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saintdoormatius's review against another edition
5.0
This book is fantastic: Howard not only reintroduces a neglected conceptual artist, but does so by considering his work within the broader context of late-1960s practices, particularly criticism of the art world by the younger generation of artists, critics, and historians working at the time. This is an impeccable example of art historical scholarship: thoughtful yet imminently readable and compelling.
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