tinido's review

Go to review page

adventurous challenging dark emotional mysterious tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

4.0

howardgo's review

Go to review page

3.25

Originally published at myreadinglife.com.

When I finally picked up the September/October issue of Uncanny Magazine, I was excited. I had been looking forward to reading since early September. Right away I was rewarded with a spectacular story.

Advertising has become so much a part of our culture. In "Can You Hear Me Now?", Catherynne M. Valente uses that fact to amazing effect. Imagine if a woman in the ads you see was suddenly a real person, aware that they played different roles in each commercial? How would she deal with that? This masterpiece explores that idea while touching on all the real troubles and desires that consumerism covers up. (My rating: 5/5)

I was initially intrigued by the indigenous setting of "We Do Not Eat Much Fish" by Grace P. Fong. A woman called a witch by her father and husband, encounters a fisherman and brings him home to her son with dire results. The story is a bit gruesome for me and doesn't explore as much as I wanted about the context of a woman taken to strange home by her husband. (My rating: 3/5)

Remember being a kid and peeling Elmer's glue off your hand in sheets? In Kristina Ten's "The Curing", the outcast immigrant kids go a bit further. They cover their whole bodies and peel them off, and the glue copies come "alive"! Now, just one wouldn't do, right? These kids make multiple copies and absorb all the memories that their copies make. It is a great story with lots of metaphor, subtle, and not too much in your face. (My rating: 5/5)

The longest story in the issue is "The Kingdom of Darkness" by Sarah Monette. In an alternative past, a man protects a demoniac after his witch finder is murdered. I am sorry to say that I could not finish this story. I found myself forcing myself to read it. I didn't care what was going on. And it seemed a bit all over the place. (My rating: 1/5)

I found "The Girl with a City Inside of Her" by Jeannette Ng to be a little confusing. A girl with a city inside her sits on a stool in the sideshow of a carnival talking to the visitors about her city. The author seems to switch back and forth between the girl literally having a city inside her to it being simply a metaphor. I didn't really care for it. (My rating: 2/5)

On a doomed mission to look for a replacement planet, a reluctant outfitter does her best to keep the surveyors alive after a deadly pandemic at home. This is "The Coffin Maker" by AnaMaria Curtis, and she really creates a palpable atmosphere. I could feel what was going on in this story. The desperation, the frustration. (My rating: 4/5)

"Four Words Written on My Skin" by Jenn Reese is a kind of a romance with a trope I don't care much for. A woman follows her wife into the woods where the Fae have stolen her in an attempt to get her back. Their relationship was rocky but once her wife is taken, the main character realizes how important she is to her. That said, it is a good story well-written. (My rating: 3/5)

My excitement at the start of the issue had pretty much petered out by the end. The issue comes to a disappointing average rating of 3.25 out of five. Issue 55 is likely to be the last in my subscription.

heniaakbar's review

Go to review page

3.0

Can You Hear Me Now? BY CATHERYNNE M. VALENTE
I love Valente's story, but sometimes the writing is too complicated I don't even grasp the plot. Too deep I can't dig in. At one point it has 110-words-long sentence. I think it's about an angry AI who cannot go beyond its programming but it's sentient inside. (?) 3 ⭐

The Kingdom of Darkness BY SARAH MONETTE
Salem's Witch hunting AU. Interesting take on this, and the idea of demoniack as a slave is so good. This is long but it's a great ride with a marvelous story telling. 5 ⭐

We Do Not Eat Much Fish by Grace P. Fong
I feel so bad with Ylva. Her powerful curse, she will draw blood from everything she touches, makes her lonely. Love the closure, tho. Use the curse for your gift, girl! 5 ⭐

The Curing by Kristina Ten
Shedding our bodies layer by layer to find our core self. It has deeper message than the casual dried-glue, and I love how the story is sad, angry and hopeful at the same time. 5 ⭐

The Coffin Maker by AnaMaria Curtis
Why bother to disguise Earth as something else when you're literally exploring the universe? 2 ⭐

Four Words Written on My Skin by Jenn Reese
So, the wife is leaving because she's been abused, but then forgive the abuser? Nice story, not a nice message . 1 ⭐

Six Versions of My Brother Found Under the Bridge by Eugenia Triantafyllou
I'm so angry at the parents. They lose a child, and sort of abandon another. Like, move fuking on! And then, the Devil is taking advantage of the situation. Clever trick, albeit cruel. 4 ⭐

The Girl with a City Inside of Her by Jeannette Ng
Not a fan. The scale is too big yet too small. Confusing. 1 ⭐

atuin's review

Go to review page

challenging dark reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

My favorite stories in this issue were "Can You Hear Me Now", a story about a living person trapped in commercials, and "6 Versions of My Brother Found Under the Bridge" a tale about the struggle of overcoming the grief of a child's death and deals with devils. 

Expand filter menu Content Warnings

djwudi's review

Go to review page

3.0

Standouts for me this month are Catherynne M. Valente’s “Can You Hear Me Now?”,  Grace P. Fong’s “We Do Not Eat Much Fish”,  Sarah Monette’s “The Kingdom of Darkness”, and AnaMaria Curtis’s “The Coffin Maker”.
More...