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chainsawmochi's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
It is very, very rare for me to read a book so good that it leaves me dazzled at the end, craving more, the taste of it lingering on every fold of my brain. "A Tempest of Tea" is one such novel.
Heists. High Stakes. Vampires. Tea Houses. A government rotten from inside. Anti-Colonial Understanding and Exploration. A main character with more tricks up her sleeve than a magician, and a supporting cast so varied and beautiful that they make the perfect found family in the end.
Yet the ending left me in shambles.
"A Tempest in Tea" is the story of Arthie, of her adoptive brother Jin, and the teahouse they own and run together. It is also a story about lies and half truths, about finding the people you belong with, and learning to love them despite their flaws--or, perhaps, because of them. Arthie here plays somewhat of the part of King Arthur, bringing together a full round table of Victorian flavored fantasy knights. Each of them has their own role to play, their own reason for their actions, and all of them are expertly woven into the overall story by Hafsah Faizal's beautiful, tragic writing.
No words were lost upon this book. "A Tempest in Tea" is a delight to read, with pulse pounding action and a wonderful exploration of character. Faizal dives into the lives of multiple characters, with the majority of the main cast being PoC's living in a Victorian-styled, colonizing country. A land that is not their own, and a country that sees them as 'other.' A country where they have carved out a small piece for themselves and planted their hearts. The writing is delicious and tender at times, while being biting and blinding a moment later. Faizal has a way with words that paints a beautifully harsh world; a world so like our own that one could hold it up as a mirror.
This review may be all over the place, and for that, I apologize. I just spent the last hour or so devouring the last third of this book. While it starts off slow, "A Tempest of Tea" ends with a bang--and then another. I await the follow up with hushed breath, eyes wide and mind ravenous for more from this world and these characters. I cannot recommend this book enough.
Heists. High Stakes. Vampires. Tea Houses. A government rotten from inside. Anti-Colonial Understanding and Exploration. A main character with more tricks up her sleeve than a magician, and a supporting cast so varied and beautiful that they make the perfect found family in the end.
Yet the ending left me in shambles.
"A Tempest in Tea" is the story of Arthie, of her adoptive brother Jin, and the teahouse they own and run together. It is also a story about lies and half truths, about finding the people you belong with, and learning to love them despite their flaws--or, perhaps, because of them. Arthie here plays somewhat of the part of King Arthur, bringing together a full round table of Victorian flavored fantasy knights. Each of them has their own role to play, their own reason for their actions, and all of them are expertly woven into the overall story by Hafsah Faizal's beautiful, tragic writing.
No words were lost upon this book. "A Tempest in Tea" is a delight to read, with pulse pounding action and a wonderful exploration of character. Faizal dives into the lives of multiple characters, with the majority of the main cast being PoC's living in a Victorian-styled, colonizing country. A land that is not their own, and a country that sees them as 'other.' A country where they have carved out a small piece for themselves and planted their hearts. The writing is delicious and tender at times, while being biting and blinding a moment later. Faizal has a way with words that paints a beautifully harsh world; a world so like our own that one could hold it up as a mirror.
This review may be all over the place, and for that, I apologize. I just spent the last hour or so devouring the last third of this book. While it starts off slow, "A Tempest of Tea" ends with a bang--and then another. I await the follow up with hushed breath, eyes wide and mind ravenous for more from this world and these characters. I cannot recommend this book enough.
Content Warnings
Graphic: Fire/Fire injury, Racism, Violence, Gun violence, Injury/Injury detail, Abandonment, Blood, Cursing, Death, Death of parent, Colonisation, Classism, Genocide, Gore, and Xenophobia
Minor: Deadnaming, Grief, Blood, Murder, Racial slurs, Infertility, Police brutality, Body horror, and Emotional abuse
linde13's review
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I cannot stress enough how much I wanted to like this book. Fantasy heist led by a female criminal mastermind? You couldn't sign me up fast enough.
Unfortunately, while I like Arthie, she suffers from a "show don't tell" problem. When I think of other teen masterminds, like Artemis Fowl, Princess Azula, and Kaz Brekker, they're all given opportunities to prove that they're ruthless, manipulative, and brilliant before the story exposes their vulnerabilities. Arthie, unfortunately, never gets that opportunity: most, if not all, of her schemes result in failure or a close call, and she joins the heist in the first place because she's backed into a corner. She's by no means unintelligent, and she'd work if she were a smaller-scale criminal still working her way up the food chain, but for a character who's introduced as as a crime lord powerful enough to threaten the crown itself, she unfortunately falls short.
Arthie isn't my real issue with this book, though.
The book starts with some very awkward and forced flirting/"Admit it, you like him" nonsense between two people who have never spoken to each other before, and unfortunately, the romance didn't particularly improve from there. If any of the romances in this book had anything going for them other than "he's hot, she's hot, it's Just Meant To Be," then I was far too put off by all the awkward flirting, gushing over characters' appearances, and love-triangle-fueled immature sniping to appreciate it.
Which leads me to my next point: there are so many interesting relationships in this book, but other than Jin and Arthie they all feel underdeveloped--not just the romances, butPenn and Artie, Flick and her mother, the Spindrift crew, and Spindrift itself. I can't believe I'm saying this, but I wish this book focused less on the heist. For all that it takes up half the book, the heist doesn't accomplish anything other than getting our main characters together and setting up some exposition.
It took me two weeks to slog through the setup for the heist, and I was so, so close to dropping this book altogether. Thankfully, once it wraps up the heist and focuses on the vampire intrigue, the story becomes much, much more interesting. Or at the very least, it got me emotionally invested enough to want to read the sequel once it comes out.
Unfortunately, while I like Arthie, she suffers from a "show don't tell" problem. When I think of other teen masterminds, like Artemis Fowl, Princess Azula, and Kaz Brekker, they're all given opportunities to prove that they're ruthless, manipulative, and brilliant before the story exposes their vulnerabilities. Arthie, unfortunately, never gets that opportunity: most, if not all, of her schemes result in failure or a close call, and she joins the heist in the first place because she's backed into a corner. She's by no means unintelligent, and she'd work if she were a smaller-scale criminal still working her way up the food chain, but for a character who's introduced as as a crime lord powerful enough to threaten the crown itself, she unfortunately falls short.
Arthie isn't my real issue with this book, though.
The book starts with some very awkward and forced flirting/"Admit it, you like him" nonsense between two people who have never spoken to each other before, and unfortunately, the romance didn't particularly improve from there. If any of the romances in this book had anything going for them other than "he's hot, she's hot, it's Just Meant To Be," then I was far too put off by all the awkward flirting, gushing over characters' appearances, and love-triangle-fueled immature sniping to appreciate it.
Which leads me to my next point: there are so many interesting relationships in this book, but other than Jin and Arthie they all feel underdeveloped--not just the romances, but
It took me two weeks to slog through the setup for the heist, and I was so, so close to dropping this book altogether. Thankfully, once it wraps up the heist and focuses on the vampire intrigue, the story becomes much, much more interesting. Or at the very least, it got me emotionally invested enough to want to read the sequel once it comes out.
Content Warnings
Graphic: Colonisation, Blood, Fire/Fire injury, Racism, Violence, Death of parent, Grief, and Xenophobia
Moderate: Death, War, Classism, Injury/Injury detail, Gun violence, Body horror, and Trafficking
Minor: Misogyny, Sexism, Cultural appropriation, and Police brutality
To be clear, the trafficking is non-sexual. I'm not certain which category it would fall under, but there's a toxic parent-child relationship where the parent isn't outright abusive, but certainly manipulative and neglectful.
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