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lauraellis's review
4.0
This time Kate (the detective) B. Is chasing after a picture stolen after she set up the security system, while she and her boyfriend are going through a rough patch due to her prior case, in which he was involved, and his fragile self-esteem. Also involved is a friend of hers who is also a —supposedly—retired thief. It was quite exhilarating in parts.
2020 note: I’ve never been able to bring myself to read any of the author’s other very successful series because I love this series so much.
2020 note: I’ve never been able to bring myself to read any of the author’s other very successful series because I love this series so much.
pinknantucket's review
2.0
I really really want to like McDermid’s books, because I heard her speak at an Adelaide Writers’ Festival once and she was fabulous. How many authors will admit that the reason they made their main character a journalist was because that was the author’s own area of expertise and they didn’t want to have to do any research?? But I’m afraid McDermid’s books just don’t do it for me.
I think Clean Break is the third novel of McDermid’s I’ve read, this one featuring her private eye heroine Kate Brannigan. Brannigan is trying to track down a stolen Monet (there’s a gang of art thieves on the loose! Very topical…) while simultaneously investigating a bit of industrial sabotage. She’s independent, tough and feisty, needless to say, and grappling with some relationship problems with her partner, Richard (a music reviewer). Sound familiar??
McDermid’s books are OK, but they don’t make me want to stay up way past my bedtime to find out what happens. Somehow the jaunty dialogue seems forced. Also, even though I suspect McDermid wrote these before the tough action chick was a bit of cliché, unfortunately the tough action heroine is becoming a bit of a cliché. Also also, and I mention this as advice to any budding crime writers out there, why do crime writers persist in describing their character’s outfits?? Maybe it’s because I’m not a fashion person, but they always sound terribly ugly, unless the crime is set in the nineteenth century or something, in which case I don’t mind reading about greatcoats and bonnets and things. I don’t care if our heroine is wearing tan jodhpur-style leggings, a cream linen collarless shirt and a chocolate brown jacket with a mandarin collar, so just leave it out, OK?
I know McDermid has a staunch fan base, particularly for her series featuring Kate Brannigan and another featuring journalist Lindsey Gordon (not to mention the books that the Wire in the Blood series was based on, featuring crime psychologist Tony Hill), so don’t necessarily be put off by my review. Give it a whirl – airplane reading, maybe.
I think Clean Break is the third novel of McDermid’s I’ve read, this one featuring her private eye heroine Kate Brannigan. Brannigan is trying to track down a stolen Monet (there’s a gang of art thieves on the loose! Very topical…) while simultaneously investigating a bit of industrial sabotage. She’s independent, tough and feisty, needless to say, and grappling with some relationship problems with her partner, Richard (a music reviewer). Sound familiar??
McDermid’s books are OK, but they don’t make me want to stay up way past my bedtime to find out what happens. Somehow the jaunty dialogue seems forced. Also, even though I suspect McDermid wrote these before the tough action chick was a bit of cliché, unfortunately the tough action heroine is becoming a bit of a cliché. Also also, and I mention this as advice to any budding crime writers out there, why do crime writers persist in describing their character’s outfits?? Maybe it’s because I’m not a fashion person, but they always sound terribly ugly, unless the crime is set in the nineteenth century or something, in which case I don’t mind reading about greatcoats and bonnets and things. I don’t care if our heroine is wearing tan jodhpur-style leggings, a cream linen collarless shirt and a chocolate brown jacket with a mandarin collar, so just leave it out, OK?
I know McDermid has a staunch fan base, particularly for her series featuring Kate Brannigan and another featuring journalist Lindsey Gordon (not to mention the books that the Wire in the Blood series was based on, featuring crime psychologist Tony Hill), so don’t necessarily be put off by my review. Give it a whirl – airplane reading, maybe.
yowlyy's review
3.0
I read this one after another of Kate Brannigan's adventures, and unlike the other, this book did not grab me from the start. It is actually a bit slow at the beginning, but from the trip abroad things start happening faster and it gets more exciting.
A good finale, too, and full of the dry humour that made me smile more than once while reading.
Still, I prefer Val McDermid when she writes about nasty serial killers and other crime novels!
A good finale, too, and full of the dry humour that made me smile more than once while reading.
Still, I prefer Val McDermid when she writes about nasty serial killers and other crime novels!
lnatal's review
3.0
From BBC Radio 4 Extra:
Fast-talking private eye Kate Brannigan is not amused when thieves steal a Monet painting from a stately home where she has arranged the security.
Kate sets off on a chase that takes her across Europe bringing her head-to-head with organised crime.
Val McDermid's Manchester-based thriller stars Charlotte Coleman as Kate Brannigan, John Lloyd Fillingham as Richard Barclay, Noreen Kershaw as Alexis Lee, Joseph Jones as Michal Haroun, Geoff Hinsliff as Dennis O'Brien, Rob Pickavance as Henry Naismith, Martin Reeve as Lord James Ballantrae and Kathryn Hunt as Della Prentiss.
Producer: Melanie Harris
First broadcast on BBC Radio 4 in 1998.
http://www.bbc.co.uk/programmes/b0089bqv
Fast-talking private eye Kate Brannigan is not amused when thieves steal a Monet painting from a stately home where she has arranged the security.
Kate sets off on a chase that takes her across Europe bringing her head-to-head with organised crime.
Val McDermid's Manchester-based thriller stars Charlotte Coleman as Kate Brannigan, John Lloyd Fillingham as Richard Barclay, Noreen Kershaw as Alexis Lee, Joseph Jones as Michal Haroun, Geoff Hinsliff as Dennis O'Brien, Rob Pickavance as Henry Naismith, Martin Reeve as Lord James Ballantrae and Kathryn Hunt as Della Prentiss.
Producer: Melanie Harris
First broadcast on BBC Radio 4 in 1998.
http://www.bbc.co.uk/programmes/b0089bqv
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