fossen's review against another edition

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4.0

The highlight of this book, by far, is the translation of Maria Knebel's "Active Analysis of the Play and the Role." In this in-depth essay, Knebel lays out the concepts behind Active Analysis, the last stage of Stanislavsky's work. It is clear-eyed and fascinating, and the translation is excellent.

The other half of this volume is Thomas' descriptions of working with Active Analysis in development of A Midsummer Night's Dream. These are decidedly less useful, as records of a specific rehearsal process so often are. I'm not sure these illuminate Knebel's words with the kind of practical explication which was intended.
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