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emily_mh's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Racial slurs
Moderate: Gun violence, Fire/Fire injury, Racism, Police brutality, Physical abuse, Confinement, Murder, and Death
Minor: Drug use, Drug abuse, Addiction, Misogyny, Grief, Homophobia, Death of parent, Adult/minor relationship, Kidnapping, Classism, Gore, Injury/Injury detail, Cannibalism, Islamophobia, Vomit, Pedophilia, Colonisation, Blood, Slavery, War, Sexism, Pandemic/Epidemic, Sexual content, Fatphobia, Body shaming, Alcohol, Ableism, Suicide, and Religious bigotry
Major: six uses of the Arabic anti-Black a-slur, self-injury, body control, mind control, blackface Moderate: two uses of the archaic anti-Black n-slur, colourism, bomb Minor: gambling, apartheid, fainting, one use of the archaic anti-Black b-slur, imprisonmentasahome's review against another edition
3.5
Graphic: Death, Murder, Religious bigotry, Violence, Racism, Sexism, Sexual content, Blood, and Colonisation
Moderate: Death of parent, Injury/Injury detail, Self harm, Slavery, Alcohol, Homophobia, Racial slurs, Cultural appropriation, Body horror, Classism, Drug use, and Gore
jhbandcats's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
It opens with a chapter demonstrating Agent Fatma’s bravery and skill in dealing with an angry, powerful djinn, and goes on to give her a far more challenging assignment. She’s initially paired with an unwanted partner but very early on they work well together, with none of the squabbling common to Hollywood buddy movies. Fatma’s lover Siti rounds out the trio. The descriptions of Cairo a century ago add realism to the steampunk aesthetic.
I would probably have given this five stars but I was so frequently flummoxed by unknown words that I would really have appreciated a glossary. The words I didn’t know have to do with politics, religion, clothing, food, and magical beings. While the meaning was usually clear from the context, I spent way too much time on Google trying to find out more information.
Overall, though, I really enjoyed this. I’ve liked Clark’s novellas and like this full-length novel even more.
Graphic: Injury/Injury detail, Murder, Fire/Fire injury, Misogyny, Blood, Classism, Violence, Alcohol, Police brutality, Racism, Colonisation, Cultural appropriation, and Gore
kappafrog's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Fatima and Hadia made a great detective team, and I loved Siti. There were so many amazing side characters too, from a musician refugee from Jim Crow calling himself Mansa Musa, to a haughty djinn librarian, to a master of thieves feeding hungry children while keeping some wealth for herself. The world building was so rich, with so many strands woven together to make an engrossing tapestry. I'd love to see more of this world!
Graphic: Fire/Fire injury, Death, Religious bigotry, Cultural appropriation, Police brutality, Colonisation, Injury/Injury detail, Murder, Classism, and Racism
Moderate: Misogyny, Death of parent, Racial slurs, Body horror, Sexism, War, Slavery, Gun violence, Hate crime, Violence, and Xenophobia
Minor: Blood, Cannibalism, Dementia, Abandonment, Alcohol, Addiction, Adult/minor relationship, Islamophobia, and Mental illness
novella42's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
The story began a little slow for me because I'm not into mysteries, but by the second half I was having a hard time putting it down as the pacing built more and more.
Graphic: Fire/Fire injury, Racism, Gore, Slavery, Racial slurs, Police brutality, Violence, War, Self harm, Gun violence, Murder, Colonisation, Cultural appropriation, Classism, Addiction, Xenophobia, Injury/Injury detail, Torture, Animal death, Misogyny, Sexism, Blood, Body horror, and Confinement
Moderate: Religious bigotry, Homophobia, War, Death of parent, Islamophobia, Hate crime, and Stalking
Minor: Kidnapping, Sexual content, Grief, Alcohol, and Death of parent
anni_swanilda's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Injury/Injury detail, Murder, Gun violence, Cultural appropriation, Death, Body horror, Death of parent, Emotional abuse, Racial slurs, Fire/Fire injury, Racism, Violence, Xenophobia, and Gore
Moderate: Classism, Blood, Slavery, Police brutality, and Colonisation
Minor: Addiction and Alcohol
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Death, Injury/Injury detail, Fire/Fire injury, and Violence
Moderate: Sexism, Gun violence, Classism, Racism, Self harm, Death of parent, Police brutality, Religious bigotry, Colonisation, Murder, War, Xenophobia, Slavery, Body horror, Misogyny, and Gore
Minor: Alcohol, Sexual content, Stalking, Cultural appropriation, Addiction, Pedophilia, Kidnapping, and Racial slurs
Suffocation/strangulation. Smoking. Mind control/alteration, mild unreality.ashwaar's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
I have read Clark’s previous novel, Ring Shout, and his short stories set in the same universe as A Master of Djinn. You don’t need to read the short stories before this novel, but there are recurring characters and callbacks to previous events. I always find Clark’s worlds and ideas to be incredibly interesting, but I always end up feeling a bit left out, as it seems that everyone else adores this book and his stories, and I always end up disappointed.
My main issue with this book is the writing style. Although the premise is interesting, the descriptions and dialogue are wooden and uninspiring. Some fantasy novels I’ve read don’t provide any information about the world and still keep you hooked. In comparison, Clark feeds you spoonfuls of exposition at every opportunity, and it's just too much. Fatma describes every aspect of Cairo as we go through the novel, and it's so unrealistic. It's like if I walk past St Pauls Cathedral and say ‘ah yes, St Pauls, a Baroque-style structure built in the 17th Century by…’. Literally, no real person thinks the way Fatma does in this novel, and it really threw me off being able to connect with her.
I also found a lot of the themes to be very poorly explored. Clark brings up issues of wealth gaps, inequality, feminism, discrimination and social divides and it doesn’t seem like any of our characters really care about addressing that. It's like Clark is throwing everything at a wall and seeing what sticks and again, it's just too much going on. I know the story is about magic and djinn and investigating crimes but still... I expected more.
Overall it's a really interesting, original story, but it was just too poorly executed for me to recommend it. Clark clearly has a lot of this world thought out, not just in Egypt but across multiple countries, and he tries to introduce some of that in A Master of Djinn, but it just leaves too many loose threads. The story doesn’t feel neat, the characters don’t feel developed and Fatma isn’t someone I really want to root for. It's pretty disappointing honestly but I know what sort of fiction I enjoy, and I just couldn’t get on board with this.
Rating: 2/5
Recommendations: Build Your House Around by Body by Violet Kupersmith, Gideon the Ninth by Tamsin Muir, She Who Became the Sun by Shelley Parker-Chan
Graphic: Misogyny, Police brutality, War, Sexism, Murder, Blood, Death, Violence, Fire/Fire injury, Colonisation, and Racism
Minor: Alcohol
puttingwingsonwords's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Moderate: Injury/Injury detail, Racism, Classism, Death, Fire/Fire injury, Misogyny, Sexism, Confinement, Police brutality, Violence, Xenophobia, Colonisation, Murder, and Cultural appropriation
Minor: Alcohol and Lesbophobia
aardwyrm's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Alcohol, Xenophobia, Gun violence, Violence, Sexism, Racism, Religious bigotry, Racial slurs, Fire/Fire injury, Colonisation, War, Police brutality, Misogyny, Blood, Cultural appropriation, Death, Homophobia, Murder, and Injury/Injury detail