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allythebooknerd's review against another edition
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
sandin954's review against another edition
3.0
First published book in the Roth Trilogy (though the third chronologically). A female Anglican curate and her policeman husband are rocked by the kidnapping of their daughter. Lots of church politics and theology.
ljjohnson8's review against another edition
2.0
It appeared this novel was going to be about how a married couple - a clergywoman and a cop - deal with the most horrible tragedy possible. However, it introduced too many characters - the ranting woman in the church, the husband's godfather, the bishop - and made them seem significant, then gave them inexplicable things to do and no closure. This is one of three books involving the same families and geographical location over several generations, so perhaps Taylor was setting up things that would become clearer in the other books. But that just made this book the poorer. After a good beginning and a very interesting main character - the clergywoman - it veered off into other less compelling areas and had a very unsatisfactory conclusion.
dog_mama_20's review against another edition
dark
hopeful
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Flaws of characters a main focus? Yes
5.0
nocto's review
The first part of a trilogy that has me wondering where the last two parts will go. I know from the introduction to this book that they go backwards in time and to other places and there are plenty of hints to the characters pasts in this book that I'm looking forward to filling in with details.
This is a story about the abduction of four year old Lucy Appleyard, the daughter of Michael, a police detective, and Sally, a Church of England deacon. The fact that the main mystery is solved but the threads aren't all tied up in this book and I'm going to have to go and get the following two volumes could be annoying but it actually makes it a really good book that leaves me wondering.
This is a story about the abduction of four year old Lucy Appleyard, the daughter of Michael, a police detective, and Sally, a Church of England deacon. The fact that the main mystery is solved but the threads aren't all tied up in this book and I'm going to have to go and get the following two volumes could be annoying but it actually makes it a really good book that leaves me wondering.
sarah1984's review against another edition
3.0
25/9 - I love it when people (in books or tv, I've never actually heard it said in RL) use the phrase "Is that the time? I must dash." or words to that effect. It always brings me back to Fawlty Towers, I can't remember exactly which episode it's from but reading it always makes me laugh. To be continued...
26/9 - On page 89,
Clutching the box of paper handkerchiefs...".
Hasn't, like, the whole world been calling them tissues for some time now? That's a very odd way of putting it. *Shakes head in confusion, then scratches it in continued confusion* To be continued...
27/9 - Reading this was slightly weird for me because I knew the big surprise that was sprung on us at the ending. I made the unfortunate mistake of half reading the second book in this series, thinking it was this one (don't ask me how that happened), and so I knew who Angel would turn out to be as soon as she started talking about her father and his new wife. I will be interested to get back to The Judgement of Strangers, book two, as Angel hadn't really made an appearance yet, and I'm looking forward to seeing how she got from the mostly normal person she started out as to the 'Angel, massacrer of innocents' that we see in this book. I also want to understand the psychopathy behind her motives, as Angel doesn't do any self-analysis and Eddie isn't capable.
At some points I found the language a little too flowery for my tastes, especially considering the type of book that it is, and some of the details of the plot too hazy, too vague. I felt like Eddie was an unreliable narrator because a number of the scenes that he describes come to us muddled due to unspecified illness creating fever, alcohol, or blackouts due to mental trauma. The reader is supposed to guess, or assume, what happened through the descriptions Eddie gives us, but those descriptions might be (or might not be) corrupted by hallucinations and nightmares, and so as the reader you can't really trust what he's telling you. He might be telling us what he saw, or he might have hallucinated the whole thing and actually spent the whole night in bed asleep.
Religion played a very important part in this story. Sally, mother of the kidnapped child, is a priest who isn't particularly welcomed to the parish she presides over. David's, her husband's, godfather, is a retired priest with no love for the idea of female priests (it's never made clear when this was set, except that there are mobile phones and that it's after the 80s). After the abduction of Lucy Sally frequently questions her faith, the likelihood of there actually being a god who takes any notice of the troubles of man, and whether her female priestliness is the reason for the abduction of her child - is she going against God by being an ordained woman and is she therefore being punished for her audacity.
The Last Four Things had an interesting premise, but it got a bit bogged down and slow moving whenever we switched to Sally's POV. All she seemed to do was pray, or attempt to pray, sleep (due to sleeping pills handed out by whichever police officer had drawn the short straw and was tasked with babysitting her) and move listlessly around the apartment, or whatever other building, she was in at that time. I think, if I didn't own the final book in the trilogy I would probably stop reading the series right now, as it is I do so I feel obliged to go on, but I'm not expecting the reading of the rest of The Judgement of Strangers to be filled with twists and turns or fireworks.
26/9 - On page 89,
Clutching the box of paper handkerchiefs...".
Hasn't, like, the whole world been calling them tissues for some time now? That's a very odd way of putting it. *Shakes head in confusion, then scratches it in continued confusion* To be continued...
27/9 - Reading this was slightly weird for me because I knew the big surprise that was sprung on us at the ending. I made the unfortunate mistake of half reading the second book in this series, thinking it was this one (don't ask me how that happened), and so I knew who Angel would turn out to be as soon as she started talking about her father and his new wife. I will be interested to get back to The Judgement of Strangers, book two, as Angel hadn't really made an appearance yet, and I'm looking forward to seeing how she got from the mostly normal person she started out as to the 'Angel, massacrer of innocents' that we see in this book. I also want to understand the psychopathy behind her motives, as Angel doesn't do any self-analysis and Eddie isn't capable.
At some points I found the language a little too flowery for my tastes, especially considering the type of book that it is, and some of the details of the plot too hazy, too vague. I felt like Eddie was an unreliable narrator because a number of the scenes that he describes come to us muddled due to unspecified illness creating fever, alcohol, or blackouts due to mental trauma. The reader is supposed to guess, or assume, what happened through the descriptions Eddie gives us, but those descriptions might be (or might not be) corrupted by hallucinations and nightmares, and so as the reader you can't really trust what he's telling you. He might be telling us what he saw, or he might have hallucinated the whole thing and actually spent the whole night in bed asleep.
Religion played a very important part in this story. Sally, mother of the kidnapped child, is a priest who isn't particularly welcomed to the parish she presides over. David's, her husband's, godfather, is a retired priest with no love for the idea of female priests (it's never made clear when this was set, except that there are mobile phones and that it's after the 80s). After the abduction of Lucy Sally frequently questions her faith, the likelihood of there actually being a god who takes any notice of the troubles of man, and whether her female priestliness is the reason for the abduction of her child - is she going against God by being an ordained woman and is she therefore being punished for her audacity.
The Last Four Things had an interesting premise, but it got a bit bogged down and slow moving whenever we switched to Sally's POV. All she seemed to do was pray, or attempt to pray, sleep (due to sleeping pills handed out by whichever police officer had drawn the short straw and was tasked with babysitting her) and move listlessly around the apartment, or whatever other building, she was in at that time. I think, if I didn't own the final book in the trilogy I would probably stop reading the series right now, as it is I do so I feel obliged to go on, but I'm not expecting the reading of the rest of The Judgement of Strangers to be filled with twists and turns or fireworks.
mashimaro's review
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
booketybookstore's review against another edition
3.0
Dark but gripping- will definitely read other Roth books.
epictetsocrate's review against another edition
3.0
Toată viața sa, Eddie a crezut în Moș Crăciun. În copilărie, credința sa era instinctivă și firească; s-a agățat de ea mai mult decât cei de-o vârstă cu el și a abandonat-o regretând. În locul ei, a apărut o nouă convingere, un alt Moș Crăciun: nu atât de bine definit ca primul și astfel mai vulnerabil.
Acest Moș Crăciun era zeitatea lui proprie, sursa unor mici miracole și a unor neașteptate bucurii. Acestui Moș Crăciun – cui altcuiva? – i-o datora pe Lucy Appleyard.
Lucy se afla în curtea din spate a casei Carlei Vaughan. Eddie era în umbra aleii, dar Lucy stătea lângă o fereastră luminată, așa că nu putea fi nicio greșeală la mijloc. Ploua, iar părul ei întunecat era punctat cu picături de apă care sclipeau precum perlele. Imaginea ei îl lăsă fără suflare. Era ca și cum l-ar fi așteptat pe el. „Un cadou primit mai devreme, se gândi el, frumos împachetat, ca pentru Crăciun.”
Acest Moș Crăciun era zeitatea lui proprie, sursa unor mici miracole și a unor neașteptate bucurii. Acestui Moș Crăciun – cui altcuiva? – i-o datora pe Lucy Appleyard.
Lucy se afla în curtea din spate a casei Carlei Vaughan. Eddie era în umbra aleii, dar Lucy stătea lângă o fereastră luminată, așa că nu putea fi nicio greșeală la mijloc. Ploua, iar părul ei întunecat era punctat cu picături de apă care sclipeau precum perlele. Imaginea ei îl lăsă fără suflare. Era ca și cum l-ar fi așteptat pe el. „Un cadou primit mai devreme, se gândi el, frumos împachetat, ca pentru Crăciun.”
aospovat's review against another edition
5.0
This trilogy as a whole is brilliant & amazing, but I found The Four Last Things the weakest of the three.