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caroparr's review against another edition
4.0
A very entertaining memoir of his unusual family, his life at Oxford, and then his career in London as a barrister who's more interested in theater than barristering. The first of a trilogy that it might be fun to continue with. Bought this at a used bookstore in Chicago and passed on to a friend.
sawyerbell's review against another edition
4.0
A sweetly funny look at the life of author John Mortimer (Rumpole of the Bailey.)
muggsyspaniel's review against another edition
4.0
This isn't an autobiography for people who want dates and details, rather this is a string of memories and anecdotes from a likeable, witty and intelligent author. Mortimer is always honest but never emotional or overwrought despite touching on very personal issues.
ijon's review
5.0
Like most people, I came to know John Mortimer's works through his Rumpole series (the books, not the TV series). I came to appreciate his comic genius, his profoundly humanistic and unsanctimonious attitude to life, and was intrigued by the title of this slim autobiographical volume.
Mortimer tells of his lonely but privileged childhood, his domineering, odd, and immensely influential father, his awkward relationship with his mother, and his gradual, late development into a grown-up.
We are treated to brief but effective depictions of life in Harrow, then Oxford, then the law courts, then the theater, Paris, Hollywood and Italy, and while the descriptions are certainly subjective and do not mean to encompass the entire era, they do in fact double as capsules of bygone days, of the UK in the middle decades of the 20th century.
Mortimer tells it like it was, admitting weakness and failure alongside triumph and elation, and manages to be candid, amusing, touching, and brief. I look forward to reading more of his nonfiction, alongside his excellent fiction and plays.
Mortimer tells of his lonely but privileged childhood, his domineering, odd, and immensely influential father, his awkward relationship with his mother, and his gradual, late development into a grown-up.
We are treated to brief but effective depictions of life in Harrow, then Oxford, then the law courts, then the theater, Paris, Hollywood and Italy, and while the descriptions are certainly subjective and do not mean to encompass the entire era, they do in fact double as capsules of bygone days, of the UK in the middle decades of the 20th century.
Mortimer tells it like it was, admitting weakness and failure alongside triumph and elation, and manages to be candid, amusing, touching, and brief. I look forward to reading more of his nonfiction, alongside his excellent fiction and plays.
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