aseel_reads's review against another edition

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4.0

I think I would have liked this more if it was a physical book. Putting the audio book at 1.25 was slow but at 1.5 it was hard to keep some of the names in my mind. 

But I generally enjoyed learning more about the goddesses, especially Hestia! It was also cool to see the perspective of the goddess In stories that I had just read from the perspective of mortal women in the authors other book. Fun times 

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silver_lining_in_a_book's review against another edition

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4.25

 
It’s fascinating that fully half of these six major goddesses have sworn off sex and marriage, given that they were worshipped during times when ordinary women had little choice about marriage, and almost no opportunity to reject it as a way of life. Perhaps the only thing we can read into this mismatch is that gods occupy a different plane from mortals and so would live unimaginable lives, and that being unmarried is as natural for a goddess (and unnatural for a mortal).

I really love Natalie Haynes' humour and writing style. This is my second read from her and she has really cemented herself as one of my favourite writers on Greek and Roman mythology already. I like the comparisons that she makes between ancient myth and current media, as well as sprinkling in some personal commentary and historical / archeological details, which really make her stand-out from the influx of mythology retellings we have been seeing recently.

I do not have much commentary to offer here. I found that I really loved this book and read it all in one go because of how interesting and well-written it was! I am afraid that it probably will not stick with me as much as some other books because of the incredible amount of information that was all squeezed into this book and the confusion I faced when the same characters was referred to by multiple different names (e.g. Greek, name, Roman names and all kinds of variations of it - I understand mentioning the different names but utilising them made me a little frustrated when I already always struggle with these names). Moreover, I think this would work so much better as a visual experience (e.g. a documentary or lecture series with slides) because of how often visual media such as art pieces and film snippets were mentioned. I am definitely not well versed in films, plays, musicals and TV series so all of these references went over my head despite me looking these things up after finishing a chapter.

All the negativity aside, I did truly love this and - who knows - maybe I will watch the films / series/ plays mentioned and give this a reread, I am definitely not opposed to that because this really was a good time!

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mars_loves_books's review

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5.0


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carijacqueline's review against another edition

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3.75


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tamarant4's review against another edition

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funny informative lighthearted relaxing fast-paced

4.0

[Erysichthon, cursed by Demeter] eats the racehorses, a warhorse and an ailouros – the animal they keep for catching vermin. This word was usually translated as ‘cat’ when I was a student, but some archaeozoologists now think domestic cats were quite late arrivals in Greece, so an ailouros might actually be a weasel or a pine marten. Whatever it is, Erysichthon eats it. [loc. 2795]
Haynes offers a witty, feminist account of six Olympian goddesses -- Aphrodite, Athene, Artemis, Demeter, Hera and Hestia -- bracketed by chapters on the Muses and the Furies. Her text is peppered with pop culture references (Katniss and Kate 'Hawkeye' Bishop, Lizzo and Cardi B, Lady Gaga and Arnold Schwarznegger, Jessica Jones and Barbie) as well as references to the myths in their various forms, and to artworks based on those myths. (I'd have liked more illustrations of the latter, but then again Kindle is not a great medium through which to view images, and the internet was at hand...)
Haynes reclaims Hera, who's typically depicted as foul-tempered, rageful and unreasonable, as the champion of married women -- and, implicitly, of a type of civilised order to which the 'petty, aggressive and routinely obnoxious' male gods are oblivious. She shows us the power of Demeter's rage and grief when Persephone is abducted by Hades; the destructive, sacrifice-demanding side of Artemis, and the great antiquity of her myth; the underappreciated Hestia, 'a goddess who doesn’t often do, but always is... our warm homecoming, our baked bread, our light in the dark' [2983]. She writes about how the Sirens were turned into magpies by the Muses (a myth I hadn't encountered before) and about the ways in which the Greeks identified and understood psychological states -- such as PTSD -- by thinking of them as curses dealt by particular deities.
Haynes is often slyly hilarious, for instance her remark that 'I too have been perplexed by Zeus’ habit of converting himself into a bird for the purposes of impressing or beguiling women'. I appreciate her humour a great deal and think it will appeal to the demographic that's perhaps her target audience: young women without much experience of Greek mythology. Her style is informal, her breadth of knowledge impressive and her observations highly relevant to the modern world. I've read and admired Haynes' novel Stone Blind, which retells the story of Medusa and her sisters: I think her non-fiction writing is equally accomplished.
of all the goddesses in this book, the Furies – not in their role of vengeance-goddesses but in the sense of collective, societal shame that they also personify, shame at breaking your word or behaving cruelly and dishonestly – might be the ones I would most like to see restored to a modern pantheon. [loc. 4040]


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kobooks's review against another edition

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adventurous challenging funny informative medium-paced

3.75


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fallingdownrabbitholes's review against another edition

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4.0


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martha_is_reading's review against another edition

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4.25

I love anything Natalie Haynes writes and her narration adds another level. 

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moonytoast's review

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4.25

 Thank you to Netgalley and HarperCollins Publishers for providing me with a digital ARC of this book! 

In a time where retellings and reimaginings of Greek mythology are at the height of their cultural relevance—see the current adaptation of Percy Jackson & the Olympians and the continued success of Hadestown on Broadway—Natalie Haynes never fails to breathe some fresh air and new ideas into the public conversation around these myths. This is true of her previous works and of Divine Might, which delves into the goddesses at the heart of many Greek myths... and some who, despite their lack of narrative importance in such stories as the Titanomachy, still held an almost omnipresent space in ancient Greek culture. 

Haynes does not just focus on the past importance of these goddesses to ancient Greeks and Romans, though she does excellently examine their roles throughout various poems and epics and their role in the lives of ancient Greeks. She also looks at the way the modern world and media landscape continues engage with these myths and divine figures, our current ideas and values shaping our own perceptions of these goddesses and their stories. (The chapter about Artemis features a brief but delighted mention about the character of Katniss Everdeen.) 

The standout chapters for me are on Hestia, Demeter, and Athene, with an honorable mention of The Furies, but every chapter is well written and infused with Haynes' pension for dry humor, candor, and nuanced love for these myths. I always come out of Haynes' works with new eyes for the iconic stories from Greek mythology. 

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theatomicblonde22's review against another edition

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4.5

If you are a regular listener of Natalie Haynes' podcast, of if you have already read her book Pandora's Jar, you will find very similar content in this new book of essays

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