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jemworster's review against another edition
dark
funny
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Violence and Death
Moderate: Xenophobia, Racism, Sexual violence, and Rape
Minor: Blood, Alcoholism, Vomit, and Drug abuse
This is a collection of very dark short stories. There is a fair amount of graphic descriptions of violence, but I also found several of the stories to have humor.kristengbaker's review against another edition
3.0
This wasn't my favorite collection in the series, but there were some good stories. There were some not so good stories and some stories that just confused me. Next up, Philadelphia Noir.
ericwelch's review against another edition
3.0
Akashic Books has been issuing a series of books that thematically collect "noir" stories related to specific cities, e.g., Richmond Noir, Philadelphia Noir, etc., although I see there is a recent one entitled "Grand Central Noir;" perhaps they ran out of cities. The books are an excellent way to discover authors writing in the noir genre -- if there is such a thing -- and I've already order some books based on stories in "Dublin Noir: The Celtic Tiger Vs. the Ugly American" edited by Ken Bruen.
Obviously, maintaining a consistent level of excellence is difficult with so many authors, and I doubt if I will seek out Jason Starr (very silly story). On the other hand, "Rope-A-Dope" by Craig MacDonald had a nifty twisted ending. One critique of mine is that I wish the editors had limited themselves to authentic Irish writers rather than include stories set in Dublin by non-native writers, e.g., Laura Lippman Personal prejudice. The real Dublin is, of course, much less noir.
Obviously, maintaining a consistent level of excellence is difficult with so many authors, and I doubt if I will seek out Jason Starr (very silly story). On the other hand, "Rope-A-Dope" by Craig MacDonald had a nifty twisted ending. One critique of mine is that I wish the editors had limited themselves to authentic Irish writers rather than include stories set in Dublin by non-native writers, e.g., Laura Lippman Personal prejudice. The real Dublin is, of course, much less noir.
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