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thewillowwood's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Fire/Fire injury, Death, Blood, and Kidnapping
Moderate: Injury/Injury detail, Violence, Body horror, Animal death, and Self harm
Minor: Infidelity, Vomit, Rape, War, Excrement, and Sexism
enchantedelfie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Graphic: Self harm, Vomit, Blood, Death, Violence, Gore, Injury/Injury detail, and Kidnapping
Moderate: Toxic friendship, Suicidal thoughts, Torture, and Stalking
zoemorana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Moderate: Kidnapping
Minor: Sexual assault and Death
renereadsthings's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
As you progress throughout this book, its a third person POV from Guinevere in how she deals with the relationships, politics, and society around her while trying to protect Arthur. She as the MC is always on alert and tries to navigate the circles around her. This read is a slow burn, but focuses on how she defines herself, her role, and her battle to know who she is and the secrets of herself, Merlin her wizard teacher, and Camelot.
I believe the this Arthurian retelling is a great perspective from a Women in Power. As legends are often told through the perspective of the winners and through men. As this series progresses, I urge the author to open up either more POV's to include more detail of secondary characters and how they have impacted the story. Such as Mordred and even more detail of Brangien. The twist were amazing, yet it left me wanting. I am hopeful and excited for more world building in the next book.
Moderate: War and Violence
Minor: Sexual violence, Vomit, and Kidnapping
booksthatburn's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
1.0
Guinevere (not-Guinevere but there's nothing else to call her) is an artfully crafted protagonist, conscious of her lack of agency even as she makes what choices she can. The thing is that even when she makes decisions, she only makes whatever ones the men didn't take care of first. It's a narrative that tries to frame her as beginning with little agency, and then slowly claiming more. The thing is that her big triumphant moment at the end is doing what she was shaped (by men) to do. Maybe this will get developed later on in the series, but there are bigger issues for me.
I thought at first that maybe Guinevere could be asexual, based on how she and Arthur spoke about their relationship early on. The problem is that since she's young enough that she has her first period during the story and seems to have little to no understanding of what sex is other than that there's some thing more Arthur might want to do with her. Merlin (in Guinevere's backstory) controlled what information she has and gave he what he thought she needed to know, sending her to be a bride without any understanding of what is euphemistically encompassed by a "wedding night". This makes the moments that could be read as ace characterization feel like exploitation of a child instead. Unless I missed something her exact age isn't given, though Arthur is implied to be youthful while also old enough to have a sexual past of his own. This fits the historical context, but I'm more unnerved by it being shown through implications, like I had to piece together just how young and exploited she is.
I mostly enjoyed the story, until I realized it was so committed to the idea that "men are bad, actually", that it does a disservice to one of its characters in a way that was frustrating and makes for a worse story. There's a masked character (knight who always has the helmet on) who is assumed to be male and is treated as such, but as soon as Guinevere finds out this character is female under the helmet, she begins treating the character accordingly. There's even a moment where, when disguised as a woman, this character says they've never felt right in clothes like this. Every bit of characterization screams some variation of trans-masc (I won't fuss over labels but they're definitely not a cis woman), except for how Guinevere thinks about them. It felt like the protagonist was persistently misgendering a character she likes very much, even though the text didn't seem like it was doing it on purpose. The narrative also focuses on how the parts of Arthur that make him a good king make him a bad husband (one cannot be loyal above all else to both a kingdom and a spouse). That, to me, was a very cool and insightful blend of characterization and storytelling, but formed part of this broader picture where by the time I got three-quarters of the way through, Mordred looked like the only good and effective male character (and if you know anything about Arthurian stories, you know it's trouble when Mordred looks like the only good one). It then further conflates "man" (i.e. male people) with "Man" (i.e. humankind) in the bad guy speech about humanity as a curse. By conflating maleness with humanity, and humanity with malice, then having a cis woman save the day in spite of both, it implicitly places womanhood outside of the corruption of humanity in a way that unsettles me.
Graphic: Kidnapping
Moderate: Sexism, Misogyny, Blood, Violence, Panic attacks/disorders, Alcohol, Animal death, Death, and Excrement
Minor: Animal cruelty and Homophobia
claudiamacpherson's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Wow, I loved this book! I initially picked it up because I have always loved myths and legends, and the Arthurian stories hold a special place in my heart because my grandmother (and favorite person!) is named Guinevere. White's writing style was engaging and the magical world-building was fascinating. I really loved the characters; Arthur reminded me of Gansey from The Raven Cycle, and we know I love that archetype, and don't even get me started on Lancelot!! I usually don't care for love triangles, and the one in this book was okay, but the one I foresee (based on what I know of Arthurian legends) coming up in the next book(s) is going to be a tough one (which is to say, not a clear superior choice)!
Happy ending meter (no specific spoilers, just my judgement of how happy the ending is because I always wish someone would tell me that before I read books):
Moderate: Gaslighting, Self harm, Violence, and Kidnapping
Minor: Death, Alcohol, Injury/Injury detail, Vomit, Animal cruelty, Animal death, Blood, and Death of parent
ashleereadsbooks692's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Graphic: Animal death, Blood, Death, Gore, Injury/Injury detail, Kidnapping, War, and Violence
Moderate: Cursing and Torture
Minor: Rape
shoohoob's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
Moderate: Adult/minor relationship, Animal death, Blood, and Kidnapping
allyhoo811's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
I was drawn to The Guinevere Deception because I love Arthurian retellings (really I just love retellings in general), and I thought it was a very solid addition to the genre (4 Stars). In my opinion, I think you will have an easier time enjoying/following this story if you already have a general knowledge base regarding Arthurian Legends that extends beyond Disney's "The Sword in the Stone." You definitely don't need to know everything about the mythology surrounding Camelot , in fact, if you have too much knowledge you might be prone to find certain changes annoying. But knowing the basic stories of characters like Guinevere, Lancelot, Mordred, The Lady of the Lake, Tristan and Iseult, Uther Pendragon, Morgan le Fay, etc. certainly adds to the novel. If you don't know anything about these characters already, their book versions may come off underdeveloped. I feel like a lot rests on the fact that these characters are basically archetypes at this point, who the audience should already know.
I will try to keep the rest of my review spoiler free (or mark spoilers for the novel accordingly), but I will probably spoil at least some of the source material in my commentary. So if you don't know anything about Arthurian Legends and don't want to...Don't read further.
The Love Triangle:
What fantasy YA series would be complete without a love triangle? The Guinevere Deception follows the trope of the female protagonist having to chose between the loyal and noble (often powerful) man she is promised to and the more mysterious, brooding man she is deeply attracted too. Luckily, this trope has always appealed to me and the soap opera loving teenage girl I once was. The Arthur/Guinevere/Mordred triangle worked for me; this trope almost always works for me even in fantasy novels geared toward adults. It always reminds me of the Game of Thrones idea that "duty is the death of love" or "love being the death of duty". If you don't like this trope, this story isn't for you. I on the other hand found myself rooting for Mordred and wondering if/how he was going to turn evil like in the original legend.
The Plot:
The overall plot is good. The fast-paced chapters (typical of YA fantasy) kept me interested and wanting to read more. However, I will say it felt very much like a setup novel -- when I was done reading, it felt like not a lot had really happened until the very end, and ironically that part --
The Lancelot Twist:
Character Ages:
Arthur is way too young. I get this is YA, but Arthur being 18 doesn't make sense. He's been king for maybe 2 years and has already had time to do a ridiculous amount of stuff for Camelot (usurping a title, securing borders, building a stone church, setting up a functioning economy, having how many knights join through long difficult tournament processes). Again, I get why he needed to be 18, but it makes no sense.
Generic Fantasy Setting:
Small thing, but the story should take place in the late 4th-early 5th century, and based on a few historical references it seems to, but the setting described feels too "modern" in most instances to really be that early in British History.
Use of Lore:
I like a lot of the changes made to the lore and the plot of Guinevere being a "changeling." I'm not loving the few scenes we've seen with Merlin though, but I can't really explain why.
The Realistic Treatment (or lack there of) of Sex/Violence/War:
The handling of many mature topics in the book is very watered down. And it is a YA novel, so that makes sense. I'm not going to harp much on this point, because I get the why, but I will say I hate that Guinevere is made out to be so terribly naïve when it comes to matters of reproduction and sexuality. It is given an explanation (or we are at least building toward that explanation) in the novel, which is something you can't say about most YA novels in this area, but I still hate it in YA. Tying the female character's virtue to naivety and virginity is just not a message I like being sent to teen girls. I mean Guinevere doesn't even know what her period is -- that was usually the tell-tale sign a woman was old enough to marry at that time and Guinevere hasn't had hers yet and thinks she's dying??? Even though it does make sense for this story (i.e. she doesn't remember losing teeth as a child), I still don't like it's inclusion as a plot point in a YA novel (happens too often without reasons). *steps off soapbox*
Overall, really enjoyed and will be continuing on in the series.
Moderate: Blood, Kidnapping, Medical trauma, Misogyny, Physical abuse, Sexism, and Violence
Minor: Abandonment, Adult/minor relationship, Alcohol, Animal death, Death, Fire/Fire injury, Homophobia, Infidelity, Lesbophobia, and Rape
malloryfitz's review
3.75
Moderate: Animal death, Blood, Body horror, Death, Infidelity, Kidnapping, and Sexism
Minor: Homophobia