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jacalata's review
4.0
A collection of near-future speculative fiction that is borderline believable, borderline wtf. Perfect!
mburnamfink's review
5.0
Let me get this out of the way. I am a Sterling fan, I love everything he's done unconditionally, but I think A Good Old Fashioned Future, is his best short story collection, and the best introduction to his work. From the soft and thoughtful "Maneki Neko", to the gonzo cyber-entrepneur-terrorist-punk of "The Littlest Jackel" to the tour de force trio of linked stories at the end, Sterling shows us precisely how strange our very human future is going to be, and how we might survive and thrive in it.
flying_monkey's review
2.0
This uneven collection points up a lot of what was going wrong for Bruce Sterling in the 1990s: an overconfidence in his own ability to have his finger on the pulse and sometimes seemingly superficial understanding of other cultures replacing in-depth research.
This is at its worst in stories like 'The Littlest Jackal', set largely in the Aland Islands between Finland and Sweden - I've been there, and he just seems to use the islands as an exotic locale without any real understanding of the culture or geography. This story also features the return of Leggy Starlitz, the shady gun-for-hire of several stories in 'Globalhead', Sterling's previous and equally uneven collection. Unfortunately where in those stories he was amusing, here he has out-stayed his welcome and become tedious. I know these stories are an ironic riff on the old cyberpunk assassin theme and the superficiality is probably intended, but still - I don't think it works.
Also lightweight is Sacred Cow, which has a great concept (Bollywood film-makers come to Britain to take advantage of cheap labour in a country devastated by mad cow disease), but which largely fails to deliver more than a few cheap laughs. The title character of Deep Eddy (who gets a mention in a couple of other tales) is another of those irritating know-it-alls in which Sterlings seems to specialize. Will the geeks inherit the earth? Perhaps he's right, but it doesn't make for interesting characterization here. Neil Stephenson does this a lot more effectively.
However, there are some really good stories in this collection.
I've lived in Japan, the setting for Maneki Neko, which in this context appears to suffer from the same faults as the lesser stories in demonstrating no more than a passing grasp of the culture in which it is set. However, having thought about this more, I realised that when I first read this story when it was published in F&SF's 'best of' collection, I really enjoyed its subtleties and humour (like many in that fine collection), and indeed its Japanese-ness. Perhaps this time I reread it via Leggy Starlitz instead!
The long Bicycle Repairman and Taklamakan, set in the same world as Deep Eddy, are also better, the former a fairly gritty urban tale in a set amongst techie squatters, the latter a effectively dusty and atmospheric tale of some of the same foreign techs and spaceships in central Asia. I also enjoyed the wobbly and wonky Big Jelly which is at least partly down to lunatic collaborator Rudy Rucker's all-round obsession with jellyfish!
Sterling started to return to form with the novel, 'Holy Fire', but for fans of short fiction I suggest going back to his first satisfyingly varied collection, 'Crystal Express', which featured both early cyberpunk and more traditional space-and-aliens sci-fi done equally well. This impression was reinforced by the more recent reissue of 'Schismatrix Plus'.
Overall this collection suggests that Sterling isn't putting as much effort into his short fiction as he used to, but there are very few writers who start off writing short stories who continue to do them as well or as often as their careers progress. While there are some really worthwhile pieces in here, my reading of them at least was unfortunately coloured by the not so great ones.
This is at its worst in stories like 'The Littlest Jackal', set largely in the Aland Islands between Finland and Sweden - I've been there, and he just seems to use the islands as an exotic locale without any real understanding of the culture or geography. This story also features the return of Leggy Starlitz, the shady gun-for-hire of several stories in 'Globalhead', Sterling's previous and equally uneven collection. Unfortunately where in those stories he was amusing, here he has out-stayed his welcome and become tedious. I know these stories are an ironic riff on the old cyberpunk assassin theme and the superficiality is probably intended, but still - I don't think it works.
Also lightweight is Sacred Cow, which has a great concept (Bollywood film-makers come to Britain to take advantage of cheap labour in a country devastated by mad cow disease), but which largely fails to deliver more than a few cheap laughs. The title character of Deep Eddy (who gets a mention in a couple of other tales) is another of those irritating know-it-alls in which Sterlings seems to specialize. Will the geeks inherit the earth? Perhaps he's right, but it doesn't make for interesting characterization here. Neil Stephenson does this a lot more effectively.
However, there are some really good stories in this collection.
I've lived in Japan, the setting for Maneki Neko, which in this context appears to suffer from the same faults as the lesser stories in demonstrating no more than a passing grasp of the culture in which it is set. However, having thought about this more, I realised that when I first read this story when it was published in F&SF's 'best of' collection, I really enjoyed its subtleties and humour (like many in that fine collection), and indeed its Japanese-ness. Perhaps this time I reread it via Leggy Starlitz instead!
The long Bicycle Repairman and Taklamakan, set in the same world as Deep Eddy, are also better, the former a fairly gritty urban tale in a set amongst techie squatters, the latter a effectively dusty and atmospheric tale of some of the same foreign techs and spaceships in central Asia. I also enjoyed the wobbly and wonky Big Jelly which is at least partly down to lunatic collaborator Rudy Rucker's all-round obsession with jellyfish!
Sterling started to return to form with the novel, 'Holy Fire', but for fans of short fiction I suggest going back to his first satisfyingly varied collection, 'Crystal Express', which featured both early cyberpunk and more traditional space-and-aliens sci-fi done equally well. This impression was reinforced by the more recent reissue of 'Schismatrix Plus'.
Overall this collection suggests that Sterling isn't putting as much effort into his short fiction as he used to, but there are very few writers who start off writing short stories who continue to do them as well or as often as their careers progress. While there are some really worthwhile pieces in here, my reading of them at least was unfortunately coloured by the not so great ones.
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