Reviews tagging 'Infidelity'

American Psycho by Bret Easton Ellis

79 reviews

aliclare's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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serenspace's review against another edition

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challenging dark tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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dupeskara's review against another edition

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This may be too pussy, but the movie is better. The book was too boring to read and it had so much information for me to remember. The clothes, restaurants... I got confused. This makes me sound like a child... But I think that the whole point of the book is to make you feel like the rich are just boring phychos who want to feel special. The visons that Patrick had were right, as someone who may have phycosis this is sometimes what goes thru my head whether I like it or not - gore and hate. Sorry Mr Ellis, but next time I will read it throughoutly.

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solspringsreads's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.75

I get why this book is like this, I just don’t care. (I even get how my “not caring” relates to the themes of desensitization to violence!) I can see why people have been so inspired creatively by this narrative and why people find value amidst the repeated violence and listing of brands; but I feel like it topples over the line between social commentary and reveling in the societal aspects on which it’s supposedly commenting, perhaps moreso than other interpretations/adaptations of this work, like the 2000 film. Even so, I can understand the value in reading this book and why its impact has lasted for so long.

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zoemaeboonz's review

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challenging dark emotional funny reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75



This book was a hard one to get through; by page 80 I was already considering whether this would be too gory for me to finish reading. I am glad I got through this book though and whilst I would not recommend it to anyone or read it again I do think that it is a good work of fiction. The way in which Ellis portrays a character with such realistic psychopathic qualities and depersonalisation - a very manic sense of mind is really well written. I don’t think I will ever read a novel where such mental illness is portrayed with such unapologetic truth. It is clear that Ellis got his inspiration for most of the very graphic murders from psychopaths such as Ted Bundy or Jeffrey Dahmer. I found myself actually skimming through some parts or even having to put the book down at points because of how intense these scenes were (most notably the rat one because wtaf). Bateman is not being romanticised in this novel nor is he being portrayed as a likeable character by the author. The way it is written is through this very manic first point of view and in times when Bateman depersonalised from himself we saw the passages being written in third point of view. This book will probably sit with me for a bit and I find myself having to write about it because of this - most notably the amount of Xenophobia and slurs that were in this book was definitely hard to read and the fact that the term ‘yuppie’ was the least derogatory term put in the book says it all. The quote that probably sums up this book for the reader in a way that can make you understand the bigger picture in this novel is probably this: “…and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I am simply not there.”. This is not an easy read because it is not meant to be an easy read; Bateman is a psychopath and a horrible person and all the things written affirm this about the character and who he is. Though I disagree with the back of my book saying it’s ‘one of the greatest novels of our time’ I can agree that it is a good work of literature that I will gracefully never lay eyes on again. 

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kuataapixi's review against another edition

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challenging dark emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

before anything, this book is a satirical work aimed towards upper class american society; most of the characters are literally written to be bad people.
also, while not on every page, the gore is very graphic and detailed, but technically skippable. (i think this is pretty well known, but it was literally nauseating at one point)

anyways, bret easton ellis’s style of writing for this book is so fascinating. written from the perspective of patrick bateman, a highly unreliable narrator, he makes significant use of stylistic punctuation, and even lack thereof to mimic real thought and speech patterns. individual syllables being italicized, missing spaces, missing end quotes, seemingly endless stream-of-consciousness paragraphs, the form alone is quite enthralling. additionally, the fact that patrick’s violent episodes
rely heavily upon the quantity of violence, not just the quality of violence, is really interesting; though it sounds sarcastic, it almost adds more to the story since it shows how patrick becomes more and more interested in the emotional weight of murder/violence than murder/violence itself. it doesn’t truly matter that, for example, patrick tied up and maced a woman; it matters more that he spent so long describing the torture, showing how violence took up such a massive part of his headspace
.

patrick is, in spite of his high amount of wealth and attractiveness, deeply insecure. patrick attempts to keep a cool, hip persona, attempting to fit in as much as possible. he obsesses over clothing, grooming, music, etc., often going on long winded tangents that make him sound like a walking advertisement. he even almost has a panic attack when
his brother, sean, tells him that all the restaurants patrick is planning on going to aren’t hip anymore
. he even just blatantly lies about his political beliefs to an entire dinner table to seem more socially and politically aware, even though most everyone at that table probably knows that he doesn’t really hold those beliefs.

however, patrick’s wealth and attractiveness are essentially meaningless in a world where everyone is wealthy and attractive. he often confuses various high ranking executives with others, and they talk without either of them being sure of the other one’s identity. in fact,
patrick can’t even confess to his lawyer, carnes, because when patrick finally sees carnes in person, carnes thinks patrick isn’t patrick at all
. there’s no sense of personal identity; everyone is one amorphous figure of money and sex.

in spite of ellis’s amazing dissection of upper class american consumer society, i do think it could be improved by having a person of color as one of the high ranking officials around him. for all the reader knows, all of the people around him are just white; while it further reinforces ellis’s point about the demographics of the richest people in america, that is, most of them are privileged white men with nothing standing in their way, it would have been interesting to see patrick’s reactions and feelings towards seeing a person of color (he hates literally all of them) with the same economic status as him.
though the japanese businessmen are briefly mentioned, they aren’t really given any literary significance. patrick makes racist remarks in his head, but that’s pretty much it.


all in all, i think american psycho is a fascinating book to read. horror? absolutely. but definitely also an amazing piece of satire on how american consumerism has destroyed american society.

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amessina3399's review against another edition

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challenging dark reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

TLDR; really REALLY graphic but also really funny and well-done. Very slow and stream-of-consciousness. Great book!

Ummm...wow. I'm not even sure where to begin. For context, I've never seen the movie, and I thought 'what the hey, I should read the book first'. Surprisingly, somehow, I really enjoyed it. This book is a really interesting satire of consumerism and elitism in such a capitalistic place as NYC, while also being a fascinating stream-of-consciousness look at the mind of an incredibly mentally ill individual. As a book, the narrative voice is far more interesting and important than the actual plot itself. That being said, I knew that this book was going to be dark and gross, but I was not prepared for HOW dark and gross. Most of the book is fine, but there are a handful of chapters that are extremely descriptive in the gore, and horrifically 'creative'. I have a pretty strong stomach, and multiple times I needed to take breathers from chapters being too intense for me. *If you choose to read the book and want to try and dodge the worst of it, the chapters titled 'Girl' or 'Girls' contain the worst of the worst*. Other than that, I thought it was a brilliant read and for the most part, incredibly well written. It would have had 5 stars from me if it weren't for a few things: 1) while some of the gore was appropriate, a good chunk of it was a bit too gratuitous, although it could be argued that it was necessary for the reader's understanding of the character, 2) it's a VERY slow read, and doesn't pick up much until the halfway point, 3) some motifs were very well-played, while others were a bit overused and overdone, 4) gonna be honest, not a fan of the ending. I somewhat understand what the point of the ending was supposed to mean, but I just think it fell a bit flat in its efficacy compared to the rest of the book. But other than that, if you're looking for a genuinely funny, dark, and macabre character study, I would recommend this book.

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clare2772's review

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Don’t read this book if you value your mental health 

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sarah_piette's review against another edition

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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levitatingnumeral's review against another edition

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dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

There’s no doubt this book has been controversial from its release, with readers torn between finding it boring/disgusting or a masterpiece. I… well, somehow I wanted more.
Let’s start from what I loved most: Bateman’s vapid monologues. I see many reviews saying they made the book incredibly dull, but I actually found them to be unbelievably valuable in showing just how superficial and self-obsessed Bateman is. It’s clear he is completely unaware of the utter indifference anyone else would show towards his obsession with himself, and Bret’s narration is flawless. It truly felt like I was hearing a narcissist talking, 100% immersion.
On the other hand, I must admit I struggled a bit to keep track of the level of Bateman’s unreliability. Since the characters were (purposefully) so similar, at times I would catch myself wondering if it truly was Bateman unreliably reporting the actions of his peers or if it was me mixing up the characters. I will give Bret the benefit of the doubt, though, because maybe this was the very effect he wanted to create. He has talked about how the core of the plot is something he himself is unsure of and left open for interpretation, so perhaps it was his intent to make us readers wonder at all times whether we were misremembering or if it was a lie. It would make perfect sense, in the context of Bateman’s constant manipulation.
What I definitely wanted more of, though, was… a certain kind of consistency in two specific aspects:
1. The effect of drugs on Bateman. We see him, at one point, break down and practically black out. But after the worst occurrence, it seems like this aspect was just left out. 
2. The ending. It felt so abrupt I was completely lost. I wanted maybe a few more threads to be pulled tighter. I don’t want answers, but maybe I would’ve enjoyed if I had relevant, confusing points being weaved into a torn, fuzzy, mismatching fabric to drive home just how unsure I should be.

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