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nigellicus's review
adventurous
dark
mysterious
tense
5.0
Lots of good stories, slightly let down by one narrator whose English accent is only slightly better than his pronunciation of Irish names.
stepriot's review against another edition
5.0
One of the more solid collections I've come across. There were only 2 stories I didn't care for. The rest were either excellent or middling. It is a collection that has reawakened my love of short stories. They're so satisfying without being mentally exhausting, even the ones that hit hardest.
scarletohhara's review against another edition
4.0
I got this book for the Gaiman story, which turns out I had already read. Nevertheless, this is a good collection of stories in the horror/weird genre. Perfect to freak you out when you want to be
archergal's review against another edition
3.0
I like some horror, not the gross stuff, but more the unsettling stuff. And sometimes horror is easier to take in smaller doses, like short stories.
This was a pretty decent collection. There are stories by Kelley Armstrong, Neil Gaiman, Stephen Graham Jones, Laird Barron, John Langan, and others. None really stick out in my mind though. I'd read a couple of them before.
Short stories are a good format for horror, IMHO.
This was a pretty decent collection. There are stories by Kelley Armstrong, Neil Gaiman, Stephen Graham Jones, Laird Barron, John Langan, and others. None really stick out in my mind though. I'd read a couple of them before.
Short stories are a good format for horror, IMHO.
damesies's review against another edition
4.0
More hits than misses, with the authors represented strong enough to draw a purchase based on their names alone. Standouts for me, largely because I devour the writers in general: "Universal Horror" by Stephen Graham Jones, Laird Barron's "In A Cavern In A Canyon," and two new-to-me names Letitita Trent (a too-short "Wilderness") and Ray Cluley (befitting vengeance tale "Indian Giver"). Props to John Langan and Carmen Maria Machado for finding inventive settings for creepy tropes, and to Adam Nevill being Adam Nevill by describing a tableau in horrific detail and calling it a story.
kurumipanda's review
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
jiggityjog's review against another edition
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.5
I love pretty much all of these horror anthologies edited by Ellen Datlow. They’ve exposed me to some of my favorite writers & I jump on every opportunity I have to devour the next one of them.
kleeble's review against another edition
3.0
Some of the stories were pretty good, specifically the stories by Laird Barron (this one surprised me since I really didn't like one of his books I read), Dale Bailey, and Priya Sharma. Others were rather meh. By the end of the book I was pretty tired of it, though.
tombomp's review against another edition
4.0
Obviously short story collections are very variable but overall I enjoyed this a lot. There's none I'd super recommend but there were no real clunkers either (although the first story is overall the worst I think)
Some that I liked more than average:
In a Cavern, In a Canyon by Laird Barron - combined a well sketched out background of Alaskan outposts and rough family life with a particularly vivid and uncomfortable monster the monster and the way a disappearance or a single experience can define your life connected well too
Between the Pilings by Steve Rasnic Tem - looking at lovecraftian innsmouth as a smalltime seaside resort. I think *just* the seaside town aspect was enough to make me like it because it reminded me of all the run down seaside towns in the UK but things like the froggy people being hotel clerks tapping on their computer was charming too. And the sense of chasing nostalgia and the past and then sometimes it creeps up and catches you... It's good
The Underground Economy by John Langan - I'm not sure why this stuck with me; it's set mostly in a strip club and there's no attempt at explanation or connections. It just... Is. But for some reason the imagery really compelled me. Hard one to convey
The Rooms Are High by Reggie Oliver - another one where I probably enjoyed it more because it's clearly set in a seaside town I know well (Ramsgate) but I just loved the atmosphere here. It kind of whiffs the ending I think but it really sells the sense of things being slightly off and I love the old style b&b setting. Be warned for descriptions of implied The way it played with memory and age and going back to something actually bad... There's a decent amount left unanswered that I feel wasn't really used well but the parts that are there are very good
Fabulous Beasts by Priya Sharma - this constantly came close to being gratuitously unpleasant but never crossed it. Again heavy warnings for there's something slightly absurd about the ending but in a way that's like "fuck it why not, they deserve it". Again it's largely about how your past can destroy your present and escaping that and the consequences of it.
I also liked the Tamsyn Muir entry The Woman in the Hill. The Neil Gaiman entry Black Dog had promise but got a bit screwed by its connection to American Gods which ruined some of the horror. the rest are all at least alright and all very readable.
Some that I liked more than average:
In a Cavern, In a Canyon by Laird Barron - combined a well sketched out background of Alaskan outposts and rough family life with a particularly vivid and uncomfortable monster
Spoiler
the help me monster, a creature who appears when people are trying to help others and eats them due to their compassionBetween the Pilings by Steve Rasnic Tem - looking at lovecraftian innsmouth as a smalltime seaside resort. I think *just* the seaside town aspect was enough to make me like it because it reminded me of all the run down seaside towns in the UK but things like the froggy people being hotel clerks tapping on their computer was charming too. And the sense of chasing nostalgia and the past and then sometimes it creeps up and catches you... It's good
The Underground Economy by John Langan - I'm not sure why this stuck with me; it's set mostly in a strip club and there's no attempt at explanation or connections. It just... Is. But for some reason the imagery really compelled me. Hard one to convey
The Rooms Are High by Reggie Oliver - another one where I probably enjoyed it more because it's clearly set in a seaside town I know well (Ramsgate) but I just loved the atmosphere here. It kind of whiffs the ending I think but it really sells the sense of things being slightly off and I love the old style b&b setting. Be warned for descriptions of implied
Spoiler
child and adult sexual abuse though.Fabulous Beasts by Priya Sharma - this constantly came close to being gratuitously unpleasant but never crossed it. Again heavy warnings for
Spoiler
incest, sexual abuse, murder, child sexual abuseI also liked the Tamsyn Muir entry The Woman in the Hill. The Neil Gaiman entry Black Dog had promise but got a bit screwed by its connection to American Gods which ruined some of the horror. the rest are all at least alright and all very readable.