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tenderedge's review
5.0
Amazing, cerebral, confessional, essential reading. I want to reread the essay on Sacharin again and maybe again. Got a lot of Diet Pepsi in my past and she illuminates the need, aesthetic and visceral, for sweetness.
vaia_the_reader's review
5.0
Building on previous tropes, conversations and representations this collection explores what it means to be a feeling human. Instead of trapping us as victims, or dismissing people as melodramatic, it claims those possible interpretations and then broadens the narrative--simultaneously acknowledging the reality of suffering while moving forward with this truth strapped to its back. It allows us all room for a more complex relationship with our own pain and for the pain of others. An engaging journey through various mediums, experiences, and perspectives which lend specific insights on the topic at hand. An instant classic in the form. The last two essays in the collection are as near perfection as I've ever read.
mollyblikestoread's review
challenging
emotional
hopeful
informative
reflective
tense
slow-paced
3.5
shimmeringice's review
emotional
funny
hopeful
inspiring
reflective
sad
medium-paced
5.0
Wow. I honestly loved everything about these essays. It was a joy meandering through topics together with the author. It felt like I was watching a champion figure skater nail a routine or a potter turn a hunk of clay into an elegant vase - just the sheer pleasure of witnessing hard won skill in action.
geoffdgeorge's review
Some really powerful, valuable ideas in this one. Was jiving 100 percent with the title essay's exploration of empathy as something that takes work and will rather than being inherently possessed. Also enjoyed the pieces on Morgellons sufferers, the ultra-runners of the Barkley Marathons, and the West Memphis Three.
I'm seeing a lot of other reviews on here ding the author for inserting herself too much into these essays, but the practice didn't feel intrusive to me. If anything, her weaving of the personal with what she was seeing and trying to relate to outside of herself seemed to be a key part of the whole project.
Jamison mentions her time at the Iowa Writer's Workshop quite a bit, which gave me the feeling that she worked on a lot of these pieces during or not long after her time there. Certain passages have a heavier academic air about them, to such an extent that it did sometimes halt my momentum as a reader (thinking of passages like this: "Wound implies en media res: the cause of injury is past but the healing isn't done; we are seeing this situation in the present tense of its immediate aftermath"). I have Make It Scream, Make It Burn sitting on my shelf, waiting, and I'll be curious, when I get to it, to see how/whether her style has changed with more distance from the writing program. (Though I see on Wikipedia that she jumped from the IWW to a PhD in English Lit at Yale, so ...)
I'm seeing a lot of other reviews on here ding the author for inserting herself too much into these essays, but the practice didn't feel intrusive to me. If anything, her weaving of the personal with what she was seeing and trying to relate to outside of herself seemed to be a key part of the whole project.
Jamison mentions her time at the Iowa Writer's Workshop quite a bit, which gave me the feeling that she worked on a lot of these pieces during or not long after her time there. Certain passages have a heavier academic air about them, to such an extent that it did sometimes halt my momentum as a reader (thinking of passages like this: "Wound implies en media res: the cause of injury is past but the healing isn't done; we are seeing this situation in the present tense of its immediate aftermath"). I have Make It Scream, Make It Burn sitting on my shelf, waiting, and I'll be curious, when I get to it, to see how/whether her style has changed with more distance from the writing program. (Though I see on Wikipedia that she jumped from the IWW to a PhD in English Lit at Yale, so ...)
nunnabunny's review
2.75
Some of the essays, especially those that were closer to the author’s own experience, were thought provoking and interestingly said. I particularly liked the first and last essays. I would have given those alone 5 stars.
Like other reviews have mentioned, it is a bit jarring to see empathy for people from a different racial and economic background amount to little more than her guilt about having things they did not. I think I especially picked up on this reading Creep by Myriam Gurba at the same time. Comparing the way the two authors spoke about Didion is helpful. Gurba gives us a nuanced understanding of the racism in Didion’s work, while Jamison seems to quote her to show us how she came to see Bolivia. I think for the collection to truly explore empathy, Jamison would need to try to perceive the numerous Latin American countries she mentions outside of her narrow lens. She seems aware of the issues with her framing but unwilling to do the work to frame things another way.
Like other reviews have mentioned, it is a bit jarring to see empathy for people from a different racial and economic background amount to little more than her guilt about having things they did not. I think I especially picked up on this reading Creep by Myriam Gurba at the same time. Comparing the way the two authors spoke about Didion is helpful. Gurba gives us a nuanced understanding of the racism in Didion’s work, while Jamison seems to quote her to show us how she came to see Bolivia. I think for the collection to truly explore empathy, Jamison would need to try to perceive the numerous Latin American countries she mentions outside of her narrow lens. She seems aware of the issues with her framing but unwilling to do the work to frame things another way.
travisclau's review
4.0
A strong, wide-ranging set of essays. Jamison has such a distinctive voice that carries through the pieces that traverse near and far geographically, emotionally. We see empathy and its demands, the many faces of feeling. Some pieces were crushing to read, and they are models for nonfiction essays. Yet what took away from the volume was a sense that many of the essays could have been abbreviated. Some read like manifestos (especially the defense of sentimentality and the saccharine), some read like prolonged journal entries. Jamison has some powerful one-liners, but sometimes she can be excessive with her prose, which does not always benefit the essay's power. Sometimes, her playing with the essay form lets her get away with it, but some essays worked better than others.