Reviews with content warning for Death of parent - To Gaze Upon Wicked Gods

Reviews tagging 'Death of parent'

To Gaze Upon Wicked Gods by Molly X. Chang

24 reviews

jebecky's review

Ugh, I hated all the characters, the story felt really unoriginal, there was no character development. The reason I almost finished the book is because introduction by the author was so interesting.

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readwithsophsx's review against another edition

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adventurous dark emotional mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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bookishexpat's review against another edition

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Not a bad premise, but the writing is a little info-dumpy and flat so despite the intriguing premise and world, the overall effect is quite boring unfortunately.
This kind of storyline really needs a more compelling writing style IMO, something more expressive and more emotionally stirring.

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bree_h_reads's review against another edition

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adventurous dark tense medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.0

First and foremost, this book is more of a victim of bad marketing than anything else. The book is not a romance; it includes a romantic subplot, and the intention is for the relationship between Antony (the coloniser) and Ruying to be toxic. However, that doesn’t absolve the books of all its faults.

I will give the book a few points in its favour. There were several moments where the writing really stood out to me. I was impressed and could see that Molly X. Chang has a lot of potential. I also think that the complexity and moral greyness of Baihu and Ruying was interesting. More focus and time should have been given to this aspect of the characters. It had the potential to offer a compelling commentary on what people do to survive colonization/oppression. It would have been captivating to compare and contrast them, to show them coming to understand each other, and to demonstrate how each has used their position to benefit those they care for. However, that didn’t happen. The repetitive writing gave the impression of inactivity. Additionally, there was a tendency to tell rather than show (I’ll mention this later in my dislikes).

Issue one and my personal biggest issue is that Ruying felt extremely stupid. Because there’s a six-month time skip, instead of showing us Antony gaining Ruying’s trust and isolating her and demonstrating to her why she should believe that he wants the best for her and her world, we’re told this over and over and over. And this isn’t emphasised for the reader. We don’t get demonstrations of him living up to Ruying’s view. We get Ruying questioning if she can trust him over and over before moving on like it’s not a big deal and him saying suspicious things. It’s fine if Ruying is an unreliable narrator, but I feel like the reader should either buy into or understand why she feels this way. It was something I couldn’t do. It just made Ruying feel like an idiot. Which ALSO emphasised a telling over showing issue because we’re told over and over how smart she is. Ruying was raised by the brilliant mind behind the country’s greatest general. She’s SUPPOSED to be smart. She’s SUPPOSED to know how to navigate politics and manipulate people. And she just doesn’t. That made the book far more frustrating in the end.

THIS NEXT SECTION WILL CONTAIN MILD SPOILERS.

Issue two, the sad kicked puppy coloniser prince, Antony Augustus. I found the book’s approach to Antony strange and dismissed it as Ruying being an “unreliable narrator.” This doesn’t excuse the issues. I was increasingly frustrated seeing this coloniser who is RUNNING human experiments framed as a sad boy who was just in a bad situation. He doesn’t WANT to do his experiments and kill people, but he needs to save his home world! He doesn’t WANT to kill the emperor of another kingdom, but he needs to ensure they won’t back out of their treaty. He WANTS to help Ruying’s people, but this can only be done by ruling over them. But that’s okay because he’s interested in their culture and the world! I couldn’t believe any of it, but Ruying did, so we had no choice but to watch this awful man be mooned over by his victim. All the language surrounding him was soft and gentle and traditionally romantic. If they had used more aggressive words to subtly convey a sense of unease, this would have been MUCH better. And it would have given the sense that deep down, Ruying knew something was off. Antony’s own POV chapter highlights this issue. The entire chapter focuses on making him a love-sick boy who’s dreading the heartbreak he’ll experience when his VICTIM realises that he’s been lying to her and experimenting on people like her. This cannot be justified by the use of first person or an unreliable narrator because the chapter, titled “Antony,” is written in third person. It also didn’t take much looking for me to find marketing for the book calling it “enemies to lovers” and stating it is “Zutara inspired”. And we can’t dismiss those as referring to Baihu. There was no romantic subplot with him in THIS book, AND a lot of that marketing EXPLICITLY referred to Antony.

SPOILERS END

Issue three, the writing was very repetitive. While I understand the repeating of ideas in a text, there are times where it’s too heavy-handed. While reading, I noted I was going to pull my hair out if I read “girl blessed by death” one more time. Multiple characters use that EXACT phrase and it felt tired. It was like the author was worried the reader would forget Ruying’s power. Not to mention the same ideas came up over and over and over for Ruying to angst over. Which CAN work, but outside of Ruying angsting I can’t provide a solid story of what happened in the book outside of the occasional assassination until you hit the last 20%. This repetitive writing also threw off the pacing. The book could have been great if it had taken more time to tell a story that delved deeper into Ruying’s angst instead of just paying lip service to it. Because the themes it wanted to tackle could have been interesting and complex and added depth to the story.

Issue four, setting the scene. This is the lesser of my issues, but it is the only other one to make this list. (As this review is already 1,011 words.) I found the writing to set the scenes the characters were in to be lacking. And while this was adequate when nothing was happening, I felt lost in action scenes. I found it surprising and disappointing that the author did not describe the settings in beautiful, flowery language, especially considering the amount used to describe Ruying’s inner turmoil. And as mentioned, since I had no sense of the space in action scenes, I felt so lost in what was happening. I don’t need every leaf on every tree described, it just felt lacking.

Overall, I think this book needed a few more editing passes done, a couple sensitivity readers, and better marketing. Molly X. Chang DOES have a lot of potential, her work just needs polish. I am currently planning to read book 2 after it comes out to see if the story improves, because I think it CAN be a great series.

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kbairbooks's review

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I really wanted to like this book but at almost 60% I just couldn’t continue. I didn’t like any of the characters, the book was 75% inner dialogue and the rest actual things happening, I was bored, and found myself just trying to slug through it. I found this book to be affecting my mood anytime I read it and I wasn’t looking forward to picking it up. Im calling it quits with the hopeful thought that it will find the readers it’s meant for.

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grace_b_3's review

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This book is a YA debut novel, which is I knew going in, but the writing style I just couldn’t get past. The author’s note was thought-provoking, but the novel seems to be lacking any engagement with those ideas.

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apersonfromflorida's review against another edition

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why are the romans here and why do they have fighter jets.

the more i thought about the world and the potential the worldbuilding had, the angrier i got. you can't have a dichotomy of magic and science and fail to intertwine the two aspects to make a coherent magic/science system. is there something about diminishing magic that's affecting how scientific discoveries are made? are there new magic systems now that pangu is exposed to the science of the west? does pangu have it's own version of "science" via alchemy/divination? so much was thought about so little it makes me genuinely angry. so many books handle the magic vs science aspect so much better, even in books like The Poppy War by R. F. Kuang or The Vorrh by B. Catling.

even with how the "inspiration" for unit 731 was handled without grace and used to shock readers before even going into the meat of the story. if you want a better handling, read "The Man Who Ended History: A Documentary" by Ken Liu in his short story collection The Paper Menagerie.

and that doesn't even cover the gross orientalism and colonizer romance that this entire book devolves into. It left a bad taste in my mouth. One Star.

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