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bisexualwentworth's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
Well, I finally did it. After a fun but frustrating reread of the Inheritance Cycle, I have at last read Murtagh.
Some spoilers for this book and the previous books to follow.
This book was published twelve years after Inheritance and more than twenty years after the initial publication of Eragon. In that time, Christopher Paolini has definitely grown as a writer. His descriptions are tighter and more vivid. Side characters are differentiated in ways that they weren't before. Murtagh's character arc is difficult and mostly well-executed. And unlike in the previous books, the ableism, in this case Murtagh and Thorn's internalized ableism around their PTSD, feels more like an intentional character choice and less like the author violently hating disabled people.
Elsewhere, Paolini has also learned how to write evil girlbosses. Yay?
And he seems to have developed a more nuanced understanding of cult members and survivors of trauma in the intervening years, though that understanding still feels incredible surface level.
While I know that there is an overarching thing that he's aiming for with further installments in this series, it felt to me like half of this book was just Paolini realizing that he'd broken his magic system in Inheritance and trying to find ways to deal with that. On the whole, I didn't mind this. Murtagh encounters challenges that can't be surmounted using the Name of Names. He realizes how limited his vocabulary in the Ancient Language really is. He finds creative solutions to his problems. I liked this.
What I did NOT like was the reveal that the new big bad had been the big bad the whole time and the reason why Galbatorix was the way he was. Maybe this is a personal taste thing, or maybe it's just down to the execution, but I was so excited when there was a new threat that was different from Galbatorix and so disappointed at the reveal that *gasp* it was Azlagur the whole time! It felt lazy to me.
The pacing was, as usual with Paolini's books, horrendous. I know that a lot of the side quest things (like the stuff with the werecat children) will be picked up again in a later book, but it was still very inelegantly done. Even if plots are ongoing, the main threads of a book should be resolved in that book. There was definitely a better way to weave things together.
And the one long chapter in Ilirea at the end to wrap everything up and attempt any sort of proper development of Murtagh and Nasuada's relationship? Silly. Ridiculous. Yes, better than the 200 pages of conclusion at the end of Inheritance, but come ON. Both characters deserved more than that.
Overall, this book is generally better than the previous installments on a craft level, and Murtagh is a more compelling character than Eragon, who also faces much harder personal challenges, but the pacing was so bad and the Nal Gorgoth section dragged SO MUCH and overall it needed some restructuring and reconsidering in places. Also, I didn't have any nostalgia making me like it more than I naturally would have (other than a general fondness for Murtagh and for Nasuada), and this made the rough parts even more difficult for me.
Some spoilers for this book and the previous books to follow.
This book was published twelve years after Inheritance and more than twenty years after the initial publication of Eragon. In that time, Christopher Paolini has definitely grown as a writer. His descriptions are tighter and more vivid. Side characters are differentiated in ways that they weren't before. Murtagh's character arc is difficult and mostly well-executed. And unlike in the previous books, the ableism, in this case Murtagh and Thorn's internalized ableism around their PTSD, feels more like an intentional character choice and less like the author violently hating disabled people.
Elsewhere, Paolini has also learned how to write evil girlbosses. Yay?
And he seems to have developed a more nuanced understanding of cult members and survivors of trauma in the intervening years, though that understanding still feels incredible surface level.
While I know that there is an overarching thing that he's aiming for with further installments in this series, it felt to me like half of this book was just Paolini realizing that he'd broken his magic system in Inheritance and trying to find ways to deal with that. On the whole, I didn't mind this. Murtagh encounters challenges that can't be surmounted using the Name of Names. He realizes how limited his vocabulary in the Ancient Language really is. He finds creative solutions to his problems. I liked this.
What I did NOT like was the reveal that the new big bad had been the big bad the whole time and the reason why Galbatorix was the way he was. Maybe this is a personal taste thing, or maybe it's just down to the execution, but I was so excited when there was a new threat that was different from Galbatorix and so disappointed at the reveal that *gasp* it was Azlagur the whole time! It felt lazy to me.
The pacing was, as usual with Paolini's books, horrendous. I know that a lot of the side quest things (like the stuff with the werecat children) will be picked up again in a later book, but it was still very inelegantly done. Even if plots are ongoing, the main threads of a book should be resolved in that book. There was definitely a better way to weave things together.
And the one long chapter in Ilirea at the end to wrap everything up and attempt any sort of proper development of Murtagh and Nasuada's relationship? Silly. Ridiculous. Yes, better than the 200 pages of conclusion at the end of Inheritance, but come ON. Both characters deserved more than that.
Overall, this book is generally better than the previous installments on a craft level, and Murtagh is a more compelling character than Eragon, who also faces much harder personal challenges, but the pacing was so bad and the Nal Gorgoth section dragged SO MUCH and overall it needed some restructuring and reconsidering in places. Also, I didn't have any nostalgia making me like it more than I naturally would have (other than a general fondness for Murtagh and for Nasuada), and this made the rough parts even more difficult for me.
Content Warnings
Graphic: Gore, Physical abuse, Religious bigotry, Confinement, Death, Torture, Mental illness, Animal cruelty, Blood, Injury/Injury detail, Genocide, Panic attacks/disorders, Slavery, and Ableism
exhaustrovert's review
adventurous
dark
emotional
hopeful
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
If you enjoyed the Inheritance series, this book feels like reuniting with an old friend.
Content Warnings
Graphic: Grief, Torture, Violence, Slavery, Gore, Blood, Forced institutionalization, Abandonment, Confinement, Animal cruelty, and Emotional abuse
Moderate: Kidnapping, Murder, Dysphoria, and Genocide
Minor: Toxic relationship and War
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