellent than any other woman; yet he deemed her so attached to some other man, so led away by her affection for him as to violate her truthful nature. The very falsehood that stained her, was a proof how blindly she loved another—this dark, slight, elegant, handsome man—while he himself was rough, and stern, and strongly made. He lashed himself into an agony of fierce jealousy. He thought of that look, that attitude!—how he would have laid his life at her feet for such tender glances, such fond detention! He mocked at himself, for having valued the mechanical way in which she had protected him from the fury of the mob; now he had seen how soft and bewitching she looked when with a man she really loved. He remembered, point by point, the sharpness of her words—'There was not a man in all that crowd for whom she would not have done as much, far more readily than for him.' He shared with the mob, in her desire of averting bloodshed from them; but this man, this hidden lover, shared with nobody; he had looks, words, hand-cleavings, lies, concealment, all to himself

'It is the first changes among familiar things that make such a mystery of time to the young, afterwards we lose the sense of the mysterious. I take changes in all I see as a matter of course. The instability of all human things is familiar to me, to you it is new and oppressive.'

'After all it is right. If the world stood still, it would retrograde and become corrupt, if that is not Irish. Looking out of myself, and my own painful sense of change, the progress all around me is right and necessary. I must not think so much of how circumstances affect me myself, but how they affect others, if I wish to have a right judgment, or a hopeful trustful heart.'

🥲

He knelt by her side, to bring his face to a level with her ear; and whispered-panted out the words:
— 'Take care.—If you do not speak—I shall claim you as my own in some strange presumptuous way.—Send me away at once, if I must go;—Margaret!—

Content Warnings

mariasilva's review against another edition

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emotional reflective tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

Content Warnings

elenavillan's review against another edition

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emotional reflective sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Content Warnings

katiemcgregor's review against another edition

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challenging emotional informative sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

While I wouldn't categorize North and South under a label so simple as "Pride and Prejudice with labor disputes" I can't deny that they're somewhat in the same vein, though the former focuses more on the labor dispute part than the Pride and Prejudice part. But it is a funny comparison.

In all honesty, I haven't grown up knowing of any of Elizabeth Gaskell's classic works. My classic knowledge isn't extensive, but North and South is right up my alley so I'm surprised that we haven't crossed paths until now.

With all of the multifaceted subjects this novel addresses, it really is quite easy to understand. I still cross referenced chapters with analyses, just to confirm that I wasn't missing anything, but the only parts that I had some issue deciphering were the dialogues presented in Darkshire dialect; the content not being so hard to digest as the slang itself.

I must say, though it wasn't necessarily the main focus of the story, I did love the romance. I appreciate that Gaskell chose to show Thornton's perspective, rather than keeping her readers in the dark. I do love a good one-sided slow burn full of yearning. I only wish that the last chapter had been a bit longer. Though, now that I've finished the original work I'm sure I'll throw myself into the 2004 BBC miniseries to satisfy any of my lingering desires.

Content Warnings

lydiavsbooks's review

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emotional inspiring reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

I'm not usually a big reader of classics so, even though I loved the series, I expected to struggle with this but oh boi I could not have been more wrong. This might genuinely be my new favourite book...of all time.

Firstly, Margaret frigidy frackin' Hale. Wow, amazing, incredible, I love her so much. I would say she needs protecting at all costs but by the end of the book that gal can protect herself. Damn.

Praise number two: the vibes. Helstone, beautiful. ~~Manchester~~ Milton, the atmosphere of the Northern industrial town, the factories, the poverty. Mmmm

Next up, socialism. Erm 1850s? Incredible. So good, the strikes, the contrast of the North and the South, the contrast of classes. Perfect. And once again, Margaret I'dgivehermykidneys Hale.

The character development, mainly enjoying watching Margaret slowly turning up the sass levels, but Thornton too, fabulous.

Honestly I just felt giddy the whole time reading this, every day I picked this up: instant good day. I have no criticisms, this book is perfect.

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