Reviews with content warning for Sexual content - Crier's War 1 Paperback 17 Sept 2020

The sapphics won big time on this one, this was all I ever wanted and more.
I literally physically could not put this down (I read the last 300 pages in a day), because it is that good.

The romance was just the perfect slow burn with all of my favorite tropes executed perfectly. Both Crier and Ayla felt so real to me and I fell in love with both of them.

But the story aside the romance was just as great. I loved the way both Crier and Ayla had their own arc and their own secrets and motives that they kept from each other and how both arcs came together in the end.

Also, the writing style was beautiful and the world was believable and nicely crafted.

recommended reading ambience: https://youtu.be/6nRFaOFcbpk?si=hOC2OB-O1xe-7xKH

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kell_xavi's review against another edition

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adventurous dark medium-paced

3.0

Crier’s War introduces a winning concept: a land in which a queen unable to birth a child commissions a girl to be made (the first automa), and soon the upper classes all desire automai, and soon the growing numbers of automai revolt their threatened position as subpar and dangerous to humans, and so there is a war. Years later, in a kingdom run by an automa who has appropriated human customs even as he takes joy in their fearful servitude to him, a teenage girl works toward revenge for her family’s senseless death in the war, and the sovereign’s daughter comes into an understanding that her father’s and her fiancé’s hatred of humans and conspiracies among their own kind are dangerous and worth standing against.

I must admit, none of immersive fantasy, revenge stories, or romance are a draw for me, so I can’t say these elements we’re successful. I do look for unique narratives and ideas though, and Varela has certainly created something I haven’t come across before. I was curious about the automai as a computer/robot analogue or as a live automaton, a doll come to life. They seem, more than anything, given the natural elements they need to live, to be sentient creatures created by magic. Their pillars, though, are created more like AI might be coded. They’re Pinocchio x an algorithm, I guess, meant to be perfect according to some (European Enlightenment) version of the strong, symmetrically beautiful, reasoned man. This idea, taken further with a power dynamic of servitude and control, mastery through abjection and cultural genocide, is a story told many times in history, in many voices and truths. It is also a twist on the clever machine, a story of humans playing god and being killed by their creation. It is a story of the Enlightenment, Modernism, and the Computer Age, distant from any mention of divinity, a battle of gilded things, intellects, and emotions.

It is here that the print gets smudged a bit. Why is this a love story, why does the relationship become what Varela wants to say? The descriptions of Crier and Ayla listening to each other breathing, feeling each other’s warmth, being stung and angry and worried and desperate and hateful of each other, thinking of each other and holding the other’s belongings… were not new. They were sluggish in the story, overwrought and tropish, slowing down the court intrigue, the uncovers of secrets, allies and enemies. The winding and conflicting passions bring the story back to Earth (or wherever they are), away from the brilliance spinning out from all directions. Crier’s jealousy and Ayla’s sense of betrayal, unrelated to their feeling for each other, are similarly sticky, repetitive, sentences to skip past until the plot comes back in.

The events of the plot are great! The threads pull apart and stitch together and fray so many times, and I loved the weaving. There’s folktale in the lines, there’s music and dancing, murder and memory, feathers and stones, apples and ocean, a compass and black dust. The symbolism is wonderful, spinning up a creeping Victorian dread, a liveliness, a rich and storied history to the world we enter. I wanted more. I wanted Ayla and Crier to sink in, rather than floating out into each other and away from each other, as though the setting were not a magnificent tale to be told.

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booksthatburn's review against another edition

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adventurous emotional hopeful slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I devoured this, finishing the whole thing in two days. Crier is Made, one of the Automae who took over several decades before her creation and displaced the humans who made the first of them. Humans now are servants at best, slaves at worst, full of unrest and needing a revolution. Ayla has dreamed for years of getting back at the local Automae leader for her own brother's death by killing his daughter, but when she becomes Lady Crier's servant things stop feeling so simple after all.

Ayla's closest human friend is in love with her, but she doesn't seem to reciprocate his feelings. I'm not sure whether that's because she doesn't want to get him killed, or if she completely lacks romantic and/or feelings toward him.

Crier and Ayla don't trust each other but find themselves drawn to each other's company. Crier has almost no friends and is newly betrothed to an Automa fomenting a different kind of revolution, one which would move away from human trappings entirely in a city devoid of life except for the Made. Ayla wanted to kill a specific powerful Automa's child, but before she can she begins to maybe think of that Automae as Crier, possibly a person, and not so easy to let herself kill. The romance between Ayla and Crier builds very slowly and fits their situation. They share intimate connections because of Ayla's role as Crier's servant, but those connections feel one-way because what Crier feels as kindness is a job for Ayla. However, the fact that Ayla has spent years planning to kill Crier means that she has feelings for the Automa which are as intense as Crier's for her... they're just not necessarily the same kind of feeling.

The worldbuilding for the Automae and the humans is detailed enough to feel like a real place, but it focuses mainly on the ways that the Automae do or do not attempt to mimic humans in their society and structures. It means that a great many concepts and items can be lifted wholesale and then used by the Automae in slightly different ways from how a human would have meant them. The political machinations hit the right balance of intrigue and complexity for me, stopping shy of becoming confusing by keeping the number of important characters and factions small but having their plans have multiple layers. This uses cross-purposes between supposed allies and complementary tactics between nominal enemies in a way that's deliciously messy.

I love this and I'll read the sequel as soon as I can, I want to know how things resolve for everyone. I don't necessarily want Crier and Ayla to end up together (not without having several truthful conversations first), but I'm excited to see how this story goes.

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nightshaderoots's review against another edition

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adventurous dark emotional hopeful inspiring mysterious reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

I liked how complex the plot and characters are. The writing style was something to get used to but I liked the way the author described scenes and the characters. The world building was also something I haven't seen before which I loved learning about. The lore building was also paced well so it doesn't feel like info dumping but it was still enough where I wasn't in the dark.

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cheeky_biscuits's review against another edition

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adventurous dark emotional mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

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