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agnela's review against another edition
challenging
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
4.0
fantasynovel's review
1.0
I read one chapter and this is the dumbest bullshit ever. Having big breasts does NOT make it harder to shrug, and heartbeats, no matter how fast, CANNOT shake your breasts. At least we all know that Michel Faber has a fetish for child-sized women with enormous breasts.
klparmley's review
5.0
Oh my god, this is so much better than the movie!!
In defense of the movie, it inspired me to read the book. They are so loosely related as to be almost NOT.
This is dark. And creepy. And I flipped back and forth between who I wanted to survive so many times I started to get a little motions sick.
It doesn't have a happy ending, but it probably has the best ending, all things considered.
Yes, I will read it again.
In defense of the movie, it inspired me to read the book. They are so loosely related as to be almost NOT.
This is dark. And creepy. And I flipped back and forth between who I wanted to survive so many times I started to get a little motions sick.
It doesn't have a happy ending, but it probably has the best ending, all things considered.
Yes, I will read it again.
cryingalot49's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
stephen_arvidson's review against another edition
5.0
**WARNING: This review contains spoilers**
Under the Skin is a scintillatingly creepy roman that, well, gets under your skin. Set in northern Scotland, the narrative traces an extraterrestrial being, Isserley, who, manifesting in human form after excruciating surgery, cruises the Scottish countryside picking up unwary male hitchhikers. Under the direction of a rich corporation based on her native planet, Isserley anesthetizes the more well-proportioned earthling hitchhikers with a fast-acting curare-type drug. Transported to an inconspicuous abattoir near Inverness, the victims are handed off to Isserley's male counterparts to be mutilated, fattened, and reduced to human meat, or "vodsel," which is a delicacy on her world.
Author Michael Faber is clearly an accomplished wordsmith, for his writing is both provocative and mesmeric, his prose lean and elegiac. Faber expertly tempers his language, beginning from basic plot elements and gradually refining them, patiently introducing key concepts, depicting the fantastic and horrifyingly bizarre in chaste, nonchalant fashion. Alienation and the amorality of battery farming are just some of the austere themes explored in this inventive tale, so readers will have a difficult time pigeonholing this book into a particular genre; the book features elements of science fiction, horror, and psychological suspense, all of which are blended with a markedly literary sensitivity.
Isserley's otherworldly character so closely reflects that of a human, emotionally speaking, that it's easy for readers to forget her alien origins. Even in spite of Isserley's disturbing machinations—and the literal fact that her race has no concept of 'mercy'—the author remains endearingly true to her plight; he confuses readers' sympathies by humanizing this anti-heroine and showing how, under the skin, she's no different from you or me. Wrought with physical pain from the surgery and her feminine isolation amongst the otherwise all-male extraterrestrial workforce, Isserley evokes myriad emotions in the reader, from frustration to fondness. As the story progresses, her insularity and solipsistic detachment becomes digestible when the reader is made aware of the bizarre circumstances surrounding her condition; at which point her motives, her feelings, and her agony have made her more human than even she realizes.
As previously mentioned, some very heavy themes are explored in this novel—humanity, sexual identity, mercy, animal welfare, even factory farming. After eventually revealing the truth of Isserley's identity, the author proceeds to explore the nature of her in-between identity and the ethics of her role with the interplanetary conglomerate. Isserley’s motivations and attitude are progressively affected by her relationship with Almis Vess, her disfigurement, the beauty of Earth, and the deplorable treatment of vodsel. I especially like that moment near the end of the book in which she captures her final victim, but feels guilty for doing so, realizing that his beloved dog has been left trapped in his van. She goes out of her way to free the animal from the hitchhiker's van. Her ethical dilemma is thought-provoking without being didactic.
Under this Skin is unlike any book you’ve ever read, and you'll be astounded by the time you reach the journey's end. Pointedly peculiar, unearthly unique, and sublimely written, this is one story you won't soon forget. A review on the book’s backcover describes Under the Skin as "Swiftian"—to which I concur; the story definitely lives up to the adjective.
Under the Skin is a scintillatingly creepy roman that, well, gets under your skin. Set in northern Scotland, the narrative traces an extraterrestrial being, Isserley, who, manifesting in human form after excruciating surgery, cruises the Scottish countryside picking up unwary male hitchhikers. Under the direction of a rich corporation based on her native planet, Isserley anesthetizes the more well-proportioned earthling hitchhikers with a fast-acting curare-type drug. Transported to an inconspicuous abattoir near Inverness, the victims are handed off to Isserley's male counterparts to be mutilated, fattened, and reduced to human meat, or "vodsel," which is a delicacy on her world.
Author Michael Faber is clearly an accomplished wordsmith, for his writing is both provocative and mesmeric, his prose lean and elegiac. Faber expertly tempers his language, beginning from basic plot elements and gradually refining them, patiently introducing key concepts, depicting the fantastic and horrifyingly bizarre in chaste, nonchalant fashion. Alienation and the amorality of battery farming are just some of the austere themes explored in this inventive tale, so readers will have a difficult time pigeonholing this book into a particular genre; the book features elements of science fiction, horror, and psychological suspense, all of which are blended with a markedly literary sensitivity.
Isserley's otherworldly character so closely reflects that of a human, emotionally speaking, that it's easy for readers to forget her alien origins. Even in spite of Isserley's disturbing machinations—and the literal fact that her race has no concept of 'mercy'—the author remains endearingly true to her plight; he confuses readers' sympathies by humanizing this anti-heroine and showing how, under the skin, she's no different from you or me. Wrought with physical pain from the surgery and her feminine isolation amongst the otherwise all-male extraterrestrial workforce, Isserley evokes myriad emotions in the reader, from frustration to fondness. As the story progresses, her insularity and solipsistic detachment becomes digestible when the reader is made aware of the bizarre circumstances surrounding her condition; at which point her motives, her feelings, and her agony have made her more human than even she realizes.
As previously mentioned, some very heavy themes are explored in this novel—humanity, sexual identity, mercy, animal welfare, even factory farming. After eventually revealing the truth of Isserley's identity, the author proceeds to explore the nature of her in-between identity and the ethics of her role with the interplanetary conglomerate. Isserley’s motivations and attitude are progressively affected by her relationship with Almis Vess, her disfigurement, the beauty of Earth, and the deplorable treatment of vodsel. I especially like that moment near the end of the book in which she captures her final victim, but feels guilty for doing so, realizing that his beloved dog has been left trapped in his van. She goes out of her way to free the animal from the hitchhiker's van. Her ethical dilemma is thought-provoking without being didactic.
Under this Skin is unlike any book you’ve ever read, and you'll be astounded by the time you reach the journey's end. Pointedly peculiar, unearthly unique, and sublimely written, this is one story you won't soon forget. A review on the book’s backcover describes Under the Skin as "Swiftian"—to which I concur; the story definitely lives up to the adjective.
chiara_calime's review against another edition
dark
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
ninethreeo's review
4.0
I think it's better to know nothing about this book when you start reading it. The way it unfolds was much more interesting to me because I didn't know what I was reading, I didn't even know what genre it was supposed to be.
Good book, very thought provoking, a quick read. Can't really say much more than that!
Good book, very thought provoking, a quick read. Can't really say much more than that!
tomgenue's review against another edition
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
trevoryan's review
4.0
Don't judge this book by the movie. It is only slightly based on the book. The book is creepy, engaging, fascinating, and disturbing. And great.