Reviews tagging 'Adult/minor relationship'

Boy Parts by Eliza Clark

271 reviews

megmax's review

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challenging dark funny fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

4.5

this was so fucked up but i couldn’t stop reading it

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zeldazonks's review against another edition

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challenging dark sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

Femcel, American Psycho vibes. 
This book made me feel so icky and just despondent in a way I'm not sure I've experienced when reading a book before. It was genuinely challenging to read but also so compelling. I've read a lot of books with unlikeable, problematic women protagonists but Irina Sturgess is on another level.
I didn't like the pacing of the text conversations, perhaps it works better not as an audiobook but it was quite tedious for the more mundane text threads of them arranging nights out or whatever, and that put me off a little. But when you're just listening to Irina's villain monologues it's horrifically fascinating. 

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tayo2000's review

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challenging dark funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

I loved this. 

Boy Parts is a thoroughly engrossing (and gruesome? Brutal? Unhinged??) exploration of gender and sexuality. The power of men over women looked at through the lens of a female protagonist (antagonist?) flipping the narrative on its head. I think I will certainly need some more time to fully digest this and sort my thoughts. Rest assured though this is a five star read. 

Irina is also a sociopath, but that’s a conversation for another time.

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houseofjules's review against another edition

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challenging dark funny mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I liked this book, it made me realize that I find stories about fucked up women fascinating. 

It also made me realize that this is what My Year of Rest and Relaxation wants to be and falls drastically short. I have also seen this compared to American Psycho but for girls. And you know what, I liked that story as well (I've only watched it, not read it). 

I think this says something bad about me, just not sure what. But I think this is a successful story because of the commentary rather than the behavior displayed by the MC. I mean, girlfriend needs therapy BAD. But her support system failed her from the beginning, starting with her relationship with her mother and the things she goes on to experience in her early years.

 This is pretty privilege at play as well, which allows her to get away with lots of things. In fact its the main question she tried to find an answer to. This book feel like running your tongue over a recently extracted tooth. Painful, horrifying even, but hard to stop exploring. 

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simply_jxde's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

What the heck did I just read??
I had no idea where this book was going till the very end. I'm not even sure what really happened.

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documentno_is's review

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challenging dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

I went into Boy Parts largely blind and was better for it, the shock factor and depravity of the slow unveiling of the nature of our protagonist was more impactful than had I known what to expect. I hated every moment of being in this character's head and yet grapple with
the ways in which she can be both predator and victim.  Our main character is a master of manipulation and drowning in her own narcissism yet we see the multitude of ways she is failed by those around her, fueling her perversions.
In many ways reading this novel felt unbearable, both in the situations conjured up and the thought processes we are made privy to. This book felt cutting and revolting in the same ways
Lolita does
. My only complaint was the plot post London visit, for as shocking and fast paced as it was for the first 4/5ths of the story it puttered out
rather ungracefully to an unsatisfying ending of repetitions as is common of unveiling your central underlying "secret" too early on. We are left in liminal space of not knowing how much of our character's recollection is psychosis and how much is sociopathy, undoing much of the suspense of earlier on.

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mcrespo's review against another edition

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dark funny reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

so irina female raged too close to the sun, and ended up being a
  rapist/murderer
, and unfortunately, no matter how funny she is and how much i relate to her proclivity for pretty men she can boss around, i cannot “support women's rights and wrongs" into liking irina, but she is such a well written character. clark knows how to write a complex female character, and i'm a sucker for an unreliable narrator. clark is funny and witty throughout this novel, however, this book won't be fun unless you are very mindful of the trigger warnings, so keep it cute and check those before you read. this novel also can be definitely insufferable if you can’t get past irina's white woman bullshit loaded with manipulation and forced tears. she's not a likable character, but she sure does go through a lot of the worst parts of the girl experience, and clark does an incredible job touching on important topics such as relationships of abuse, power dynamics differences amongst the sexes, and how social structures shape every aspect of human life down to sexual desire. 

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bethniamh's review against another edition

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  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

3.0

This was uneven but showed a lot of the promise that was realised more fully in Penance, which I read first. The last 100ish pages were very reminiscent of American Psycho, although lacking a lot of its humour (much like Irina). Definitely one to check trigger warnings for before reading; I have a fairly strong stomach but parts of this book definitely made me feel a bit off.

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diana311's review

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dark emotional funny tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

4.0


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pantslint's review against another edition

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dark funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

I wouldn't call this an enjoyable read, but it certainly is an engaging one. It's really accessible, with contemporary speech and pop culture references. And it's like watching a catastrophic train wreck happening in slow motion, on a foggy day,
until suddenly you get clocked in the head with a giant camera.


Irina is hilarious and a great unreliable narrator—she had me feeling like I was descending into a k-hole with her, questioning her version of reality alongside everyone else around her.
I love how women are written here, how they (and ultimately, we) are both victims and perpetrators of misogyny and the male gaze.
Mom to Irina. Irina to Flo, Sera, and literally everyone else.


I wonder what the fuck I have to do for people to recognise me as a threat, you know? It's like... am I even doing this shit? Have I even fucking done anything?

Irina's pretty privilege doesn't make her immune to gender based violence (the opposite, actually), but her literal crazy psychotic bitch behavior is just chalked up to 💅 hot girl shit. Men literally don't see her as dangerous in the same way that women find men dangerous.

Lots to ponder from this book—makes me want to explore other books with similar themes that other reviewers mentioned, like My Year of Rest and Relaxation by Ottessa Moshfegh and Tampa by Alissa Nutting.

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