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mbpartlow's review against another edition
5.0
Winner of Sweden's best first crime novel award. And with good reason.
Not less gruesome than some American thrillers, but handled differently. Less focus on the gruesome details and more focus on the people, on the mystery. The setting is so well described that I thought I was getting frostbite on my feet as I read.
Rebecka Matinsson is a Stockholm attorney who heads back to her home town to help a friend in need. What she slowly uncovers about her friend, and what the reader is slowly allowed to learn about Rebecka's past, is almost more chilling than the murder that kicks off all these events.
I will definitely read more by this author. Don't know why Scandinavian mystery writers are so appealing to me, but I find the ones I've read to be impressive.
Not less gruesome than some American thrillers, but handled differently. Less focus on the gruesome details and more focus on the people, on the mystery. The setting is so well described that I thought I was getting frostbite on my feet as I read.
Rebecka Matinsson is a Stockholm attorney who heads back to her home town to help a friend in need. What she slowly uncovers about her friend, and what the reader is slowly allowed to learn about Rebecka's past, is almost more chilling than the murder that kicks off all these events.
I will definitely read more by this author. Don't know why Scandinavian mystery writers are so appealing to me, but I find the ones I've read to be impressive.
emiliablixt's review against another edition
3.0
Fin miljöbeskriving, drömmarna gör boken mer intressant, hoppar lite väl mycket bland perspektiven.
paolotti's review against another edition
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
kathydavie's review against another edition
5.0
First in the Rebecka Martinsson mystery series and revolving around a Stockholm lawyer in a personal crisis.
It won the 2003 Swedish Crime Writers’ Association Prize for best debut novel.
My Take
It starts out very spookily as we read of the victim calmly embracing his death, and Larsson builds the tension with hints of past troubles, of religious issues, and parental abuse.
There's a past here, a history that Rebecka has with the church. I'll admit to a prejudice against organized religion, so that colors what I think. The Catholic priests who abuse children and others, the preachers who abuse the trust of their congregation, and it's here in this story as well. The so-called Christianity that flies out the window as soon as desire rises up. Whether that desire is for power, money, lust, or fear.
I've also got a built-in prejudice against von Post since I first encountered Larsson in her fifth book in this series, The Second Deadly Sin. He is the most incredibly disgusting jerk, and it's too much fun to read how disrespected he is, lol.
Jeez, Måns is something of a jerk. Pulling her client out from under Rebecka. I'm not impressed with Sanna either. She wants so badly to keep her daughters and yet hasn't a clue or doesn't care enough to take care of them. She's such a weaselly immature, self-obsessed wimp! And she plays Rebecka like a virtuoso. I hate her passive-aggressive attacks on Rebecka. I just wanna smack her around. Then there are Sanna's parents. What a piece of work that father is! And there's some history they have against Rebecka too.
Sivving is an interesting character. He's warm and yet odd about how he lives in his house, an across-the-road neighbor to the older Martinssons. He has some lovely stories about her grandparents. About her grandfather Albert and his courtship of Theresia, how she won Albert's father's (Eric's) heart.
The one problem I have with this story is Måns' interest in Rebecka. Larsson never makes this believable. In ANY way. As for Rebecka's acceptance…*eye roll*…gotta be that Scandinavian negativity. I dunno.
I love Larsson's style. It's warm, cozy, and full of personalities. When you add in what we learn about Swedish culture and how different the police operate in Sweden, it simply becomes more fascinating, and Larsson keeps things much too interesting.
The Story
Having found her dead brother, Sanna Strandgård is terrified and begs Rebecka to come home, to represent her. To protect her children from her parents.
It was Viktor’s death and revival that resurrected the churches around Kiruna, that revived the faith of the people. It was the church’s success that doomed the pastors’ families.
It had been Rebecka’s love for God that sent her down the path to ruin.
The Characters
Rebecka Martinsson is a lawyer who specializes in tax law, working for Meijer & Ditzinger. She's inherited a share in her grandmother's house in Kurravaara, fifteen kilometers outside Kiruna. Uncle Affe and Inga-Lill hold the other share. Eric "Sivving" Fjällborg is her retired neighbor; Bella is his pointer bitch. Lena and Mats are his children; his wife, Maj-Lis died a few years ago. Mary Kuoppa keeps him in buns.
Meijer & Ditzinger, the law firm
Måns Wenngren is Rebecka's boss, a lawyer, and a partner with the law firm. He's also divorced with two sons, Johanne and Calle, and drinks too much. Madelene is his now ex-wife. Maria Taube is a fellow tax lawyer and friend. Sonia Berg is one of the secretaries.
Law enforcement in Kiruna
Inspector Anna-Maria Mella is usually team leader — when she's not being heavily pregnant; Inspector Sven-Erik Stålnacke is her partner and is supposed to be taking over during her leave. He also has a cat, Manne. Sergeant Tommy Rantakyrö and Inspector Fred Olsson are part of her team. Sonja works the switchboard.
Simon Larsson is a crime scene photographer. The senior medical examiner is Lars Pohjanen; Anna Granlund is the autopsy technician.
Assistant Chief Prosecutor Carl von Post has a problem with women in authority, heck, he just has a problem with women. He's an incompetent, attention-seeking jerk with delusions of competence. And the Swedish system appears to require a prosecutor to head investigative teams.
Robert is Anna-Maria's husband and their children include Petter and Marcus.
Viktor Strandgård, a.k.a., the Paradise Boy, is a well-known religious leader in Kiruna, mostly because he died and came back with a full report on life after death. His experience united three separate churches into one: The Source of All Our Strength. Sanna Strandgård is his sister. Sara and Lova are her daughters. Virku is their dog. Ronny Björnström is Sara's father; Sammy Andersson is Lova's. The Strandgård siblings' father, Olof, is abusive and a local politician with sway. Kristina is the cowed wife.
The church, The Source of All Our Strength
There are three pastors of the church: Thomas Söderberg was a pastor with the Mission Church; Gunnar Isaksson; and, Vesa Larsson, a former artist. Below them are five elders including Frans Zachrisson and Alf Hedman. Curt Bäckström is a hanger-on at the church and one of Sanna's admirers. Patrik Mattsson knows something. Ann-Gull Kyrö is the pastors' secretary.
Thomas is married to Maja; Magdalena is her sister. They have two daughters: Rakel and Anna.
Gunnar is married to Karin, and they have a daughter, Anna, and a son, Andreas. Astrid is Vesa's wife. Baloo is her undisciplined dog.
Victory Print is the publishing company printing the books, pamphlets, and videotapes the Church sells.
It was in Margareta Fransson's Religious Studies class that Nina Eriksson spoke up. It resulted in Viktor, Sanna, and Rebecka being part of the eleven at the Mission bible camp.
The media
Anders Grape is with Radio Sweden. Lena Westerberg is with TV3.
The Cover
The cover is bright with snow and bare trees caught up in the haze. Somehow, splotches of footprints trail off into the distance through the sky.
I have no idea about the title, Sun Storm, unless it’s, possibly, a reference to Jesus as the Son of God and a storm is raging over this church.
It won the 2003 Swedish Crime Writers’ Association Prize for best debut novel.
My Take
It starts out very spookily as we read of the victim calmly embracing his death, and Larsson builds the tension with hints of past troubles, of religious issues, and parental abuse.
There's a past here, a history that Rebecka has with the church. I'll admit to a prejudice against organized religion, so that colors what I think. The Catholic priests who abuse children and others, the preachers who abuse the trust of their congregation, and it's here in this story as well. The so-called Christianity that flies out the window as soon as desire rises up. Whether that desire is for power, money, lust, or fear.
I've also got a built-in prejudice against von Post since I first encountered Larsson in her fifth book in this series, The Second Deadly Sin. He is the most incredibly disgusting jerk, and it's too much fun to read how disrespected he is, lol.
Jeez, Måns is something of a jerk. Pulling her client out from under Rebecka. I'm not impressed with Sanna either. She wants so badly to keep her daughters and yet hasn't a clue or doesn't care enough to take care of them. She's such a weaselly immature, self-obsessed wimp! And she plays Rebecka like a virtuoso. I hate her passive-aggressive attacks on Rebecka. I just wanna smack her around. Then there are Sanna's parents. What a piece of work that father is! And there's some history they have against Rebecka too.
Does this sound familiar?
"Weak people are often drawn to the church. And people who want power over weak people are also drawn there."
Sivving is an interesting character. He's warm and yet odd about how he lives in his house, an across-the-road neighbor to the older Martinssons. He has some lovely stories about her grandparents. About her grandfather Albert and his courtship of Theresia, how she won Albert's father's (Eric's) heart.
The one problem I have with this story is Måns' interest in Rebecka. Larsson never makes this believable. In ANY way. As for Rebecka's acceptance…*eye roll*…gotta be that Scandinavian negativity. I dunno.
I love Larsson's style. It's warm, cozy, and full of personalities. When you add in what we learn about Swedish culture and how different the police operate in Sweden, it simply becomes more fascinating, and Larsson keeps things much too interesting.
The Story
Having found her dead brother, Sanna Strandgård is terrified and begs Rebecka to come home, to represent her. To protect her children from her parents.
It was Viktor’s death and revival that resurrected the churches around Kiruna, that revived the faith of the people. It was the church’s success that doomed the pastors’ families.
It had been Rebecka’s love for God that sent her down the path to ruin.
The Characters
Rebecka Martinsson is a lawyer who specializes in tax law, working for Meijer & Ditzinger. She's inherited a share in her grandmother's house in Kurravaara, fifteen kilometers outside Kiruna. Uncle Affe and Inga-Lill hold the other share. Eric "Sivving" Fjällborg is her retired neighbor; Bella is his pointer bitch. Lena and Mats are his children; his wife, Maj-Lis died a few years ago. Mary Kuoppa keeps him in buns.
Meijer & Ditzinger, the law firm
Måns Wenngren is Rebecka's boss, a lawyer, and a partner with the law firm. He's also divorced with two sons, Johanne and Calle, and drinks too much. Madelene is his now ex-wife. Maria Taube is a fellow tax lawyer and friend. Sonia Berg is one of the secretaries.
Law enforcement in Kiruna
Inspector Anna-Maria Mella is usually team leader — when she's not being heavily pregnant; Inspector Sven-Erik Stålnacke is her partner and is supposed to be taking over during her leave. He also has a cat, Manne. Sergeant Tommy Rantakyrö and Inspector Fred Olsson are part of her team. Sonja works the switchboard.
Simon Larsson is a crime scene photographer. The senior medical examiner is Lars Pohjanen; Anna Granlund is the autopsy technician.
Assistant Chief Prosecutor Carl von Post has a problem with women in authority, heck, he just has a problem with women. He's an incompetent, attention-seeking jerk with delusions of competence. And the Swedish system appears to require a prosecutor to head investigative teams.
Robert is Anna-Maria's husband and their children include Petter and Marcus.
Viktor Strandgård, a.k.a., the Paradise Boy, is a well-known religious leader in Kiruna, mostly because he died and came back with a full report on life after death. His experience united three separate churches into one: The Source of All Our Strength. Sanna Strandgård is his sister. Sara and Lova are her daughters. Virku is their dog. Ronny Björnström is Sara's father; Sammy Andersson is Lova's. The Strandgård siblings' father, Olof, is abusive and a local politician with sway. Kristina is the cowed wife.
The church, The Source of All Our Strength
There are three pastors of the church: Thomas Söderberg was a pastor with the Mission Church; Gunnar Isaksson; and, Vesa Larsson, a former artist. Below them are five elders including Frans Zachrisson and Alf Hedman. Curt Bäckström is a hanger-on at the church and one of Sanna's admirers. Patrik Mattsson knows something. Ann-Gull Kyrö is the pastors' secretary.
Thomas is married to Maja; Magdalena is her sister. They have two daughters: Rakel and Anna.
Gunnar is married to Karin, and they have a daughter, Anna, and a son, Andreas. Astrid is Vesa's wife. Baloo is her undisciplined dog.
Victory Print is the publishing company printing the books, pamphlets, and videotapes the Church sells.
It was in Margareta Fransson's Religious Studies class that Nina Eriksson spoke up. It resulted in Viktor, Sanna, and Rebecka being part of the eleven at the Mission bible camp.
The media
Anders Grape is with Radio Sweden. Lena Westerberg is with TV3.
The Cover
The cover is bright with snow and bare trees caught up in the haze. Somehow, splotches of footprints trail off into the distance through the sky.
I have no idea about the title, Sun Storm, unless it’s, possibly, a reference to Jesus as the Son of God and a storm is raging over this church.
ifollowedthatrabbit's review against another edition
4.0
Me encanta cómo escribe [a:Åsa Larsson|168255|Åsa Larsson|https://images.gr-assets.com/authors/1301791855p2/168255.jpg]. Esa manera de describir los hechos que te hace sentir como si estuvieras ahí mismo. Y con esto no quiero decir que sea una descripción ultra detallada, de esas en las que a veces uno se termina perdiendo. No, [a:Åsa Larsson|168255|Åsa Larsson|https://images.gr-assets.com/authors/1301791855p2/168255.jpg] va al grano, pero con estilo. Te atrapa y de pronto ya estás inmersa en la historia y puedes sentir el impetuoso frío de Kiruna.
Este es el tercer libro que leo de la saga de Rebecka Martinsson. Comencé con el segundo (el primero no estaba en ese momento en la biblioteca y ya tenía la idea de leer la serie sí o sí), ya que cada historia es independiente de la otra.
Por último, como advertencia, hay algunos hechos que pueden herir sensibilidades, pero eso ya se prevé al ser una novela negra. Lo único que no me ha gustado ha sido aquél horrible suceso con un animal. Sí, me resulta más chocante cuando le pasa algo a algún animal en la historia. A ver, es que una ya se espera que algo malo le va a pasar a alguien, pero a un animal... por favor, dejarlos tranquilos.
Este es el tercer libro que leo de la saga de Rebecka Martinsson. Comencé con el segundo (el primero no estaba en ese momento en la biblioteca y ya tenía la idea de leer la serie sí o sí), ya que cada historia es independiente de la otra.
Por último, como advertencia, hay algunos hechos que pueden herir sensibilidades, pero eso ya se prevé al ser una novela negra. Lo único que no me ha gustado ha sido aquél horrible suceso con un animal. Sí, me resulta más chocante cuando le pasa algo a algún animal en la historia. A ver, es que una ya se espera que algo malo le va a pasar a alguien, pero a un animal... por favor, dejarlos tranquilos.
andresik136's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0