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elizastudying's review against another edition
4.0
The more Edgeworth I read, the more I enjoy it. She is just a very well-versed, witty writer, who manages to put a lot of opinion and background into her novels without it being annoyingly foregrounded. This one in particular I enjoyed because of its nice mix of intrigue, romance, depictions of Irish peasantry, nationalism, commentary on absentee landlords, and descriptions of the higher classes at the time.
aydaybay's review against another edition
3.0
Better than I anticipated. Wasn't ground breaking but I enjoyed the characters and their interactions.
lnatal's review against another edition
3.0
Free download available at Project Gutenberg.
NOTES ON 'THE ABSENTEE'
In August 1811, we are told, she wrote a little play about landlords and tenants for the children of her sister, Mrs. Beddoes. Mr. Edgeworth tried to get the play produced on the London boards. Writing to her aunt, Mrs. Ruxton, Maria says, 'Sheridan has answered as I foresaw he must, that in the present state of this country the Lord Chamberlain would not license THE ABSENTEE; besides there would be a difficulty in finding actors for so many Irish characters.' The little drama was then turned into a story, by Mr. Edgeworth's advice. Patronage was laid aside for the moment, and THE ABSENTEE appeared in its place in the second part of TALES OF FASHIONABLE LIFE. We all know Lord Macaulay's verdict upon this favourite story of his, the last scene of which he specially admired and compared to the ODYSSEY. [Lord Macaulay was not the only notable admirer of THE ABSENTEE. The present writer remembers hearing Professor Ruskin on one occasion break out in praise and admiration of the book. 'You can learn more by reading it of Irish politics,' he said, 'than from a thousand columns out of blue-books.'] Mrs. Edgeworth tells us that much of it was written while Maria was suffering a misery of toothache.
NOTES ON 'THE ABSENTEE'
In August 1811, we are told, she wrote a little play about landlords and tenants for the children of her sister, Mrs. Beddoes. Mr. Edgeworth tried to get the play produced on the London boards. Writing to her aunt, Mrs. Ruxton, Maria says, 'Sheridan has answered as I foresaw he must, that in the present state of this country the Lord Chamberlain would not license THE ABSENTEE; besides there would be a difficulty in finding actors for so many Irish characters.' The little drama was then turned into a story, by Mr. Edgeworth's advice. Patronage was laid aside for the moment, and THE ABSENTEE appeared in its place in the second part of TALES OF FASHIONABLE LIFE. We all know Lord Macaulay's verdict upon this favourite story of his, the last scene of which he specially admired and compared to the ODYSSEY. [Lord Macaulay was not the only notable admirer of THE ABSENTEE. The present writer remembers hearing Professor Ruskin on one occasion break out in praise and admiration of the book. 'You can learn more by reading it of Irish politics,' he said, 'than from a thousand columns out of blue-books.'] Mrs. Edgeworth tells us that much of it was written while Maria was suffering a misery of toothache.
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