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maeverose's review against another edition
dark
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Diverse cast of characters? No
2.75
🐍🐍🐍
I liked this one a bit more than the first one I think. The writing style and humor is my favorite part. Plus this one had slightly less ableism, transphobia and pedophilia, but that’s about it.
I know this series is obviously purposefully ridiculous, but it’s so frustrating how oblivious all the adults are. I know that’s the point. I get it. But I hate it. I know this story isn’t supposed to be taken seriously at all but it BOTHERS ME lol
maybe it’s just my autism being uncomfortable with the chaos and miscommunication idk.
I liked this one a bit more than the first one I think. The writing style and humor is my favorite part. Plus this one had slightly less ableism, transphobia and pedophilia, but that’s about it.
I know this series is obviously purposefully ridiculous, but it’s so frustrating how oblivious all the adults are. I know that’s the point. I get it. But I hate it. I know this story isn’t supposed to be taken seriously at all but it BOTHERS ME lol
maybe it’s just my autism being uncomfortable with the chaos and miscommunication idk.
And they keep calling venomous snakes poisonous
Graphic: Child abuse, Death, Emotional abuse, Grief, Gaslighting, and Murder
Moderate: Ableism, Blood, and Death of parent
Minor: Animal cruelty, Animal death, Alcohol, Stalking, Cursing, Fatphobia, and Transphobia
Moderate: car crash, snakes Minor: mention of physical abusebooksthatburn's review against another edition
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.0
The Baudelaire Orphans are moved to live yet another relative and they are briefly able to enjoy reading, inventing, and biting things before Count Olaf makes another odious appearance.
One strength of the narrative style is that it places interesting and (assuming a younger reader) new vocabulary and concepts in a context where they're explained in a way that conveys what they literally mean and why it's important right now in the story. It's a kind of whimsy that takes seriously the reader's desire to know more and meets it with an okay story told in a memorable way.
This is the next stage in the children's terrible non-adventure and it doesn’t wrap up anything specific from THE BAD BEGINNING. It features a new storyline with several things that are introduced and resolved. It leaves a big thing for later books to pick up. The narrator is consistent with the last book. The story makes sense if you start here, but it’s likely better to start at the beginning.
It has more of a mystery/hijinks vibe in the middle when the children are trying to figure out how to avoid being alone with Olaf and how to make him reveal himself as a fraud. It's not amazing, overall, but it mostly dodges the big problems from the first book.
One strength of the narrative style is that it places interesting and (assuming a younger reader) new vocabulary and concepts in a context where they're explained in a way that conveys what they literally mean and why it's important right now in the story. It's a kind of whimsy that takes seriously the reader's desire to know more and meets it with an okay story told in a memorable way.
This is the next stage in the children's terrible non-adventure and it doesn’t wrap up anything specific from THE BAD BEGINNING. It features a new storyline with several things that are introduced and resolved. It leaves a big thing for later books to pick up. The narrator is consistent with the last book. The story makes sense if you start here, but it’s likely better to start at the beginning.
It has more of a mystery/hijinks vibe in the middle when the children are trying to figure out how to avoid being alone with Olaf and how to make him reveal himself as a fraud. It's not amazing, overall, but it mostly dodges the big problems from the first book.
Moderate: Child abuse, Emotional abuse, Car accident, Grief, Murder, and Death
Minor: Cursing, Ableism, Fatphobia, Blood, and Transphobia
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