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4.0
Published in 2007 by small press Harbor Mountain Press, The Baghdad Blues by Sinan Antoon is a collection of poems that straddles the line between war and peace with war. The narrator uncovers the emptiness of loss beneath the hard exterior of those consumed by the act of war, while at the same time drawing line in the sand to call out the enemy. Each line is carefully selected for its subtle power, which can only be unleashed by an unexpected turn in the poem or in a stanza.
From "Wrinkles; on the wind's forehead" (page 23-8)
3
the wind was tired
from carrying the coffins
and leaned
against a palm tree . . .
6
My heart is a stork
perched on a distant dome
in Baghdad
it's nest made of bones . . .
12
the Tigris and Euphrates
are two strings
in death's lute
and we are songs
or fingers strumming
The collection is divided into four parts, with Phantasmagoria II containing the most poems. Phantasmagoria, according to Wikipedia, "was a form of theater which used a modified magic lantern to project frightening images such as skeletons, demons, and ghosts onto walls, smoke, or semi-transparent screens, frequently using rear projection. The projector was mobile, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images." "A Photograph" is the most illustrative of phantasmagoria in that as the narrator unfolds the image of a photograph seen in the New York Times of a young boy in Baghdad, the true horror of the event comes to life and leaps off the page through the carefully chosen, yet sparse language used by Antoon.
Read the full review: http://savvyverseandwit.com/2011/05/the-baghdad-blues-by-sinan-antoon.html
From "Wrinkles; on the wind's forehead" (page 23-8)
3
the wind was tired
from carrying the coffins
and leaned
against a palm tree . . .
6
My heart is a stork
perched on a distant dome
in Baghdad
it's nest made of bones . . .
12
the Tigris and Euphrates
are two strings
in death's lute
and we are songs
or fingers strumming
The collection is divided into four parts, with Phantasmagoria II containing the most poems. Phantasmagoria, according to Wikipedia, "was a form of theater which used a modified magic lantern to project frightening images such as skeletons, demons, and ghosts onto walls, smoke, or semi-transparent screens, frequently using rear projection. The projector was mobile, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images." "A Photograph" is the most illustrative of phantasmagoria in that as the narrator unfolds the image of a photograph seen in the New York Times of a young boy in Baghdad, the true horror of the event comes to life and leaps off the page through the carefully chosen, yet sparse language used by Antoon.
Read the full review: http://savvyverseandwit.com/2011/05/the-baghdad-blues-by-sinan-antoon.html
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