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meghan_e's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Phenomenally well written, but warnings for LOTS of on-page struggles through grief & trauma rooted in the FMC’s sister unaliving herself by jumping in front of the MMC’s car when they were all teenagers. Layered on top of that are the FMC’s immigrant parents and the distant relationship they all have with each other… I know it sounds like Entirely Too Much, but the MCs felt SO believable and true. The setup felt intense, but deftly managed.
Moderate: Injury/Injury detail, Suicide, Car accident, Panic attacks/disorders, Medical content, Grief, and Death
kimapede's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Moderate: Car accident, Grief, Panic attacks/disorders, and Death
Minor: Suicide, Medical content, Drug use, and Injury/Injury detail
thatswhatshanread's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I think, if you’re looking for a modern book that has the vibes of Jane Austen when it comes to YEARNING and dramatic romance, this one has to be it??? That may sound crazy to say. But I couldn’t help feeling that familiar great tug and ache of Georgian-era stories. Okay, maybe this one has more of the tragedy synonymous with the Brontes. In any case, Kuang’s writing swept me away. The desperation on the pages gripped me to the bone. The way Grant wanted and needed Helen was so TANGIBLE.
“How To End A Love Story” was much more romantic and sexual than I thought it would be, especially considering the cold beginning and introduction to these two characters with the worst kind of shared tragedy. It worked so well obviously because one second I’m like okay and then I’m obsessed with the way they sink deeper into each other’s orbits and forgive themselves for being who they once were. I love that Grant falls first and isn’t afraid to tell Helen what he wants. It’s so genuine and so soft. Helen is more the stand-offish unsure one and their pairing doesn’t feel forced at all, even with the circumstances of their past and present. Kuang’s writing is harsh in a whimsical way, somehow an oxymoron of sweet subtle sentences and hard honest dialogue. There are heavy overall themes of suicide, grief, panic attacks. The story is very demanding of all of your emotions. It is definitely not a romcom. It’s a romantic drama for sure, with lots of deep trauma and healing.
THIS is how you do the grumpy x sunshine trope. It’s not too much of either, one character being a little ball of rainbow and glitter, the other the grim reaper who hates children and animals. It’s just the right amount of give and take, of one falling first and the other afraid to admit it. That’s that on tortured slow burns, baby. Lololololol the head of The Tortured Poets Department will see you now.
“Loving can hurt, and I want to do it anyway.”
READ THIS BOOK!!!!! Sorry if you cry but actually not really because crying is HEALTHY!!!!
Graphic: Death, Suicidal thoughts, Car accident, Panic attacks/disorders, Child death, Injury/Injury detail, Self harm, Sexual content, Suicide, Medical content, Grief, Cursing, and Medical trauma
Moderate: Drug abuse, Drug use, Addiction, Mental illness, and Alcohol
Minor: Blood
estellec13's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Suicide, Sexual content, Grief, Car accident, Child death, and Death
Moderate: Panic attacks/disorders
Minor: Alcohol and Medical content
catsandmetaphors's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.5
Graphic: Suicide, Panic attacks/disorders, Car accident, Death, Medical content, and Sexual content
michelle_my_belle's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Medical content, Alcohol, Car accident, Child death, Mental illness, Suicide, Cursing, Death, Grief, Injury/Injury detail, Sexual content, and Panic attacks/disorders
Moderate: Addiction and Drug abuse
silverhill's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.25
Graphic: Car accident, Death, and Grief
Moderate: Sexual content, Suicide, Injury/Injury detail, and Panic attacks/disorders
Minor: Medical content, Drug use, and Alcohol
cathyo_113's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Car accident, Grief, Suicide, and Panic attacks/disorders
Moderate: Drug abuse, Drug use, Medical content, Addiction, Sexual content, Injury/Injury detail, Toxic relationship, and Medical trauma
bookishbrenbren's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
The very icky premise is laid out in the first chapter: the pair is a woman whose sister committed suicide and the man who was driving the car when she ran into traffic. Um why??? Why did that need to be a couple?!?! so anyway, i go on reading because it's so highly hyped, waiting for the ickiness to smooth itself out and for all these characters to like work through their collective, shared trauma and like let that emotional work bring them closer lol no none of that happens. For some reason, the main character is not turned off enough by her own grief and her partner's role in that grief - or at least his connection to it - to not have sex with him. And it's very weird like all around like have any of the people on the production side of this book ever lost a family member and/or experienced grief?? Like I know they must have, but I'm just wondering how this book ends up the book that it is. Idk call me crazy but grief is not a huge turn on for me. Much less grief by suicide! Were there sensitivity readers? I'm dying to know because some of the language used in this book seems very yeah I'm just gonna say it again icky.
If this was real like and the girl you ran over's sister asked you to fuck off their show's adaptation writing team, why would you say No!? Obviously he's not hurting for opportunities. And why would you EVER forgive him for saying no???? Can I not just suffer once, you want me to suffer every day I show up to work? Again I return to the idea that none of these editors, agents, writer, have ever actually lost anyone close to them.
Anyways. Ultimately the biggest issue here is that there is no character development. The pair has sexual chemistry as I mentioned before, but we have no idea why they do the things they do. Like it's clear, given their shared trauma, why they would *not* want to get together but what is making them ignore all of that self preservation? We'll never know because these characters are like an inch deep.
Graphic: Medical content, Car accident, Child death, Cursing, Grief, Alcohol, Death, Panic attacks/disorders, and Suicide
gwenswoons's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I did find the characters’ arcs disappointing and flat - somehow their individual growth in order to find their way back to each other didn’t quite register or land believably. I also guess I struggled (though I am a voracious rom-com and romance reader and actually very rarely say this!) with the believability of the basic premise: there were just a few too many neat/tidy coincidences to the overall romance plot, and though I get the plot device of this very specific enemies-to-lovers bent, it was so on the nose (like…there’s enemies and there’s “was driving the car when your teenage sister, who had no access to mental health support, jumped in front of it and died by suicide”) that it felt sort of heavy-handed ultimately. As I said - lots that was interesting, and also not totally satisfying for me ultimately.
Graphic: Death, Injury/Injury detail, Car accident, Medical trauma, Panic attacks/disorders, Mental illness, Grief, Suicide, Child death, and Medical content
Moderate: Body horror, Blood, Bullying, Alcohol, Addiction, Drug abuse, and Drug use