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3mmers's review against another edition
funny
lighthearted
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I enjoyed 92% of We Ride Upon Sticks and that’s mostly because I approached it with the right attitude: it ain’t that deep.
This novel is best appreciated as a lighthearted and goofy romp down memory lane. The marketing blurb compares it to Stranger Things and that’s an absolutely delusional comparison; both works trade in 80s nostalgia, but that’s where the similarity ends. It’s better to think of We Ride Upon Sticks as a teen comedy with a faintly supernatural flavour, like Ouran High School Host Club, Derry Girls, or in my mind especially, British comedy St. Trinian’s. Everything, from the supernatural to the interpersonal, is to be jeered and mocked with 2 kool 4 skool teen swagger. And that’s a lot of fun.
I enjoyed the book on its own terms — it’s a genuinely heartwarming picture of teenage friendship and rebellion, and I did indeed laugh at the jokes — but I also liked it on a meta-level. It’s nice to have an unapologetically queer and feminist high school comedy without it being bogged down by mawkish emotional problems. I know I was once a teen constantly beleaguered by mawkish emotional problems (twas the era of Fall Out Boy and 21 Pilots), but as an adult that isn’t the part I look back on fondly. In other words, the art style of Heartstopper is very cute, but manzo do they have problems. We Ride Upon Sticks nails how irony-poisoned and allergic to sincerity we were as teens, and for some reason that meant a lot more to me than teenagers working through their emotions using healthy coping mechanisms and clear communication.
The only thing that really bugged me in the majority of the novel was the unceasing reoccurring jokes. Quan Barry loves a running gag. They come back so constantly and with such absurd regularity that it came back around to being funny for me (through I think a less easily entertained reader might find it simply unendurable instead). But that’s the majority of the book, and I want to move on to the 8% of We Ride Upon Sticks that I didn’t enjoy: the ending.
An unavoidably huge part of this novel is that it is socially conscious. It wants to do right by the feminist, queer, and BIPOC struggles of 80s teens and it wants you to know in the clearest most thoroughly explained language possible. Some readers might find this sanctimonious, but I thought it was fine. One weakness of this approach, however, is that it is always very obvious when the author fumbles the bag.
In this case the bag is the character Corey Young, formerly ‘boy’ Corey.
Spoilers for the ending of We Ride Upon Sticks.
The novel ends with a flash forward to our characters reuniting as middle-aged women so we can see what happened to the Danvers Falcons in adult life. I liked the idea and I liked the fact that for more of the characters their formative years continued well after high school graduation. The one I didn’t like was boy Corey. In the intervening years she has come out and fully transitioned. Now, I know a lot of trans people in real life and also I understand obvious foreshadowing, so I saw this coming a mile away. It was not a Reveal. Problem is the book so desperately wanted to treat it as one. We get this super long fake out scene before the book reveals that Corey is a woman now! Surprise! Were you expecting a man! I found that kinda tasteless.
What bothered me more is that while we hear a lot about the team’s anxiety about reuniting with Corey — will they say the wrong thing? Did they made transition harder for her? — we never hear anything from Corey herself. I’d put this down to a lack of authorial confidence. It feels like Barry is a lot more familiar with how it feels to be friends with a trans woman than how it feels to be a trans woman. That’s not a problem in and of itself, but I felt we needed to hear Corey’s side of things too. Is she excited to reunite with all her friends as her authentic gender? Is she apprehensive about spending time with people who only knew her pre-transition? This book is all about centring marginalized perspectives, that’s why it spends so much time explicitly calling out the ways the characters themselves fails at this — that it was disappointing for it to end by cantering a bunch of cis women’s anxiety about being accepting enough over a trans woman’s thoughts. Since this is what the book is All About, the comparatively small detail has an out-sized impact.
I already didn’t like the specifics of the reveal, and its general effect didn’t work either. It is one of a whole bunch of fake outs and twists in the flash forward section. There are so many that it fucks up the pacing, since the story is now being told essentially in reverse to accommodate the dramatic reveals. It ends on the note that the Danvers Falcons’ success was never the work of the devil, the idea of supernatural intervention just gave a bunch of teenagers the excuse they needed to work hard and band together. I thought that was really sweet, but it takes so long to get there that I was just ready for it to be over.
On balance, this is a recommend from me. I like that it’s fun and lighthearted, but it is also a queer novel that isn’t afraid to be ironic and crass. I enjoyed the absurd 80s references and the overplayed jokes. I liked that sports fiction can be for girls sometimes!
Let the hairspray wash over you and don’t worry about what the long term effects of all those CFCs will end up being.
This novel is best appreciated as a lighthearted and goofy romp down memory lane. The marketing blurb compares it to Stranger Things and that’s an absolutely delusional comparison; both works trade in 80s nostalgia, but that’s where the similarity ends. It’s better to think of We Ride Upon Sticks as a teen comedy with a faintly supernatural flavour, like Ouran High School Host Club, Derry Girls, or in my mind especially, British comedy St. Trinian’s. Everything, from the supernatural to the interpersonal, is to be jeered and mocked with 2 kool 4 skool teen swagger. And that’s a lot of fun.
I enjoyed the book on its own terms — it’s a genuinely heartwarming picture of teenage friendship and rebellion, and I did indeed laugh at the jokes — but I also liked it on a meta-level. It’s nice to have an unapologetically queer and feminist high school comedy without it being bogged down by mawkish emotional problems. I know I was once a teen constantly beleaguered by mawkish emotional problems (twas the era of Fall Out Boy and 21 Pilots), but as an adult that isn’t the part I look back on fondly. In other words, the art style of Heartstopper is very cute, but manzo do they have problems. We Ride Upon Sticks nails how irony-poisoned and allergic to sincerity we were as teens, and for some reason that meant a lot more to me than teenagers working through their emotions using healthy coping mechanisms and clear communication.
The only thing that really bugged me in the majority of the novel was the unceasing reoccurring jokes. Quan Barry loves a running gag. They come back so constantly and with such absurd regularity that it came back around to being funny for me (through I think a less easily entertained reader might find it simply unendurable instead). But that’s the majority of the book, and I want to move on to the 8% of We Ride Upon Sticks that I didn’t enjoy: the ending.
An unavoidably huge part of this novel is that it is socially conscious. It wants to do right by the feminist, queer, and BIPOC struggles of 80s teens and it wants you to know in the clearest most thoroughly explained language possible. Some readers might find this sanctimonious, but I thought it was fine. One weakness of this approach, however, is that it is always very obvious when the author fumbles the bag.
In this case the bag is the character Corey Young, formerly ‘boy’ Corey.
Spoilers for the ending of We Ride Upon Sticks.
The novel ends with a flash forward to our characters reuniting as middle-aged women so we can see what happened to the Danvers Falcons in adult life. I liked the idea and I liked the fact that for more of the characters their formative years continued well after high school graduation. The one I didn’t like was boy Corey. In the intervening years she has come out and fully transitioned. Now, I know a lot of trans people in real life and also I understand obvious foreshadowing, so I saw this coming a mile away. It was not a Reveal. Problem is the book so desperately wanted to treat it as one. We get this super long fake out scene before the book reveals that Corey is a woman now! Surprise! Were you expecting a man! I found that kinda tasteless.
What bothered me more is that while we hear a lot about the team’s anxiety about reuniting with Corey — will they say the wrong thing? Did they made transition harder for her? — we never hear anything from Corey herself. I’d put this down to a lack of authorial confidence. It feels like Barry is a lot more familiar with how it feels to be friends with a trans woman than how it feels to be a trans woman. That’s not a problem in and of itself, but I felt we needed to hear Corey’s side of things too. Is she excited to reunite with all her friends as her authentic gender? Is she apprehensive about spending time with people who only knew her pre-transition? This book is all about centring marginalized perspectives, that’s why it spends so much time explicitly calling out the ways the characters themselves fails at this — that it was disappointing for it to end by cantering a bunch of cis women’s anxiety about being accepting enough over a trans woman’s thoughts. Since this is what the book is All About, the comparatively small detail has an out-sized impact.
I already didn’t like the specifics of the reveal, and its general effect didn’t work either. It is one of a whole bunch of fake outs and twists in the flash forward section. There are so many that it fucks up the pacing, since the story is now being told essentially in reverse to accommodate the dramatic reveals. It ends on the note that the Danvers Falcons’ success was never the work of the devil, the idea of supernatural intervention just gave a bunch of teenagers the excuse they needed to work hard and band together. I thought that was really sweet, but it takes so long to get there that I was just ready for it to be over.
On balance, this is a recommend from me. I like that it’s fun and lighthearted, but it is also a queer novel that isn’t afraid to be ironic and crass. I enjoyed the absurd 80s references and the overplayed jokes. I liked that sports fiction can be for girls sometimes!
Let the hairspray wash over you and don’t worry about what the long term effects of all those CFCs will end up being.
Content Warnings
Minor: Alcohol, Homophobia, Racism, Lesbophobia, Religious bigotry, Mass/school shootings, Sexism, and Transphobia
elderwoodreads's review against another edition
dark
funny
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is the most unique book I read this year, possibly ever. Bray's writing style was a little odd at first but once I was in I was in. Everything I have found listed as cons by other readers were pros to me. I loved the plural first person narration, the slow burn, and the overly verbose descriptions. Please give this one a try.
Content Warnings
Moderate: Stalking, Body horror, Bullying, Cursing, Infidelity, Animal death, Eating disorder, Child abuse, Injury/Injury detail, Adult/minor relationship, Fire/Fire injury, Alcohol, and Homophobia
Minor: Blood, Misogyny, Outing, Pregnancy, Racism, Sexual assault, Drug use, Sexual harassment, Vomit, Medical content, Classism, Death of parent, and Racial slurs
atamano's review against another edition
lighthearted
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.75
Content Warnings
Graphic: Injury/Injury detail
Moderate: Alcohol, Classism, Outing, Homophobia, and Sexual content
Minor: Blood
scifi_rat's review against another edition
Content Warnings
Moderate: Cursing
Minor: Lesbophobia, Stalking, Vomit, Alcohol, and Blood
talonsontypewriters's review against another edition
funny
lighthearted
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
Content Warnings
Graphic: Alcohol
Moderate: Sexual content, Fire/Fire injury, Pedophilia, Body shaming, Misogyny, Animal death, Bullying, Drug use, Racism, Stalking, Homophobia, Sexism, Medical content, Injury/Injury detail, and Religious bigotry
Minor: Fatphobia, Racial slurs, War, Gun violence, Sexual assault, Excrement, Terminal illness, Pregnancy, Death, Cancer, Infidelity, Rape, Lesbophobia, Vomit, Child death, and Suicide
annablume's review against another edition
adventurous
funny
lighthearted
mysterious
relaxing
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I really enjoyed this but there are a couple of things i don't like: I wish the main characters got like... equal page time. With some of them I didn't get to spend enough time to really get to know them. I was a little disappointed by the ending the time jump.. i wish i could have been there at the final game and I didn't really care for the all grown up versions of the team. I did not enjoy the adult-minor-relationship and the commentary on that... left a sour taste in my mouth that i'm still sitting with, even more so when paired with that one little comment on sexual abuse ...
i really liked the story and the writing style so it still gets a (maybe spineless on my part idk) high rating
i really liked the story and the writing style so it still gets a (maybe spineless on my part idk) high rating
Content Warnings
Graphic: Adult/minor relationship, Animal death, Body horror, and Alcohol
Moderate: Racism, Sexual assault, and Homophobia
Minor: Rape, Vomit, Fire/Fire injury, Eating disorder, Stalking, and Infidelity
saintyeehaw's review
funny
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Had to really force myself to finish this one as the writing style confused me a lot of the time. Despite only being 360 pages, this book feels really long for some reason (30+ page chapters?). The witchcraft was cool and cute in equal measure, but the sports talk was very boring for me personally. I liked several of the characters but since the focus kept changing between the whole team, I never felt like I got to really know any of them. Unfortunately, by the end I was also completely done with the romanticization of high school girls in sexual relationships with adult men and was ready to put the book down and never pick it up again.
Content Warnings
Graphic: Alcohol, Adult/minor relationship, Fire/Fire injury, Racism, Religious bigotry, Sexual content, Animal death, Bullying, Cursing, Injury/Injury detail, Infidelity, Stalking, and Toxic friendship
Minor: Death, Drug use, Homophobia, Lesbophobia, Medical content, Toxic relationship, and Gun violence
kteq's review against another edition
adventurous
dark
funny
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Moderate: Adult/minor relationship, Deadnaming, Racial slurs, Animal death, and Stalking
Minor: Alcohol, Injury/Injury detail, Sexual assault, Cursing, Drug use, Homophobia, and Sexual content
amandalorianxo's review
dark
emotional
funny
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This definitely is more about the twists and turns of what it's like to be on a sports team in addition to the flaws and quirks of female friendships. It's definitely a heavy prose-filled novel but we get to know so much about our characters in this rambunctious group of field hockey players that I didn't mind when we took a deep dive into nearly every player's life story throughout this almost four hundred page novel. I loved that it was set in the tail end of the 80's (some of the references I actually understood/ picked up on as a 90's baby) I also like that you don't have to be an expert at field hockey to understand what's going on. It caters to your inner sports fan, whether you played on a team or not. If you are going in for the witch aspect of it, it doesn't play as huge of a role as I assumed it would. I also assumed Abby Putnam was going to be a bigger character than she ended up being but I still was able to know about her as much as I did the rest of the group.
Content Warnings
Minor: Alcohol, Drug use, Cursing, Injury/Injury detail, Infidelity, and Fatphobia
amberthomasmsc's review
adventurous
dark
funny
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Alcohol
Minor: Animal death