Scan barcode
melaniegaum's review against another edition
5.0
This book had stunning artwork, a funny story, and showed how books were made in medieval monasteries. I liked how the monks all helped Brother Hugo.
wordnerd153's review against another edition
2.0
I have no idea what kind of kid this book would appeal to; maybe one who dreams of becoming a monk. The text is dense, the story isn't particularly interesting, and a child would need a ton of background knowledge about monks, Catholicism, and the middle ages to thoroughly comprehend it. The one thing I enjoyed was the illustrations.
annieliz's review against another edition
4.0
12th century monks making books! But… so interesting! Will definitely be sharing with sixth grade teacher for medival times social studies unit.
beecheralyson's review against another edition
3.0
Love the illustrations but really am not sure who the audience is for this book.
tashrow's review
4.0
Brother Hugo’s library book is due, but he can’t return it because it was eaten by a bear! So Brother Hugo is instructed that he must create a new copy of the book. First, Brother Hugo has to go to the monastery of the Grand Chartreuse where they have a copy of the book. On the way, he can hear the bear snuffling behind him, but manages to reach the monastery and safety in time. On his return to his own monastery, he can hear the bear snoring in his sleep, so he hurries back. Then the real work begins, but he has the help of his fellow monks. They must get a sheepskin, stretch it and scrape it, get parchment paper, and get them ready to write upon. Then comes making the pens and inks that will be required. Finally, Brother Hugo must sit and copy the book word for word. Finally, the book has to be bound. As he worked, Brother Hugo could hear the bear and the snuffling. When the book was completed, the monks offered Brother Hugo a clever way to get to Grand Chartreuse safely despite the word-hungry bear, but even with their help Hugo finds himself face-to-face again with the great beast looking for books.
In this book, Beebe has created a fascinating look at the treasure and value of books and the efforts that it once took to create them by hand. By inserting the question of the bear into the book, the story moves ahead very effectively, offering a nice plot point in what could have been a much quieter tale of book making. The bear also offers a touch of humor into the story, for even those of us who agree that books and words are as sweet as honey will be amazed at this bear’s appetite for books.
Schindler’s art incorporates word art that hearkens back to illuminated texts such as the one that Brother Hugo recreates in the book. Done in fine lines and with precision, the art is detailed and adds much to the story. I particularly enjoy the scenes of Brother Hugo crossing the countryside, because they clearly evoke a different time and place.
This historical fiction nicely incorporates how books were once made into a tale filled with gentle humor and one hungry bear. Appropriate for ages 4-6.
In this book, Beebe has created a fascinating look at the treasure and value of books and the efforts that it once took to create them by hand. By inserting the question of the bear into the book, the story moves ahead very effectively, offering a nice plot point in what could have been a much quieter tale of book making. The bear also offers a touch of humor into the story, for even those of us who agree that books and words are as sweet as honey will be amazed at this bear’s appetite for books.
Schindler’s art incorporates word art that hearkens back to illuminated texts such as the one that Brother Hugo recreates in the book. Done in fine lines and with precision, the art is detailed and adds much to the story. I particularly enjoy the scenes of Brother Hugo crossing the countryside, because they clearly evoke a different time and place.
This historical fiction nicely incorporates how books were once made into a tale filled with gentle humor and one hungry bear. Appropriate for ages 4-6.
brucefarrar's review
4.0
On the first day of Lent, in medieval France, Brother Hugo confesses to his Abbot that he cannot return his library book because a bear ate it. The penance imposed on him is to travel to another monastery and borrow its copy of the same book, and make another copy to replace the one the bear ate, and get it done within forty days. But on the way there and back Brother Hugo is bothered by the same bear who has developed a taste for literature inscribed in bundles of tasty sheepskin.
To her gently humorous tale of Brother Hugo’s trials scholar Beebe adds a historical note about monasteries and manuscripts, a glossary, and a note about the inspirations for her tale. Schindler, borrowing many of the elements of medieval illuminated manuscripts for his illustrations, also tells how his artistic process in the twenty-first century differed and in some ways was the same as Brother Hugo’s would have been in the twelfth.
To her gently humorous tale of Brother Hugo’s trials scholar Beebe adds a historical note about monasteries and manuscripts, a glossary, and a note about the inspirations for her tale. Schindler, borrowing many of the elements of medieval illuminated manuscripts for his illustrations, also tells how his artistic process in the twenty-first century differed and in some ways was the same as Brother Hugo’s would have been in the twelfth.
More...